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Littérature --- Iconographie --- Literature in art --- Authors

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Fino a pochi decenni fa dell’esistenza delle«camerae Lanzaloti» avevamo solo notizie indirette. Gli inventari del Palazzo di Piazza di Ferrara citano una «chamera de Lanziloto» che fu occupata, attorno al 1436, da Margherita Gonzaga, la giovane moglie di Leonello d’Este; e una «camera de Gienevere» – con dizione polarizzata dunque sul secondo membro della celebre coppia di amanti – si trovava anche nel castello di Sigismondo Malatesta a Rimini. Per venire infine al caso piú clamoroso, nel 1391 Agnese Visconti, figlia di Bernabò e prima moglie di Francesco Gonzaga, era stata decapitata al termine di un processo in cui, non si può dire quanto pretestuosamente, l’accusa aveva calcato la mano sui suoi presunti adulteri, il cui teatro sarebbe stata la stessa stanza nuziale del palazzo di Mantova, designata però dalle carte processuali con l’etichetta di «camera Lanzaloti». Si tratta di un’indicazione che sembra meno verosimilmente attribuibile a un intento di precisione istruttoria che non a una qualche malizia della corte giudicante, se si considera che la storia degli amori di Ginevra e Lancillotto continuava ancora a rappresentare, sullo scorcio del XIV secolo, e dunque un buon secolo dopo il notissimo e truce scandalo riminese che tanto colpí Dante, uno degli esempi piú famosi di tradimento coniugale. Da non molto, invece, un fortunato ritrovamento ha permesso di ricostruire nel suo aspetto e nelle sue reali dimensioni una di queste camere dipinte…

Art, Medieval --- Literature in art --- Art and literature --- Literature, Medieval

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Art --- Art, Chinese --- Literature in art --- Guo li gu gong bo wu yuan

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In Optical Allusions: Screens, Paintings, and Poetry in Classical Japan (ca. 800-1200) , Joseph T. Sorensen illustrates how, on both the theoretical and the practical level, painted screens and other visual art objects helped define some of the essential characteristics of Japanese court poetry. In his examination of the important genre later termed screen poetry, Sorensen employs ekphrasis (the literary description of a visual art object) as a framework to analyze poems composed on or for painted screens. He provides close readings of poems and their social, political, and cultural contexts to argue the importance of the visual arts in the formation of Japanese poetics and poetic conventions.

Japanese poetry --- Literature in art. --- Screen painting, Japanese --- Japanese screen painting --- Japanese poetry (Collections) --- Japanese literature --- History and criticism. --- History.

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'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.

Art and literature --- Literature in art. --- Epic French literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- History --- History and criticism. --- Dolet, Etienne, --- Ronsard, Pierre de, --- Aubigné, Agrippa d', --- D'Aubigné, Agrippa, --- Aubigné, Théodore Agrippa d', --- Obinʹe, Agrippa d', --- Обинье, Агриппа д', --- Obinʹe, Teodor Agrippa d', --- Обинье, Теодор Агриппа д', --- Ronsard, P. de --- De Ronsard, Pierre, --- Dolet, Étienne, --- Doletus, Stephanus, --- Dolet, Estienne, --- Literature in art --- History an criticism --- Aubigné, Agrippa d’, --- Art and literature - France - History an criticism --- Dolet, Etienne, - 1509-1546 --- Ronsard, Pierre de, - 1524-1585 --- Aubigné, Agrippa d’, - 1552-1630. - Tragiques