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Les mystères du Christ : les icônes de la liturgie
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ISBN: 2220048578 Year: 2001 Publisher: Paris Lonrai Desclée de Brouwer Normandie Roto s.a.

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Liturgy and art --- Jesus Christ --- Art.

Art and worship.
Authors: ---
ISBN: 0281054258 Year: 2002 Publisher: London SPCK

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Spiritualité contemporaine de l'art : approches théologique, philosophique et pratique
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ISBN: 9782830914627 2830914627 Year: 2012 Publisher: Paris: Labor et Fides,

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L'art contemporain utilise régulièrement le patrimoine chrétien dans ses créations. De leur côté, nombre de communautés religieuses sollicitent aujourd'hui des artistes pour renouveler leur communication visuelle et sonore. Cet ouvrage interdisciplinaire, écrit par des universitaires d'Allemagne, de France et de Suisse, propose des réflexions sur les influences respectives de ces deux milieux d'un point de vue théorique et pratique. Dans une première partie, des spécialistes de la Bible indiquent les ressources symboliques et artistiques des textes sacrés qui montrent davantage qu'une lecture superficielle. Puis, des philosophes réfléchissent à l'articulation entre religions et arts, dont le tronc commun des expressions culturelles fait consensus. Des contributions ultérieures sur les arts plastiques, la musique et des cas concrets de manifestations liant Églises et artistes ponctuent ce livre judicieusement illustré.


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Baptismal imagery in early Christianity : ritual, visual, and theological dimensions.
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ISBN: 9780801048326 Year: 2012 Publisher: Grand Rapids Baker Academic

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Icons and the liturgy, East and West : history, theology, and culture
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ISBN: 9780268101381 0268101388 9780268101404 9780268101411 026810140X 0268101418 Year: 2017 Publisher: Notre Dame University of Notre Dame Press

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"Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, and Chile, among other countries, to see how Christians of yesterday and today experience divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, Andriy Chirovsky"--

Liturgy as a way of life : embodying the arts in Christian worship.
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ISBN: 9780801031359 Year: 2013 Publisher: Grand Rapids Baker Academic

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Objects, images, and the word : art in the service of the liturgy
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ISBN: 0691115397 0691115389 Year: 2003 Volume: 6 Publisher: Princeton (N.J.): Index of Christian art, Dept. of art and archaeology, Princeton university in association with Princeton university press

Liturgii͡a, arhitektura i iskusstvo vizantijskogo mira
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ISBN: 5853810081 Year: 1995 Publisher: Sankt-Peterburg Byzantinorossica

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Icons and the Liturgy, East and West : History, Theology, and Culture
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ISBN: 0268101418 026810140X Year: 2017 Publisher: Notre Dame, Indiana : University of Notre Dame Press,

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"Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, and Chile, among other countries, to see how Christians of yesterday and today experience divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, Andriy Chirovsky"--


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Performing the Gospels in Byzantium
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ISBN: 9781108491396 1108491391 9781108868532 9781108812030 1108865372 1108870872 1108868533 Year: 2021 Publisher: Cambridge Cambridge University Press

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Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.

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