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"The Art of Gerhard Richter: Hermeneutics, Images, Meaning presents the first philosophical investigation of, arguably, one of the most popular and important painters working today, Gerhard Richter. From monochrome painting and photo realism to conceptual art and gesture-expressive painting, Richter has transformed the spectrum of 20th-Century painting. Building upon Gadamer's notion of 'formed images', the book outlines elements of a hermeneutics and a phenomenology of images and paintings. Moreover, the hermeneutic approach to art is combined with the crucial question of how paintings and photographs are related to each other for Richter. The author suggests that paintings "open up" the fixed relation and intentionality of photographs by idealizing and essentializing the content of the photographs. By relying upon a hermeneutical and phenomenological approach, rather than working from abstract theory, The Art of Gerhard Richter provides philosophical insights developed out of Richter's works of art. Uncovering key philosophical aspects of Richter's work, the author's reflections discuss the relation between appearance and essence, the role of faith and hope, the dialectic of distance and nearness, the issues of death and terror, and the role of beauty and landscapes in Richter's paintings."--Bloomsbury Publishing.
Richter, Gerhard, --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- Criticism and interpretation.
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Richter, Gerhard --- schilderkunst --- fotografie --- tekenkunst --- schetsboeken --- Richter Gerhard --- Duitsland --- collages --- twintigste eeuw --- 75.071 RICHTER --- Richter, Gerhard, --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- artists' books [books]
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Richter, Gerhard --- -Richter, Gerhard --- -Exhibitions --- Criticism and interpretation --- Richter, Gerhard, --- Exhibitions. --- Criticism and interpretation. --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד,
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"Gerhard Richter is one of the most important and influential artists of the post-war era. For decades he has sought innovative ways to make painting more relevant, often through a multifaceted dialogue with photography. Today Richter is most widely recognized for the photo-paintings he made during the 1960s that rely on images culled from mass media and pop culture. Always fascinated with the limits and uncertainties of representation, he has since then produced landscapes, abstractions, glass and mirror constructions, prints, sculptures, and installations."
Richter, Gerhard, --- Criticism and interpretation. --- 75.07 --- Schilderkunst ; 1950-2007 ; Gerhard Richter --- Kapitalistisch realisme --- Richter, Gerhard °1932 (°Dresden, Duitsland) --- Schilderkunst ; schilders --- Richter, Gerhard --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- Richter, Gerhard - 1932 --- -Richter, Gerhard --- -
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A lavishly illustrated monograph that spans the entire career of one of the most celebrated contemporary artists. Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter's rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.
kunst --- schilderkunst --- twintigste eeuw --- eenentwintigste eeuw --- Duitsland --- Richter Gerhard --- 75.071 RICHTER --- Richter, Gerhard, --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- Exhibitions --- Painting, Abstract --- Portrait painting, German --- Painting, German --- Painting --- Painting from photographs --- Social aspects --- Richter, Gerhard
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"In October 1962, a set of blurred surveillance photographs brought the world to the brink of nuclear apocalypse during the Cuban missile crisis. The pictures themselves demonstrated little, and explanatory captions were necessary to identify the danger for the public. In the following months, two artists with antithetical backgrounds arrived at a similar aesthetic: Andy Warhol, who began his career as a commercial artist in New York City, turned to the silkscreened replication of violent photographs. Gerhard Richter, who began as a mural painter in socialist Dresden, East Germany, painted blurred versions of personal and media photographs. In A Conspiracy of Images, author John J. Curley explores how the artists' developing aesthetic approaches were informed by the political agency and ambiguity of images produced during the Cold War, particularly those disseminated by the mass media on both sides."--
Art, Modern --- Art and society --- Cold War --- Themes, motives --- History --- Influence --- Subjects --- Warhol, Andy, --- Richter, Gerhard, --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- Warhola, Andrew, --- Warhol, Andrew, --- Varchola, Andrej, --- וורהול, אנדי, --- Criticism and interpretation.
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Painting, Abstract --- Portrait painting, German --- Figurative painting, German --- Peinture abstraite --- Peinture de portraits allemande --- Peinture figurative allemande --- Exhibitions --- Expositions --- Richter, Gerhard, --- Exhibitions. --- Photography, Artistic --- 75.071 RICHTER --- CDL --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- Criticism and interpretation.
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Richter, Gerhard --- Painting, German --- Peinture allemande --- Richter, Gerhard, --- Exhibitions. --- Richter, Gerhard °1932 (°Dresden, Duitsland) --- Schilderkunst ; 1962-1991 ; Gerhard Richter --- Tentoonstellingscatalogi ; London ; Tate Gallery --- Kapitalistisch realisme --- 75.07 --- 75.038 --- (069) --- Schilderkunst ; schilders --- Schilderkunst ; 1950 - 2000 --- (Musea. Collecties) --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- CDL --- 75.071 RICHTER --- Painting --- paintings [visual works] --- Abstract [modern European style] --- Capitalist Realism --- human figures [visual works] --- portraits
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Richter, Gerhard --- Richter, Gerhard, --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- 75.07 --- Richter, Gerhard °1932 (°Dresden, Duitsland) --- Tentoonstellingscatalogi ; New York ; MOMA --- Schilderkunst ; schilders A-Z --- Richter, Gerhard, - 1932- - Exhibitions --- Richter, Gerhard, - 1932 --- -75.07 --- -Richter, Gerhard --- -Richter, Gerhard, --- -Richter, Gerhard, - 1932 --- -Richter, Gerhard, - 1932-
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Photography, Artistic --- Richter, Gerhard, --- Richter, Gerhard --- Criticism and interpretation. --- kunst --- schilderkunst --- twintigste eeuw --- Richter Gerhard --- 75.071 RICHTER --- Exhibitions --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- Exhibitions. --- Photography, Artistic - Exhibitions --- Richter, Gerhard, - 1932- - Exhibitions --- Richter, Gerhard, - 1932- - Criticism and interpretation. --- Richter, Gerhard, - 1932 --- -Richter, Gerhard, - 1932 --- -Photography, Artistic --- -Richter, Gerhard --- -Richter, Gerhard, - 1932-
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