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Este ensayo está concebido como un recorrido literario en el que la técnica y el ingeniero (su «sumo sacerdote», como dijo Oswald Spengler) son los protagonistas de su paisaje narrativo. Un recorrido que se inicia en el siglo xix en compañía de autores como Julio Verne, Rudyard Kipling, Robert Louis Stevenson, Joseph Conrad, Walt Whitman y Benito Pérez Galdós, continúa en el xx con Thomas Mann, Robert Musil, Andrei Platónov, E. I. Zamiátin y otros autores contemporáneos como Max Frisch, Jesús López Pacheco, Juan Benet y Gay Talese, y finaliza con relatos recientes de Julio Llamazares, Annie Michaels, Maylis de Kerangal y Francesco Pecoraro. Los relatos escogidos en este ensayo reflejan la mirada de sus autores sobre la ingeniería y los ingenieros, en los que la cultura técnica imprimió una identidad fundada en una nueva subjetividad y valores que surgieron ligados a esa profesión, y cómo se han expresado a lo largo del tiempo: de héroes del progreso
Technology in literature. --- Literature and technology. --- Littérature et technique
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Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account are nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison’s recitation of “Mary Had a Little Lamb” for his tinfoil phonograph in 1877, to the first novel-length talking books made for blinded World War I veterans, to today’s billion-dollar audiobook industry. The Untold Story of the Talking Book focuses on the social impact of audiobooks, not just the technological history, in telling a story of surprising and impassioned conflicts: from controversies over which books the Library of Congress selected to become talking books—yes to Kipling, no to Flaubert—to debates about what defines a reader. Delving into the vexed relationship between spoken and printed texts, Rubery argues that storytelling can be just as engaging with the ears as with the eyes, and that audiobooks deserve to be taken seriously. They are not mere derivatives of printed books but their own form of entertainment. We have come a long way from the era of sound recorded on wax cylinders, when people imagined one day hearing entire novels on mini-phonographs tucked inside their hats. Rubery tells the untold story of this incredible evolution and, in doing so, breaks from convention by treating audiobooks as a distinctively modern art form that has profoundly influenced the way we read.
Audiobooks --- Literature and technology --- Talking books --- Blind --- Industry and literature --- Technology and literature --- Technology --- Audio books --- Books, Cassette --- Books, Recorded --- Books on tape --- Cassette books --- Recorded books --- Sound recordings --- History. --- Books and reading --- Book history --- Sociology of literature --- audiobooks --- book history --- Audiobooks. --- Hörbuch. --- Literatur. --- Literature and technology. --- Talking books. --- Technischer Fortschritt. --- Technologie. --- Vertonung. --- Livres audio --- Littérature et technique --- Histoire.
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"This timely book examines the rise of posthumanism as both a material condition and a developing philosophical-ethical project in the age of cloning, gene engineering, organ transplants and implants. Nayar first maps the political and philosophical critiques of traditional humanism, revealing its exclusionary and 'speciesist' politics that position the human as a distinctive and dominant life form. He then contextualizes the posthumanist vision which, drawing upon biomedical, engineering and techno-scientific studies, concludes that human consciousness is shaped by its co-evolution with other life forms, and our human form inescapably influenced by tools and technology. Finally the book explores posthumanism's roots in disability studies, animal studies and bioethics to underscore the constructed nature of 'normalcy' in bodies, and the singularity of species and life itself. As this book powerfully demonstrates, posthumanism marks a radical reassessment of the human as constituted by symbiosis, assimilation, difference and dependence upon and with other species. Mapping the terrain of these far-reaching debates, Posthumanism will be an invaluable companion to students of cultural studies and modern and contemporary literature."--page 4 of cover.
Humanism. --- Humanistic ethics. --- Aesthetics. --- Semiotics. --- Literature and technology. --- Technology in literature. --- Humanisme --- Morale humaniste --- Esthétique --- Sémiotique --- Littérature et technologie --- Technologie dans la littérature --- Littérature et technique --- Humanisme. --- Morale humaniste. --- Esthétique. --- Sémiotique. --- Littérature et technologie. --- Technologie dans la littérature. --- Esthétique --- Sémiotique --- Littérature et technologie --- Technologie dans la littérature --- Humanism --- Humanistic ethics --- Aesthetics --- Semiotics --- Literature and technology --- Technology in literature --- Industry and literature --- Technology and literature --- Technology --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Humanist ethics --- Ethics --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- Psychology --- 82:62 --- 82:62 Literatuur en technologie --- Literatuur en technologie --- Littérature et technique. --- Radio broadcasting Aesthetics --- Esthétique. --- Sémiotique. --- Littérature et technique. --- Littérature et technologie. --- Technologie dans la littérature.
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