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Liturgy and art --- Jesus Christ --- Art.
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Christian art and symbolism --- Christianity and art --- Liturgy and art
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L'art contemporain utilise régulièrement le patrimoine chrétien dans ses créations. De leur côté, nombre de communautés religieuses sollicitent aujourd'hui des artistes pour renouveler leur communication visuelle et sonore. Cet ouvrage interdisciplinaire, écrit par des universitaires d'Allemagne, de France et de Suisse, propose des réflexions sur les influences respectives de ces deux milieux d'un point de vue théorique et pratique. Dans une première partie, des spécialistes de la Bible indiquent les ressources symboliques et artistiques des textes sacrés qui montrent davantage qu'une lecture superficielle. Puis, des philosophes réfléchissent à l'articulation entre religions et arts, dont le tronc commun des expressions culturelles fait consensus. Des contributions ultérieures sur les arts plastiques, la musique et des cas concrets de manifestations liant Églises et artistes ponctuent ce livre judicieusement illustré.
Christianity and art --- Liturgy and art --- Spirituality in art --- Art, Modern
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Baptism in art --- Baptism --- Christian art and symbolism --- Liturgy and art --- History
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"Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, and Chile, among other countries, to see how Christians of yesterday and today experience divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, Andriy Chirovsky"--
Icons --- Liturgy and art --- Liturgy and architecture --- Cult --- Catholic Church --- Orthodox Eastern Church --- Liturgy
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Christianity and art --- Christianity and the arts --- Liturgics --- Liturgy and art --- Liturgy and the arts --- Postmodernism --- Worship --- Religious aspects --- Christianity
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Liturgie en kunst --- Liturgie et art --- Liturgy and art --- Christian art and symbolism --- Liturgy and art. --- Art et symbolisme chrétiens --- 246.6 --- -Liturgy and art --- Art and liturgy --- Art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Symbolisme in de christelijke kunst --- 246.6 Symbolisme in de christelijke kunst --- Art et symbolisme chrétiens --- Medieval, 500-1500 --- Middle Ages, 500-1500
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Conferences - Meetings --- Liturgy and architecture --- Liturgy and art --- Orthodox Eastern Church --- Liturgy --- Art and liturgy --- Art --- Architecture and liturgy --- Liturgical architecture --- Architecture
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"Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, and Chile, among other countries, to see how Christians of yesterday and today experience divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, Andriy Chirovsky"--
Orthodox Eastern Church --- Catholic Church --- Liturgy and architecture --- Liturgy and art --- Icons --- Liturgy --- Liturgy --- Cult --- Catholic Church --- Orthodox Eastern Church --- Liturgy --- Liturgy
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Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.
Illumination of books and manuscripts, Byzantine. --- Lectionaries. --- Liturgy and art. --- Senses and sensation --- Religious aspects --- Orthodox Eastern Church. --- Illumination of books and manuscripts, Byzantine --- Liturgy and art --- Lectionaries --- Byzantine illumination of books and manuscripts --- Art and liturgy --- Art --- Pericopes --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Religious aspects&delete& --- Orthodox Eastern Church
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