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This volume on Chinese animation and socialism is the first in English that introduces the insider viewpoints of socialist animators at the Shanghai Animation Film Studio in China. Although a few monographs have been published in English on Chinese animation, they are from the perspective of scholars rather than of the animators who personally worked on the films, as discussed in this volume. Featuring hidden histories and names behind the scenes, precious photos, and commentary on rarely seen animated films, this book is a timely and useful reference book for researchers, students, animators, and fans interested in Chinese and even world animation. This book originated from the Animators' Roundtable Forum (April 2017 at the Hong Kong University of Science and Technology), organized by the Association for Chinese Animation Studies.
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At a lonely place, in a remote hermitage somewhere in the Himālaya, the god Śiva is teaching Tantric worship to his humiliated sons, who want to regain their divine status: "You should worship the goddess Mahāmāyā Kālikā". Remarkable are his 'talks' about preliminary rituals, mudrās , and animal as well as human sacrifice. The Tantric Teachings form the inner core of the Kālikā Purāna, i.e. 'Old Stories about Kālikā', composed by a learned Brāhmin about a thousand years ago in Kāmarūpa (Assam). Careful listening to the text has been my first priority when presenting the relevant passages in text and translation.
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Korean Sinitic Poetry from Ancient Times to 1945 : Si in the East offers a ground-breaking introduction to the oral performative aspect of Korean Sinitic poetry ( hansi 漢詩). The anthology introduces 51 representative works of Korean Sinitic poetry from the 9th to early 20th century including 9 by women poets. Each poem is discussed with ample notes on allusions and expressions, sounds and verbal glossing ( hyŏnt’o ), and commentaries that look beyond the geographical boundary of Korea. Overview essays offer cultural and literary history in a broader East Asian context, and detailed linguistic guides emphasize the musicality and orality of this treasured literary tradition.
Asian Studies. --- East Asia. --- Korea. --- Literature & Culture.
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Indian Mahāyāna Buddhist traditions produced hundreds of scriptures and treatises, only a small number of which have received serious scholarly attention. The present volume inaugurates the Buddhist Open Philology Project (BOPP) publication series, which aims to produce state-of-the-art critical editions, translations, and studies of individual works, thereby seeking to advance the comprehensive study of Buddhism’s vast literary tradition. This volume collects four studies on the composition and impact of the collection of scriptures called the Mahāratnakūṭa (“Great Heap of Jewels”), including critical editions and translations of two scriptures. Contributors are: Jonathan A. Silk, †Gadjin M. Nagao, and Michael Radich.
Asian Studies. --- East Asia. --- Literature & Culture. --- Religion.
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Wopko Jensma's poetry constitutes an interesting and idiosyncratic response to the strife and turmoil in South Africa in the seventies. Jensma's experimental poetry harnesses the signatures of jazz lyrics, concrete poetry, the avant-garde as well as African dance forms in bizarre cameos of underclass misery and racial oppression. In lieu of metrical regularity and rhyme, the aesthetic experience is simulated by asemantic qualities of speech, sound, and rhythmic undulations in what is best described as a "withdrawal of semantic crutches". Jensma's private idiomatic language, mixing of dialects, the use of syncopation, ellipsis, and experimental topography have no doubt contributed to the cryptic and arcane aberrations associated with schizophrenia. This is the first study that explores the link between Jenma's poetry and schizophrenia and in which image, diction, and story coalesce to voice the anguish and alienation of underclass suffering.
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An Indian Bengali by birth, Amitav Ghosh has established himself as a major voice in what is often called world literature, addressing issues such as the post-colonial and neo-colonial predicaments, the plight of the subalterns, the origin of globalisation and capitalism, and lately ecology and migration. The volume is therefore divided according to the four domains that lie at the heart of Ghosh's writing practice: anthropology, epistemology, ethics and space. In this volume, a number of scholars from all over the world have come together to shed new light on the works and poetics of Amitav Ghosh according to the epistemic frameworks that form the bedrock of his fiction. Contributors: Safoora Arbab, Carlotta Beretta, Lucio De Capitani, Asis De, Lenka Filipova, Letizia Garofalo, Swapna Gopinath, Evelyne Hanquart-Turner, Sabine Lauret-Taft, Carol Leon, Kuldeep Mathur, Fiona Moolla, Sambit Panigrahi, Madhsumita Pati, Murari Prasad, Luca Raimondi, Pabitra Kumar Rana, Ilaria Rigoli, Sneharika Roy, John Thieme, Alessandro Vescovi.
Ghosh, Amitav, --- Criticism and interpretation. --- Literature & Culture --- Literature and Cultural Studies
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This collected volume studies the history of Western translation of premodern Chinese texts from the seventeenth to the twentieth century. A range of case-studies show how translation served to disseminate key texts, enabling them to travel in time and space, and cross linguistic and cultural barriers. This collected volume focuses on the history of Western translation of premodern Chinese texts from the seventeenth to the twentieth century. Divided into three parts, nine chapters feature close readings of translated texts, micro-studies of how three translations came into being, and broad-based surveys that inquire into the causes of historical change. Among the specific questions addressed are: What stylistic, generic, and discursive permutations were undergone by Chinese texts as they crossed linguistic borders? Who were the main agents in this centuries-long effort to transmit Chinese culture to the West? How did readership considerations affect the form that particular translations take? More generally, the contributors are concerned with the relevance of current research paradigms, like those of World Literature, transcultural reception, and the rewriting of translation history.
Asian Studies --- Comparative Studies & World Literature --- Cultural History --- Literature & Culture --- Literature and Cultural Studies --- China.
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This volume investigates interdisciplinary intersections between law and the humanities from the Renaissance to the present day. It allows for fruitful encounters between different disciplines: from literature to science, from the visual arts to the post-human, from the postmodern novel’s experimentation to most recent approaches towards the legal interpretation of literary texts. This productive dialogue fosters original perspectives in the interpretation of and reflection upon identity, justice, power and human rights and values, thus underlining the role of literature in the articulation of relevant cultural issues pertaining to specific periods.
Law and the humanities. --- Law and literature. --- Literature and law --- Literature --- Humanities and law --- Humanities --- Law, Literature, Culture, Human Rights.
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How and when does culture enter the discourse on liberation, transition and crisis in an African post-colony such as Zimbabwe? In a deeply polarised nation reeling from a difficult transition and an unrelenting economic crisis, it is increasingly becoming difficult for the ZANU PF regime to prescribe and enforce its monolithic concept of liberation. This book culls, from contemporary (counter)cultures of liberation and transition, the state of liberations in Zimbabwe. It explores how culture has functioned as a complex site where rigid state-authored liberations are legitimated and naturalised but also where they are negotiated, contested and subverted.
Zimbabwe --- Politics and government --- Social conditions --- African Studies. --- Literature & Culture. --- Sociology & Anthropology. --- Postcolonialism --- Mugabe, Robert Gabriel, --- Moral conditions --- Moral conditions.
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The ghost as a literary figure has been interpreted multiple times: spiritually, psychoanalytically, sociologically, or allegorically. Following these approaches, Janna Odabas understands ghosts in Asian American literature as self-reflexive figures. With identity politics at the core of the ghost concept, Odabas emphasizes how ghosts critically renegotiate the notion of 'Asian America' as heterogeneous and transnational and resist interpretation through a morally or politically preconceived approach to Asian American literature. Responding to the tensions of the scholarly field, Odabas argues that the literary works under scrutiny openly play with and rethink conceptions of ghosts as mere exotic, ethnic ornamentation.
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