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Book
American poetry after modernism : the power of the word
Author:
ISBN: 1316236013 1316254933 1316253031 1316249255 1316234126 1316251144 131624735X 1139177850 1108706223 1107025249 1316245462 Year: 2015 Publisher: Cambridge : Cambridge University Press,

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Abstract

Albert Gelpi's American Poetry after Modernism is a study of sixteen major American poets of the postwar period, from Robert Lowell to Adrienne Rich. Gelpi argues that a distinctly American poetic tradition was solidified in the later half of the twentieth century, thus severing it from British conventions. In Gelpi's view, what distinguishes the American poetic tradition from the British is that at the heart of the American endeavor is a primary questioning of function and medium. The chief paradox in American poetry is the lack of a tradition that requires answering and redefining - redefining what it means to be a poet and, likewise, how the words of a poem create meaning, offer insight into reality, and answer the ultimate questions of living. Through chapters devoted to specific poets, Gelpi explores this paradox by providing an original and insightful reading of late twentieth-century American poetry.


Book
Practicing romance : narrative form and cultural engagement in Hawthorne's fiction
Author:
ISBN: 0691068763 132201888X 9781400862252 1400862256 9780691068763 0691609136 9780691609133 Year: 1992 Publisher: Princeton, N.J. Princeton University Press

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Practicing Romance sets out to re-tell the story of Hawthorne's career, arguing that he is best understood as a cultural analyst of extraordinary acuity, ambitious to reshape--in a sense to cure--the community he addresses. Through readings attentive to narrative strategy and alert to the emerging middle-class culture that was his audience, the book defines and describes Hawthornian Romance in a new way: not, in customary fashion, as the definitive instance of a peculiarly American genre, but as a narrative practice designed to expose and restage the covert drama that affiliates us to our community. Hawthorne's fiction thus recovers for its readers, through the interpretive independence it teaches, a freer, more lucid, more critical relation to the community we inhabit, and the cultural engagement romance enacts in turn rescues Hawthorne from the confining marginality that the writer's career had threatened to confer. From the book's distinctive account of his narrative tactics, especially his deployment of the voices and attitudes--authoritarian or democratic, entrapping or freeing--that give shape to his ideological terrain, Hawthorne emerges as a daring reinventor of the novel's cultural role.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Black, white, and Huckleberry Finn : re-imagining the American dream
Authors: ---
ISBN: 0585300607 9780585300603 9780817309954 0817309950 9780817311308 0817311300 9780817313517 0817313516 0817309950 9780585300607 9780817309950 Year: 1999 Publisher: Tuscaloosa : University of Alabama Press,

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This consequential book takes a hard, systematic look at the depiction of blacks, whites, and race relations in Mark Twain's classic novel, raising questions about its canonical status in American literature. Huckleberry Finn, one of the most widely taught novels in American literature, has long been the subject of ongoing debates over issues ranging from immorality to racism. Here, Elaine Mensh and Harry Mensh enter the debate with a careful and thoughtful examination of racial messages imbedded in the tale of Huck and Jim. Using as a gauge

American sensations : class, empire, and the production of popular culture
Author:
ISBN: 0520229452 0520223144 9786612762505 052093587X 1282762508 9780520935877 0585419639 9780585419633 9780520223141 9780520229457 9781282762503 6612762500 Year: 2002 Publisher: Berkeley : University of California Press,

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This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature. This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States.

Keywords

Classes sociales dans la littérature --- Ethnic groups in literature --- Ethnische groepen in de literatuur --- Groupes ethniques dans la littérature --- Imperialism in literature --- Imperialisme in de literatuur --- Impérialisme dans la littérature --- Nativism in literature --- Race dans la littérature --- Race in literature --- Ras in de literatuur --- Sensatiezucht in de literatuur --- Sensationalism in literature --- Sensationnalisme dans la littérature --- Social classes in literature --- Sociale klassen in de literatuur --- 19th century. --- American fiction. --- American fiction-- 19th century-- History and criticism. --- Literature and society - United States - History - 19th century. --- Popular literature. --- Popular literature - United States - History and criticism. --- Sociology of literature --- Fiction --- American literature --- anno 1800-1899 --- American fiction --- Popular literature --- Literature and society --- Social classes in literature. --- Sensationalism in literature. --- Ethnic groups in literature. --- Imperialism in literature. --- Nativism in literature. --- Race in literature. --- History and criticism. --- History --- 19th century --- History and criticism --- United States --- Lippard, George --- Criticism and interpretation --- Buntline, Ned --- Murieta, Joaquin --- 1800s. --- academic. --- american culture. --- american history. --- amnesia. --- anti imperialism. --- class issues. --- class. --- classism. --- cultural studies. --- empire. --- factory workers. --- imperial. --- imperialism. --- plantation. --- pop culture history. --- pop culture. --- popular culture. --- race issues. --- race. --- racism. --- romance. --- scholarly. --- united states history. --- us history. --- us mexican war. --- wartime. --- world history.

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