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As a result of global warming Shishmaref, a small island on the west coast of Alaska slightly south of the polar circle, inhabited by 600 Inupiaq, will crumble into the ocean in less then ten years time. Fourteen houses have been moved to safer ground already, another six are jeopardized by the violent waves of winter storms. The island and its inhabitants seem set to become the first clear victims of global warming and inadequate international environmental awareness.

A majority of the Inupiaq population have voted to move to a new location on the Alaska mainland across the bay, where they hope to preserve their traditional way of life as much as possible. Debates held during the past few years about where to relocate, revealed tensions between the older generations and adolescents. The youth are bored with five bingo evenings a week and the modest sports hall as the only entertainment facility available. The grown-ups – and especially the women – fear the influence of the city and the accompanying confrontation with alcohol and drugs, still totally absent on Shishmaref, responsible for the collapse of so many small communities in this region and others.

The countless news crews that visited the island over the past years paid no attention to the society as such. Almost all of them reported from the island in front of the house that hangs precariously over the eroding coastline. The climate message was the main focus of their stories. To filmmaker Jan Louter and photographer Dana Lixenberg, in contrast, the climate was a backdrop for the histories of people, of a community, of a life in all its paradoxical intricacies. Images of the hunt and of immense seascapes and snow-covered landscapes interact with intimate portraits and scenes from cluttered interiors. The impression it leaves yields more questions than answers: questions about identity, dignity, transience and mortality. What does it mean for an individual, for a culture to be forced to leave the land where their forefathers were born?

The Last Days of Shishmaref is a project employing diverse media which supplement and enhance one another: a website, a documentary film, a book, a touring exhibition and an educational project for secondary schools, accompanied by a DVD. Combining a variety of contemporary and historical materials and the input of professionals as well as the community, the project will appeal to both readers with an interest in anthropology and photography as well as those concerned with climate change.

Photography --- global warming --- fotoboeken --- klimaatverandering --- Lixenberg, Dana --- Alaska --- Alaska [state]

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The Dutch photographer Dana Lixenberg takes a direct and nonconceptual approach to photography. Her eye is nonjudgmental, and all her subjects, however varied, are treated with the same gaze.This volume presents her work from the 1990s in the United States. Homeless people, celebrities, residents of a public housing project- all are treated equally before Dana Lixenberg's lens.

commercial portraiture --- photography [process] --- fotografie --- Photography --- portretfotografie --- United States --- Lixenberg, Dana --- United States of America

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Dana Lixenberg (née en 1964 à Amsterdam) est une photographe et cinéaste néerlandaise. Elle vit et travaille à New York et Amsterdam. En 2017, elle a remporté le prix Deutsche Börse pour sa publication Imperial Courts (Rome, 2015). Imperial Courts est un projet de logements sociaux à Watts, Los Angeles. Le projet contient des travaux réalisés sur une période de 22 ans et se compose d’un livre, d’une exposition et d’un webdocumentaire. Imperial Courts a été construit en 1944 à l’angle de la 116e rue et de l’Imperial Highway à Watts, Los Angeles. Faisant partie d’un important ensemble de logements sociaux, il a attiré principalement des migrants afro-américains des États du Sud. Le site et les quartiers qui l’entourent sont rapidement devenus un ghetto, au-delà duquel les Afro-Américains n’étaient pas les bienvenus. La frustration face à la discrimination raciale et à l’isolement social a débordé dans les tristement célèbres émeutes de Watts en 1965. Des émeutes généralisées ont de nouveau éclaté en 1992, à la suite de l’acquittement de quatre officiers blancs de la police de Los Angeles accusés du passage à tabac brutal de Rodney King. Au fil des ans, Imperial Courts est passé de l’épicentre des émeutes raciales à un quartier anonyme et défavorisé. L’attention des médias s’est calmée, mais la vie des habitants continue.

fotografie --- documentaire fotografie --- portretfotografie --- stadsfotografie --- Verenigde Staten --- Los Angeles --- Lixenberg Dana --- twintigste eeuw --- eenentwintigste eeuw --- 77.071 LIXENBERG --- 761.2 --- reportagefotografie (documentaire fotografie) --- sociale fotografie --- fotografen, afzonderlijk --- Lixenberg, Dana --- Photography --- commercial portraiture --- African American --- United States --- Photographie --- Photographie d'art --- United States of America

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Photography --- photography [process] --- Tunbjörk, Lars --- Avedon, Richard --- Model, Lisette --- Coburn, Alvin Langdon --- Meene, Hellen, van --- Hockney, David --- Leiter, Saul --- Welling, James --- Muniz, Vik --- Fontcuberta, Joan --- Henson, Bill --- Ishiuchi, Miyako --- Lange, Dorothea --- Misrach, Richard --- Miyamoto, Ryuji --- Moriyama, Daido --- Penn, Irving --- Soth, Alec --- Teichmann, Esther --- Winogrand, Garry --- Lixenberg, Dana --- Weston, Edward --- Sassen, Viviane --- Fulford, Jason --- Hido, Todd --- Ulman, Amalia --- Abril, Laia --- Broomberg & Chanarin --- Umbrico, Penelope --- Bee, Olivia --- Horn, Roni --- Graham, Paul --- Wearing, Gillian --- Adams, Ansel --- Dean, Tacita --- Gibson, Ralph --- Araki, Nobuyoshi --- Baldessari, John --- Sheeler, Charles --- Talbot, William Henri Fox --- Man Ray