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Albert Gelpi's American Poetry after Modernism is a study of sixteen major American poets of the postwar period, from Robert Lowell to Adrienne Rich. Gelpi argues that a distinctly American poetic tradition was solidified in the later half of the twentieth century, thus severing it from British conventions. In Gelpi's view, what distinguishes the American poetic tradition from the British is that at the heart of the American endeavor is a primary questioning of function and medium. The chief paradox in American poetry is the lack of a tradition that requires answering and redefining - redefining what it means to be a poet and, likewise, how the words of a poem create meaning, offer insight into reality, and answer the ultimate questions of living. Through chapters devoted to specific poets, Gelpi explores this paradox by providing an original and insightful reading of late twentieth-century American poetry.
American poetry -- 19th century -- History and criticism. --- American poetry -- 20th century -- History and criticism. --- Literature and society -- United States -- History -- 19th century. --- Literature and society -- United States -- History -- 20th century. --- American poetry --- Literature and society --- English --- Languages & Literatures --- American Literature --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- American literature --- History and criticism --- History --- Social aspects --- History and criticism.
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Exploring poetry scrapbooks, old-time radio show recordings, advertising verse, corporate archives, and Hallmark greeting cards, among other unconventional sources, Mike Chasar casts American poetry as an everyday phenomenon consumed and created by a vast range of readers. He shows how American poetry in the first half of the twentieth century and its reception helped set the stage for the dynamics of popular culture and mass media today. Poetry was then part and parcel of American popular culture, spreading rapidly as the consumer economy expanded and companies exploited its profit-making potential. Poetry also offered ordinary Americans creative, emotional, political, and intellectual modes of expression, whether through scrapbooking, participation in radio programs, or poetry contests. Reenvisioning the uses of twentieth-century poetry, Chasar provides a richer understanding of the innovations of modernist and avant-garde poets and the American reading public's sophisticated powers of feeling and perception.
American poetry -- 20th century -- History and criticism. --- Literature and society -- United States -- History -- 20th century. --- Poetics -- History -- 20th century. --- Poetry -- Public opinion -- History -- 20th century. --- Poetry -- Social aspects -- United States -- History -- 20th century. --- Public opinion -- United States -- History -- 20th century.
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Literature and society --- Social classes in literature. --- Democracy in literature. --- History. --- James, Henry, --- Political and social views. --- James, Henry --- Criticism and interpretation --- Literature and society - United States - History. --- Literature and society - Great Britain - History. --- James, Henry, - 1843-1916 - Political and social views. --- James, Henry, - 1843-1916
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American literature --- Leisure --- Literature and society --- Recreation in literature. --- Leisure in literature. --- Work in literature. --- Play in literature. --- History and criticism. --- History --- History. --- American literature - 19th century - History and criticism. --- Leisure - United States - History - 19th century. --- American literature - 20th century - History and criticism. --- Literature and society - United States - History. --- Leisure - United States - History - 20th century.
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Social problems in literature --- American poetry --- Poetry --- Literature and society --- History and criticism --- Social aspects --- History --- Social problems in literature. --- History and criticism. --- American poetry - History and criticism --- Poetry - Social aspects - United States - History - 20th century --- Literature and society - United States - History - 20th century
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Sociology of literature --- Fiction --- American literature --- anno 1800-1899 --- Literature and society --- Literatuur en maatschappij --- Littérature et société --- Popular culture --- American fiction --- History --- History and criticism --- History and criticism. --- 19th century --- United States --- Hawthorne, Nathaniel --- Criticism and interpretation --- Howells, William Dean --- Twain, Mark --- James, Henry --- Literature and society - United States - History --- Popular culture - United States - History - 19th century --- American fiction - 19th century - History and criticism
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Individualism in literature --- Indépendance (Philosophie) dans la littérature --- Onafhankelijkheid (Filosofie) in de literatuur --- Self-reliance in literature --- Literature and society --- History --- Emerson, Ralph Waldo, --- Political and social views --- Individualism in literature. --- Self-reliance. --- Emerson, Ralph Waldo --- Philosophy --- United States --- 19th century --- Literature and society - United States - History - 19th century --- Emerson, Ralph Waldo, - 1803-1882 - Political and social views --- Emerson, Ralph Waldo, - 1803-1882. - Self-reliance --- Emerson, Ralph Waldo, - 1803-1882
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Practicing Romance sets out to re-tell the story of Hawthorne's career, arguing that he is best understood as a cultural analyst of extraordinary acuity, ambitious to reshape--in a sense to cure--the community he addresses. Through readings attentive to narrative strategy and alert to the emerging middle-class culture that was his audience, the book defines and describes Hawthornian Romance in a new way: not, in customary fashion, as the definitive instance of a peculiarly American genre, but as a narrative practice designed to expose and restage the covert drama that affiliates us to our community. Hawthorne's fiction thus recovers for its readers, through the interpretive independence it teaches, a freer, more lucid, more critical relation to the community we inhabit, and the cultural engagement romance enacts in turn rescues Hawthorne from the confining marginality that the writer's career had threatened to confer. From the book's distinctive account of his narrative tactics, especially his deployment of the voices and attitudes--authoritarian or democratic, entrapping or freeing--that give shape to his ideological terrain, Hawthorne emerges as a daring reinventor of the novel's cultural role.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Literature and society --- Narration (Rhetoric) --- Social problems in literature --- Romanticism --- Fiction --- English --- Languages & Literatures --- American Literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Literary movements --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- History --- Technique --- Philosophy --- Hawthorne, Nathaniel --- Political and social views --- United States --- Narration --- Romantisme --- Problèmes sociaux dans la littérature --- Hawthorne, Nathaniel, --- Political and social views. --- Technique. --- Fiction -- Technique. --- Hawthorne, Nathaniel, -- 1804-1864 -- Political and social views. --- Hawthorne, Nathaniel, -- 1804-1864 -- Technique. --- Literature and society -- United States -- History -- 19th century. --- Narration (Rhetoric) -- History -- 19th century. --- Romanticism -- United States. --- Social problems in literature.
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"Incorrigibles and Innocents: Constructions of Childhood and Citizenship in Progressive Era Comic Strips addresses this gap in scholarship, serving as the first sustained examination of the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. By drawing from and building on histories and theories of childhood, comics and Progressive Era conceptualizations of citizenship and nationhood, Lara Saguisag demonstrates that child characters in comic strips reinforced and complicated notions of who could claim membership in a modernizing, expanding nation"--
Children in literature. --- Citizenship in literature. --- Comic books, strips, etc --- Comic books, strips, etc. --- Comic. --- HISTORY / Social History. --- HISTORY / United States / 20th Century. --- Kind --- LITERARY CRITICISM / Comics & Graphic Novels. --- Literature and society --- Literature and society. --- PERFORMING ARTS / Film & Video / History & Criticism. --- SOCIAL SCIENCE / Children's Studies. --- SOCIAL SCIENCE / Gender Studies. --- SOCIAL SCIENCE / Popular Culture. --- Zeitung. --- History and criticism --- History --- USA. --- United States. --- Children in literature --- Citizenship in literature --- History and criticism. --- History. --- Comic books, strips, etc. - United States - History and criticism --- Literature and society - United States - History
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