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Yáñez, Agustín --- Spanish-American literature: authors --- Rulfo, Juan --- Revueltas, José --- Mexican literature --- Cristero Rebellion, 1926-1929 --- History and criticism --- Literature and the rebellion --- Mexican literature - 20th century - History and criticism --- Cristero Rebellion, 1926-1929 - Literature and the rebellion
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In the words of Kerlin, “Virtually the entire Afro-American press, consisting of two dailies, a dozen magazines, and nearly three hundred weeklies” is drawn upon in this text. He seeks to present not only the voice of the Negro, but also the heart and mind of the African-American community as well. This text is composed mostly of newspaper and magazine articles that seek to answer the American race question. This text is divided into ten sections organized by topic (such as “The Colored Press, “The Negro’s Reaction to the World War”, and “Riots”) which include brief introductions. This compilation from the colored press of America would be extremely beneficial to any researcher who is studying the African-American population’s view on race both in the past and in the present. It is designed to show the Negro's reaction to that and like events following, and to the World War and the Discussion of the Treaty. Because it was written in the four months that followed the Washington DC Race Riot of 1919, it would be a wonderful resource for anyone researching that event.
United States --- African Americans --- African American press --- Anthologies --- World War, 1914-1918 --- Mass media and race relations --- Literature and the rebellion --- Riots --- Washington (D.C.)
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Scott's Waverley (1814), set in and around the Jacobite Rising in the Scotland of 1745-6, was the first historical novel in world literature. Innovative and humane in its plot, rich in social detail, and truly international in popularity, it not only launched a genre, but also became a landmark in literary realism, in historiography and in bookselling. In this study, Richard Humphrey traces and accounts for the text's impact on historical fiction and shows its originality in tackling the manifold issues of rebellion and warfare, separatism and union, prejudice and cultural tolerance. He sets Waverley in its social and literary context, provides detailed analysis of key portions of the text, and offers guidance on further reading.
Scott, Walter --- Arts and Humanities --- Literature --- Jacobite Rebellion, 1745-1746 --- Scotland --- Literature and the rebellion. --- In literature. --- Scott, Walter, --- History --- Historiography. --- Caledonia --- Scotia --- Schotland --- Sŭkʻotʻŭllandŭ --- Ecosse --- Škotska --- Great Britain
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Gautam Chakravarty explores representations of the event which has become known in the British imagination as the 'Indian Mutiny' of 1857 in British popular fiction and historiography. Drawing on a wide range of primary sources including diaries, autobiographies and state papers, Chakravarty shows how narratives of the rebellion were inflected by the concerns of colonial policy and by the demands of imperial self-image. He goes on to discuss the wider context of British involvement in India from 1765 to the 1940s, and engages with constitutional debates, administrative measures, and the early nineteenth-century Anglo-Indian novel. Chakravarty approaches the mutiny from the perspectives of postcolonial theory as well as from historical and literary perspectives to show the extent to which the insurrection took hold of the popular imagination in both Britain and India. The book has a broad interdisciplinary appeal and will be of interest to scholars of English literature, British imperial history, modern Indian history and cultural studies.
English fiction --- 19th century --- History and criticism --- Literature and history --- Great Britain --- History --- India --- Anglo-Indian fiction --- English literature --- Indic influences --- British (Nation) --- Intellectual life --- Sepoy Rebellion, 1857-1858 --- Literature and the rebellion --- Historiography --- In literature --- British --- History and literature --- History and poetry --- Poetry and history --- Bharat --- Bhārata --- Government of India --- Ḣindiston Respublikasi --- Inde --- Indië --- Indien --- Indii︠a︡ --- Indland --- Indo --- Republic of India --- Sāthāranarat ʻIndīa --- Yin-tu --- インド --- هند --- Индия --- Historiography. --- Literature and the rebellion. --- In literature. --- Arts and Humanities --- Literature --- History and criticism. --- Indic influences. --- Intellectual life.
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English literature --- Literature and history --- Polemics in literature --- Politics and literature --- History and criticism --- History --- India --- Indland --- Ḣindiston Respublikasi --- Republic of India --- Bhārata --- Indii︠a︡ --- Inde --- Indië --- Indien --- Sāthāranarat ʻIndīa --- Yin-tu --- Bharat --- Government of India --- インド --- Indo --- Historiography. --- Literature and the rebellion. --- Public opinion. --- In literature. --- هند --- Индия
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English fiction --- 19th century --- History and criticism --- Literature and history --- Great Britain --- History --- 19th century --- Literature and history --- India --- History --- 19th century --- Anglo-Indian fiction --- History and criticism --- English literature --- Indic influences --- British (Nation) --- India --- Intellectual life --- India --- History --- Sepoy Rebellion, 1857-1858 --- Literature and the rebellion --- India --- History --- Sepoy Rebellion, 1857-1858 --- Historiography --- India --- In literature
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Within postcolonial studies, Britain's long contact with India has been read generally only within the context of imperialism to inform our understanding of race, gender, identity, and power within colonialism. Such postcolonial interpretations that focus on single dimensions of identity risk disregarding the sense of displacement, discontinuities, and discomforts that compromised everyday life for the British in India-the Anglo-Indians-during the Raj. Imperialism as Diaspora reconsiders the urgencies, governing principles, and modes of being of the Anglo-Indians by approaching Britain's imperial relationship with India from new, interdisciplinary directions. Moving freely between the disciplines of literature, history, and art this new work offers readers a more nuanced and comprehensive understanding of the lives of Anglo-Indians.Focussing on the years between the Indian Mutiny of 1857 and Independence in 1947-the period of the British Raj in India-Imperialism as Diaspora at once sets in motion the multidisciplinary fields of cultural and social history, art and iconography, and literary productions while carefully maintaining the tension between imperialism and diaspora in a ground-breaking reassessment of Anglo-India.Crane and Mohanram examine the seamless continuum between cultural history, the semiotics of art, and Anglo-Indian literary works. Specifically, they focus on the influence of the Sepoy Mutiny on Anglo-Indian identity; the trope of duty and the white man's burden on the racialization of Anglo-India; the role of the missionary and the status of Christianity in India; and gender, love and contamination within mixed marriages.
Anglo-Indian fiction --- English fiction --- English literature --- Indic fiction (English) --- History and criticism. --- Indic influences. --- India --- Bharat --- Bhārata --- Government of India --- Ḣindiston Respublikasi --- Inde --- Indië --- Indien --- Indii︠a︡ --- Indland --- Indo --- Republic of India --- Sāthāranarat ʻIndīa --- Yin-tu --- インド --- هند --- Индия --- History --- Historiography. --- Literature and the rebellion. --- In literature. --- Anglo-Indian literature --- British --- Imperialism in literature. --- Intellectual life. --- Social life and customs. --- British Occupation of India (1765-1947) --- 1765 - 1947
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