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Modernism in mathematics - this unusual notion turns out to provide a new perspective on central questions in and beyond literary modernism. Contrasting 'mathematical fictions' from and about the heyday of mathematical modernism, this text relates literary engagements with mathematical modernism to the wider context of modernist critiques of Enlightenment values and postmodern reassessments of modernist patterns. The analysis of canonical works by Thomas Pynchon, Hermann Broch, and Robert Musil demonstrates how mathematics is accorded a central role as a particularly telling indicator of modernist transformations, and how imaginative illustrations contribute to establishing mathematics as part of modernist culture.
Modernism (Literature) --- Mathematics in literature. --- Mathematics and literature. --- Literature and mathematics --- Literature --- Crepuscolarismo --- Literary movements --- History and criticism.
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Spätestens seit dem linguistic turn gilt Sprache als unhintergehbare Grundlage von Dichtung und Wissenschaften. Der Band rückt in den Blick, dass Sprache jedoch bereits im 17. und 18. Jahrhundert zu einem zentralen Aspekt der Verhältnisbestimmung von Mathematik, Physik, Logik und Dichtung avancierte. Bei der Untersuchung sprachphilosophischer Positionen dieses Zeitraums wird deutlich, dass vermeintlich evidente Differenzen zwischen wissenschaftlicher und poetischer Sprache jedoch zuallererst theoretisch konstruiert wurden - zum Teil mit erheblichem argumentativem Aufwand. Dem Prozess der Axiomatisierung, Formalisierung und Symbolisierung kommt hierbei besondere Relevanz zu. Er bedingt einerseits eine radikale Verengung des neuzeitlichen Rationalitätskonzepts, andererseits eine ,Entliterarisierung' wissenschaftlicher Diskurse. Ausgehend von dieser Beobachtung lässt sich eine enge Vernetzung von Dichtung bzw. Poetologie mit den Entwicklungen der genannten Disziplinen rekonstruieren. Sie wird u.a. in Charles Batteux' Konzept einer ,Sprache des Herzens', in Alexander Baumgartens Bezeichnung ,analogon rationis' und Friedrich Schlegels Entwurf einer ,neuer Mythologie' aufgezeigt.
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"Stages of Uncertainty is the story of the unexpected collaborations and resonances between theater and mathematics and how they have evolved since the turn of the twentieth century. Toward the end of the 1800s, unsettling discoveries about alternate geometries and the mathematical infinite began to reveal that, despite its reputation for absolute certainty, mathematical truth is not immutable. At the same time, new, experimental forms of theater were rapidly developing-some inspired by these very upheavals in mathematics. Both disciplines were, and are, characterized by a quest for truth and a shared ability to investigate their respective limitations. Stephen Abbott provides the first systematic, book-length treatment of the interactions between mathematics and theater that have occurred over the last 120 years. Drawing on the author's fifteen years of experience researching and teaching a course on the subject, the book examines how the two disciplines reveal novel insights about one another. Stages of Uncertainty follows the path of playwrights that engaged mathematics such as Alfred Jarry, Stanislav Witkeiwicz, Samuel Beckett, Bertolt Brecht, Felix Durrenmatt, Tom Stoppard, Micheal Frayn, and Simon McBurney. Intertwined with this history is the history of mathematics; along the way, Abbott describes the development of quantum mechanics, chaos theory, incompleteness, and alternative geometries that occurred as these plays were being written. The main arguments are that these two domains have deep resonances, including shared notions of uncertainty, self-reference, recursion, and orientation, and that theater has engaged deeply and innovatively with math for many years. Abbott reveals a unique portrait of mathematics, one that is unexpected and deeply human"-- "How playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stage. The discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theater reached a popular apex in Tom Stoppard's 1993 play Arcadia. In The Proof Stage, mathematician Stephen Abbott explores this unlikely collaboration of theater and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Berthold Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays-from Euclid and Euripides to Gödel and Godot.Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to Arcadia's emotional arc. In addition to charting Stoppard's journey, Abbott examines the post-Arcadia wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey"--
Mathematics --- Theater. --- Mathematics and literature. --- PERFORMING ARTS / Theater / General --- MATHEMATICS / History & Philosophy --- History. --- Literature and mathematics --- Literature --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Math --- Science
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Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. This volume in the series “Imagine Math” casts light on what is new and interesting in the relationships between mathematics, imagination, and culture. The book opens by examining the connections between modern and contemporary art and mathematics, including Linda D. Henderson’s contribution. Several further papers are devoted to mathematical models and their influence on modern and contemporary art, including the work of Henry Moore and Hiroshi Sugimoto. Among the many other interesting contributions are an homage to Benoît Mandelbrot with reference to the exhibition held in New York in 2013 and the thoughts of Jean-Pierre Bourguignon on the art and math exhibition at the Fondation Cartier in Paris. An interesting part is dedicated to the connections between math, computer science and theatre with the papers by C. Bardainne and A. Mondot. The topics are treated in a way that is rigorous but captivating, detailed but very evocative. This is an all-embracing look at the world of mathematics and culture.
Mathematics. --- Mathematics in Art and Architecture. --- Mathematics Education. --- Popular Science, general. --- Science (General). --- Mathématiques --- Mathematics -- Social aspects. --- Mathematics and literature. --- Mathematics in art. --- Art, Architecture & Applied Arts --- Fine Arts - General --- Mathematics --- Social aspects. --- Literature and mathematics --- Math --- Popular works. --- Study and teaching. --- Literature --- Science --- Mathematics—Study and teaching .
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This book considers the influence that sixteenth-century and early seventeenth-century mathematical thinking exerted on the writing and production of popular drama between about 1587 and 1603. It concentrates upon six plays by five early modern dramatists: Tamburlaine, Part 1 (1587) and Tamburlaine, Part 2 (1587) by Christopher Marlowe; Friar Bacon and Friar Bungay (1589) by Robert Greene; Old Fortunatus (1599) by Thomas Dekker; Hamlet (1600) by William Shakespeare; and The Tragedy of Hoffman (1603) by Henry Chettle. Each chapter analyses how the terms, concepts, and implications of contemporary mathematics impacted upon these plays’ vocabularies, forms, and aesthetic and dramaturgical effects and affects.
Mathematics and literature. --- Mathematics in literature. --- English drama --- Literature and mathematics --- Literature --- History and criticism. --- Literature, Modern. --- Drama. --- Theater—History. --- Early Modern/Renaissance Literature. --- Theatre History. --- Drama --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Dialogue --- Modern literature --- Arts, Modern --- Philosophy --- European literature --- Theater --- Early Modern and Renaissance Literature. --- Literature, Renaissance --- Renaissance literature --- Literature, Modern --- Renaissance, 1450-1600. --- History.
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You are invited to join a fascinating journey of discovery, as Marcia Birken and Anne C. Coon explore the intersecting patterns of mathematics and poetry — bringing the two fields together in a new way. Setting the tone with humor and illustrating each chapter with countless examples, Birken and Coon begin with patterns we can see, hear, and feel and then move to more complex patterns. Number systems and nursery rhymes lead to the Golden Mean and sestinas. Simple patterns of shape introduce tessellations and concrete poetry. Fractal geometry makes fractal poetry possible. Ultimately, patterns for the mind lead to questions: How do mathematicians and poets conceive of proof, paradox, and infinity? What role does analogy play in mathematical discovery and poetic expression? The book will be of special interest to readers who enjoy looking for connections across traditional disciplinary boundaries. Discovering Patterns in Mathematics and Poetry features centuries of creative work by mathematicians, poets, and artists, including Fibonacci, Albrecht Dürer, M. C. Escher, David Hilbert, Benoit Mandelbrot, William Shakespeare, Edna St. Vincent Millay, Langston Hughes, E.E. Cummings, and many contemporary experimental poets. Original illustrations include digital photographs, mathematical and poetic models, and fractal imagery.
Mathematics and literature. --- Logic, Symbolic and mathematical. --- Word problems (Mathematics) --- Poetics. --- Pattern perception. --- Problems, Word (Mathematics) --- Story problems (Mathematics) --- Mathematics --- Poetry --- Design perception --- Pattern recognition --- Form perception --- Perception --- Figure-ground perception --- Literature and mathematics --- Literature --- Algebra of logic --- Logic, Universal --- Mathematical logic --- Symbolic and mathematical logic --- Symbolic logic --- Algebra, Abstract --- Metamathematics --- Set theory --- Syllogism --- Technique
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Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. This book is intended to contribute to grasping how much that is interesting and new is happening in the relationships between mathematics, imagination and culture. With a look at the past, at figures and events, that help to understand the phenomena of today. It is no coincidence that this volume contains an homage to the great Italian artist of the 1700s, Andrea Pozzo, and his perspective views. Theatre, art and architecture are the topics of choice, along with music, literature and cinema. No less important are applications of mathematics to medicine and economics. The treatment is rigorous but captivating, detailed but full of evocations, an all-embracing look at the world of mathematics and culture .
Mathematics -- Social aspects. --- Mathematics and literature. --- Mathematics. --- Art, Architecture & Applied Arts --- Engineering & Applied Sciences --- Applied Mathematics --- Architecture --- Mathematics --- Mathematics in art. --- Social aspects. --- Literature and mathematics --- Math --- Applied mathematics. --- Engineering mathematics. --- Social sciences. --- Popular works. --- Applications of Mathematics. --- Mathematics in the Humanities and Social Sciences. --- Mathematics in Music. --- Mathematics in Art and Architecture. --- Popular Science, general. --- Literature --- Science --- Science (General). --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Engineering --- Engineering analysis --- Mathematical analysis
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Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. Imagine building mathematical models that make it possible to manage our world better, imagine combining music, art, poetry, literature, architecture and cinema with mathematics. Imagine the unpredictable and sometimes counterintuitive applications of mathematics in all areas of human endeavour. Imagination and mathematics, imagination and culture, culture and mathematics. This sixth volume in the series begins with a homage to the architect Zaha Hadid, who died on March 31st, 2016, a few weeks before the opening of a large exhibition of her works in Palazzo Franchetti in Venice, where all the Mathematics and Culture conferences have taken place in the last years. A large section of the book is dedicated to literature, narrative and mathematics including a contribution from Simon Singh. It discusses the role of media in mathematics, including museums of science, journals and movies. Mathematics and applications, including blood circulation and preventing crimes using earthquakes, is also addressed, while a section on mathematics and art examines the role of math in design. A large selection presents photos of mathematicians and mathematical objects by Vincent Moncorge. Discussing all topics in a way that is rigorous but captivating, detailed but full of evocations, it offers an all-embracing look at the world of mathematics and culture.
Mathematics --- Mathematics and literature. --- Literature and mathematics --- Literature --- Math --- Science --- Social aspects. --- Mathematics. --- Architects. --- Design and construction. --- Computer graphics. --- Applications of Mathematics. --- Design, general. --- Computer Graphics. --- Popular Science in Humanities / Arts. --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Professional employees --- Digital techniques --- Applied mathematics. --- Engineering mathematics. --- Design. --- Humanities. --- Learning and scholarship --- Classical education --- Creation (Literary, artistic, etc.) --- Engineering --- Engineering analysis --- Mathematical analysis
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When Coleridge described the landscapes he passed through while scrambling among the fells, mountains, and valleys of Britain, he did something unprecedented in Romantic writing: to capture what emerged before his eyes, he enlisted a geometric idiom. Immersed in a culture still beholden to Euclid's Elements and schooled by those who subscribed to its principles, he valued geometry both for its pragmatic function and for its role as a conduit to abstract thought. Indeed, his geometric training would often structure his observations on religion, aesthetics, politics, and philosophy. For Coleridge, however, this perspective never competed with his sensitivity to the organic nature of his surroundings but, rather, intermingled with it. Situating Coleridge's remarkable ways of seeing within the history and teaching of mathematics and alongside the eighteenth century's budding interest in non-Euclidean geometry, Ann Colley illuminates the richness of the culture of walking and the surprising potential of landscape writing.
Landscapes in literature. --- Geometry in literature. --- Mathematics and literature. --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Landscape in literature --- Literature and mathematics --- Literature --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,
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Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. Imagine building mathematical models that make it possible to manage our world better, imagine solving great problems, imagine new problems never before thought of, imagine combining music, art, poetry, literature, architecture, theatre and cinema with mathematics. Imagine the unpredictable and sometimes counterintuitive applications of mathematics in all areas of human endeavour. This seventh volume starts with a homage to the Italian artist Mimmo Paladino who created exclusively for the Venice Conference 2019 ten original and unique works of art paper dedicated to the themes of the meeting. A large section is dedicated to the most recent Fields Medals including a Homage to Maryam Mirzakhani including a presentation of the exhibition on soap bubbles in art and science that took place in 2019. A section is dedicated to cinema and theatre including the performances by Claire Bardainne & Adrien Mondot. A part of the conference focused on the community of mathematicians, their role in literature and even in politics with the extraordinary example of Antanas Mockus Major of Bogotá. Mathematics in the constructions of bridges, in particular in Italy in the Sixties was presented by Tullia Iori. A very particular contribution on Origami by a mathematician, Marco Abate and an artist, Alessandro Beber. And many other topics. As usual the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture. This work is addressed to all those who have an interest in Mathematics.
Applied mathematics. --- Engineering mathematics. --- Architects. --- Design. --- Computer graphics. --- Humanities. --- Arts. --- Applications of Mathematics. --- Design, general. --- Computer Graphics. --- Popular Science in Humanities / Arts. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Learning and scholarship --- Classical education --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Creation (Literary, artistic, etc.) --- Professional employees --- Engineering --- Engineering analysis --- Mathematical analysis --- Digital techniques --- Mathematics --- Social aspects. --- Math --- Science --- Mathematics and society --- Society and mathematics --- Sociology of mathematics --- Mathematics and literature. --- Mathematics in motion pictures. --- Motion pictures --- Literature and mathematics --- Literature
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