Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Originating as a radio series in 1933, the Lone Ranger is a cross-media star who has appeared in comic strips, comic books, adult and juvenile novels, feature films and serials, clothing, games, toys, home furnishings, and many other consumer products. In his prime, he rivaled Mickey Mouse as one of the most successfully licensed and merchandised children’s properties in the United States, while in more recent decades, the Lone Ranger has struggled to resonate with consumers, leading to efforts to rebrand the property. The Lone Ranger’s eighty-year history as a lifestyle brand thus offers a perfect case study of how the fields of licensing, merchandizing, and brand management have operated within shifting industrial and sociohistorical conditions that continue to redefine how the business of entertainment functions. Deciphering how iconic characters gain and retain their status as cultural commodities, Selling the Silver Bullet focuses on the work done by peripheral consumer product and licensing divisions in selectively extending the characters’ reach and in cultivating investment in these characters among potential stakeholders. Tracing the Lone Ranger’s decades-long career as intellectual property allows Avi Santo to analyze the mechanisms that drive contemporary character licensing and entertainment brand management practices, while at the same time situating the licensing field’s development within particular sociohistorical and industrial contexts. He also offers a nuanced assessment of the ways that character licensing firms and consumer product divisions have responded to changing cultural and economic conditions over the past eighty years, which will alter perceptions about the creative and managerial authority these ancillary units wield.
Product management. --- License agreements. --- Character merchandising. --- Branding (Marketing) --- Lone Ranger
Choose an application
Lone Ranger (Fictitious character) --- Product management --- License agreements --- Character merchandising --- Branding (Marketing)
Choose an application
This book examines the role of comics in the perpetuation of the myth of the American West. In particular, it looks at the ways in which lone central characters, and their acts of violence, are posited as heroic. In doing so, the book raises questions both about the role of women in a supposedly male space, in addition to the portrayal of Native Americans within the context of this violence. Various adaptations of historical figures, such as Buffalo Bill and Billy the Kid, as well as film and television stars such as The Lone Ranger and Dale Evans are examined in detail. Although concentrating on American comics, examples both from Britain and France are also analyzed.
Philosophy and psychology of culture --- Political philosophy. Social philosophy --- Sociology of culture --- International relations. Foreign policy --- Mass communications --- History of civilization --- populaire cultuur --- communicatie --- cultuur --- leren --- globalisering --- Amerikaanse cultuur --- beeldverhalen --- lesgeven --- Buffalo Bill --- Lone Ranger [Fictitious character] --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- Great Britain --- France --- United States of America
Choose an application
This book examines the role of comics in the perpetuation of the myth of the American West. In particular, it looks at the ways in which lone central characters, and their acts of violence, are posited as heroic. In doing so, the bookraises questions both about the role of women in a supposedly male space, in addition to the portrayal of Native Americans within the context of this violence. Various adaptations of historical figures, such as Buffalo Bill and Billy the Kid, as well as film and television stars such as The Lone Ranger and Dale Evans are examined in detail. Although concentrating on American comics, examples both from Britain and France are also analyzed.
Philosophy and psychology of culture --- Political philosophy. Social philosophy --- Sociology of culture --- International relations. Foreign policy --- Mass communications --- History of civilization --- populaire cultuur --- communicatie --- cultuur --- leren --- globalisering --- Amerikaanse cultuur --- beeldverhalen --- lesgeven --- Buffalo Bill --- Lone Ranger [Fictitious character] --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- Great Britain --- France --- United States --- Western comic books, strips, etc --- verenigde Staten --- westerns --- beeldverhaal --- twintigste eeuw --- graphic novels --- kunst --- stripgeschiedenis --- 741.53 --- strips --- tekenkunst --- Comic books, strips, etc. --- West (U.S.) --- In mass media. --- Popular Culture. --- Communication. --- United States—Study and teaching. --- Culture. --- Popular Culture . --- Media and Communication. --- American Culture. --- Global/International Culture. --- Communication, Primitive --- Mass communication --- Sociology --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Cultural sociology --- Civilization --- Popular culture --- Social aspects --- United States of America
Listing 1 - 4 of 4 |
Sort by
|