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Les ouvrages de littérature sentimentale ont un succès qui ne se dément pas, les récents best-sellers du genre ont montré que ceux-ci ont su se moderniser tout en restant fidèles à leurs origines. Ainsi, bien qu’ils puissent s’apparenter à des contes de fées pour adultes, ils présentent en leur sein un effet miroir de la société. Dès lors, dans le cadre des révolutions féministes, nous nous sommes attelées à réaliser une enquête afin de comprendre en quoi ce genre pouvait séduire un lectorat presque exclusivement féminin et comment celui-ci était perçu auprès de ses lectrices.
Littérature sentimentale --- Pratiques de lecture --- Féminisme --- Enquête --- Analyse de la réception --- phénomènes sociaux --- culture --- numérique --- Arts & sciences humaines > Littérature
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Popular literature --- Lamothe-Langon, Étienne-Léon de (1786-1864) --- Kock, Paul de (1791-1871) --- Dumas, Alexandre (1802-1870) --- Littérature populaire française --- Roman populaire français --- Théâtre populaire français --- Littérature sentimentale française --- Cabinets de lecture --- History and criticism. --- Critique et interprétation --- 19e siècle --- Édition --- Lamothe-Langon, Étienne-Léon de (1786-1864) --- Littérature populaire française --- Roman populaire français --- Théâtre populaire français --- Littérature sentimentale française --- Critique et interprétation --- 19e siècle --- Édition
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Fiction --- French literature --- anno 1600-1699 --- anno 1500-1599 --- French fiction --- Love in literature. --- Roman français --- Amour dans la littérature --- History and criticism. --- Histoire et critique --- Love in literature --- History and criticism --- Love novels --- 16th-17th centuries --- Criticism --- Roman sentimental français --- Amour --- Dans la littérature --- Amour dans la littérature. --- Littérature sentimentale française --- amour --- Roman français. --- Roman d'amour. --- Amour. --- Amour courtois. --- Thème littéraire. --- French fiction. --- Literature. --- Love. --- Roman --- Histoire et critique. --- Dans la littérature. --- roman français --- Littérature --- Français --- 17s --- Histoire --- Critique --- 1500-1599. --- 1600-1699. --- 1500-1699. --- Critique. --- Roman français --- Amour dans la littérature --- French fiction - 16th century - History and criticism --- French fiction - 17th century - History and criticism
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Reading the Romance: Women, Patriarchy, and Popular Literature
Women --- Love stories --- Popular literature --- Feminism and literature. --- Sex role in literature. --- Women in literature. --- Patriarchy. --- Littérature populaire --- --Books and reading. --- Appreciation. --- History and criticism. --- Books and reading. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Androcracy --- Patriarchal families --- Fathers --- Families --- Male domination (Social structure) --- Patrilineal kinship --- Romances (Love stories) --- Romantic fiction --- Romantic stories --- Fiction --- Literature --- Women authors --- Literature and feminism --- Romance fiction --- Littérature sentimentale --- Femmes --- Rôle selon le sexe --- Patriarcat (sociologie) --- Féminisme et littérature --- Appréciation --- Etats-Unis --- Dans la littérature --- Livres et lectures --- Histoire et critique --- Aspect social
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English literature --- Courtship --- Sisters --- Social classes --- Young women --- Engels --- Letterkunde --- England --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- Fiction --- Austen, Jane, --- Criticism and interpretation. --- Social life and customs --- Social classes - Fiction --- Young women - Fiction --- Sisters - Fiction --- England - Fiction --- Young women - England - Fiction --- Courtship - England - Fiction --- Austen, Jane, - 1775-1817 - Criticism and interpretation. --- England - Social life and customs - 18th century - Fiction --- Jeunes femmes --- Cour amoureuse --- Famille --- Roman familiale --- Litterature sentimentale --- Romans --- Angleterre (gb) --- Moeurs et coutumes --- 19e siecle --- Austen, Jane, - 1775-1817
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In the wake of the French Revolution, Edmund Burke argued that civil order depended upon nurturing the sensibility of men-upon the masculine cultivation of traditionally feminine qualities such as sentiment, tenderness, veneration, awe, gratitude, and even prejudice. Writers as diverse as Sterne, Goldsmith, Burke, and Rousseau were politically motivated to represent authority figures as men of feeling, but denied women comparable authority by representing their feelings as inferior, pathological, or criminal. Focusing on Mary Wollstonecraft, Ann Radcliffe, Frances Burney, and Jane Austen, whose popular works culminate and assail this tradition, Claudia L. Johnson examines the legacy male sentimentality left for women of various political persuasions. Demonstrating the interrelationships among politics, gender, and feeling in the fiction of this period, Johnson provides detailed readings of Wollstonecraft, Radcliffe, and Burney, and treats the qualities that were once thought to mar their work-grotesqueness, strain, and excess-as indices of ideological conflict and as strategies of representation during a period of profound political conflict. She maintains that the reactionary reassertion of male sentimentality as a political duty displaced customary gender roles, rendering women, in Wollstonecraft's words, "equivocal beings."
English fiction --- Politics and literature --- Women and literature --- Femininity in literature. --- Sentimentalism in literature. --- Authorship --- Sex role in literature. --- Femininity (Psychology) in literature --- Women authors --- History and criticism. --- History --- Sex differences. --- Wollstonecraft, Mary, --- Radcliffe, Ann, --- Burney, Fanny, --- Austen, Jane, --- Ao-ssu-ting, --- Ao-ssu-ting, Chien, --- Aosiding, --- Aosiding, Jian, --- Āsṭin̲, Jēn̲, --- Austenová, Jane, --- Osten, Dzheĭn, --- Ostin, Dzhein, --- Lady, --- Author of Sense and Sensibility, --- Остен, Джейн, --- Остен, Джейм, --- אוסטן, ג׳יין --- אוסטן, ג׳יין, --- أوستن، جين، --- Arblay, --- D'Arblay, --- Burneĭ, --- Bi︠u︡rneĭ, --- Burney, Frances, --- D'Arblay, Fanny, --- D'Arblay, Frances Burney, --- Arblay, Frances Burney d', --- Author of Evelina, --- Evelina, Author of, --- Author of Evelina and Cecilia, --- Evelina and Cecilia, Author of, --- Author of Camilla, --- Camilla, Author of, --- Wood, --- Burney, Frances Anne, --- Radcliffe, Ann Ward, --- Radcliffe, --- Radklif, Anna, --- Ratcliffe, --- Rattcliffe, Anne, --- Criticism and interpretation. --- Art d'écrire --- Empfindsamkeit. --- Engels. --- Engelsk litteratur --- Englisch. --- English fiction. --- Femmes et littérature --- Frauenliteratur. --- Féminité (psychologie) --- Féminité dans la littérature. --- Geschlechterrolle. --- Kvinnor och litteratur --- Letterkunde. --- Litteratur och politik --- Littérature sentimentale. --- Political fiction, English --- Political fiction, English. --- Politics and literature. --- Politiek. --- Politique et littérature --- Psychological fiction, English --- Psychological fiction, English. --- Roman anglais --- Roman. --- Rôle selon le sexe dans la littérature. --- Sentimentalisme dans la littérature. --- Sentimentalisme. --- Vrouwelijke auteurs. --- Women and literature. --- Écrits de femmes anglais --- Différences entre sexes. --- Sex differences --- Kvinnliga författare --- Historia. --- History and criticism --- Women authors. --- Histoire --- Dans la littérature. --- Femmes écrivains --- Histoire et critique. --- Histoire et critique --- Austen, Jane. --- Burney, Fanny. --- Radcliffe, Ann. --- Wollstonecraft, Mary. --- Critique et interprétation. --- analys och tolkning. --- 1700-1799. --- Great Britain. --- Gro�britannien. --- Great Britain --- 18th century --- Sentimentalism in literature --- Wollstonecraft, Mary --- Criticism and interpretation --- Radcliffe, Ann Ward --- Burney, Fanny --- Austen, Jane
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