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On le sait depuis Aristote : ce qui distingue la fiction de l'expérience ordinaire, ce n'est pas un défaut de réalité mais un surcroît de rationalité. Elle dédaigne en effet l'ordinaire des choses qui arrivent les unes après les autres pour montrer comment l'inattendu advient, le bonheur se transforme en malheur et l'ignorance en savoir. Cette rationalité fictionnelle a subi à l'âge moderne un destin contradictoire. La science sociale a étendu à l'ensemble des rapports humains le modèle d'enchaînement causal qu'elle réservait aux actions d'êtres choisis. La littérature, à l'inverse, l'a remis en cause pour se mettre au rythme du quotidien quelconque et des existences ordinaires et s'installer sur le bord extrême qui sépare ce qu'il y a de ce qui arrive. Dans les fictions avouées de la littérature comme dans les fictions inavouées de la politique, de la science sociale ou du journalisme, il s'agit toujours de construire les formes perceptibles et pensables d'un monde commun. De Stendhal à João Guimarães Rosa ou de Marx à Sebald, en passant par Balzac, Poe, Maupassant, Proust, Rilke, Conrad, Auerbach, Faulkner et quelques autres, ce livre explore ces constructions au bord du rien et du tout. En un temps où la médiocre fiction nommée " information " prétend saturer le champ de l'actuel avec ses feuilletons éculés de petits arrivistes à l'assaut du pouvoir sur fond de récits immémoriaux d'atrocités lointaines, une telle recherche peut contribuer à élargir l'horizon des regards et des pensées sur ce qu'on appelle un monde et sur les manières de l'habiter.
Théorie de la fiction. --- Théorie littéraire. --- Fiction --- Literature --- Philosophy --- History and criticism --- Fiction. --- Fiction - History and criticism --- Literature - Theory, etc.
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Seit jeher hat Hegels Philosophie der Kunst ihr Publikum fasziniert. Beeindruckt hat sie vor allem durch die überzeugende Einlösung eines unmöglich scheinenden Anspruchs: Das gesamte Kunstschaffen der Menschheit einerseits begrifflich einheitlich zu bestimmen und es andererseits überaus kenntnisreich in sämtliche Künste, Ausdrucksformen, historische Phasen, Kulturkreise, singuläre Werke zu differenzieren. In der umfangreichen Forschung ist jedoch ein bedeutender Gegenstandsbereich der Kunst so gut wie unbeachtet geblieben, dem Hegel große Aufmerksamkeit schenkt und für seine Zeit beachtliche Anerkennung zollt: Das Komische. In dieser Studie wird erstmals Hegels Auseinandersetzung mit der antiken Komödie, der Satire, dem Lustspiel, dem Humor u.v.m. systematisch aufgearbeitet und in den Kontext seiner Philosophie insgesamt gestellt. Dabei zeigt sich, dass Hegels philosophische Rekonstruktion der Kunst in ihrer Geschichte ohne Besinnung auf das Wesen der komischen Formen gar nicht vollständig begriffen werden kann. Komische Kunst nach ihrer höchsten Bestimmung ist ästhetische Selbstverständigung moderner Subjektivität, Ausdruck des selbstbestimmten Menschen im politischen Kontext, Selbstvergewisserung demokratischen Bewusstseins, das bestrebt ist, sich eine freiheitliche Wirklichkeit zu verschaffen. Insbesondere als Theoretiker des Komischen beweist sich Hegel als zeitgenössischer Denker, der zu aktuellen Debatten Substantielles beizutragen hat.
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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.
American literature --- Criticism, interpretation, etc. --- Drama --- European literature --- Literature --- Literature Stories, plots, etc. --- Literature Theory, etc. --- Literature, Modern --- Poetry, Modern --- History and criticism Theory, etc.
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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.
American literature --- Criticism, interpretation, etc. --- Drama --- European literature --- Literature --- Literature Stories, plots, etc. --- Literature Theory, etc. --- Literature, Modern --- Poetry, Modern --- History and criticism Theory, etc.
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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.
American literature --- Criticism, interpretation, etc. --- Drama --- European literature --- Literature --- Literature Theory, etc. --- Literature, Modern --- Poetry, Modern --- Popular literature. --- History and criticism Theory, etc.
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French literature --- -Theory, etc --- History and criticism --- -French literature --- -History and criticism --- Theory, etc. --- History and criticism&delete& --- Theory, etc --- French literature - - Theory, etc - History and criticism --- FRANZÖSISCHE LITERATUR --- EINFÜHRUNG
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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.
Literature, Modern --- American literature --- Drama --- European literature --- Literature --- Literature Stories, plots, etc. --- Literature Theory, etc. --- Poetry, Modern --- Popular literature. --- History and criticism --- Theory, etc. --- Antonioni, Michelangelo. --- Harrison, Barbara Grizzuti. --- Lamming, George, --- Mantel, Hilary, --- Smiley, Jane. --- Welsh, Irvine.
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Drama --- Theater --- Dramatic criticism --- History and literature --- Theory, etc. --- 82-2 --- Toneel. Drama --- Dramatic criticism. --- Theater. --- 82-2 Toneel. Drama --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama, Modern --- Plays --- Literature --- Dialogue --- Theater criticism --- Criticism --- History and criticism&delete& --- Theory, etc --- Philosophy --- Dramas --- Dramatic works --- Playscripts --- History and criticism --- Drama - History and literature - Theory, etc.
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Comparative Literature --- Comparative literature --- Methodology --- Theory, etc. --- Comparative literature. --- Methodology. --- 82.091 --- Vergelijkende literatuurstudie --- 82.091 Vergelijkende literatuurstudie --- Literature, Comparative --- Philology --- Theory, etc --- History and criticism --- Comparative literature - Methodology --- Comparative literature - Theory, etc. --- Littérature comparée --- Méthodologie --- Littérature comparée --- Méthodologie
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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.
1900-1999. --- American literature --- Criticism, interpretation, etc. --- Drama --- European literature --- Intrigues (Théâtre, roman, etc.) --- Literature --- Literature Stories, plots, etc. --- Literature Theory, etc. --- Literature, Modern --- Littérature 20e siècle. --- Littérature Histoire et critique Théorie, etc. --- Littérature Histoires, intrigues, etc. --- Littérature américaine 20e siècle. --- Littérature européenne 20e siècle. --- Paralittérature. --- Plots ( --- Poetry, Modern --- Poésie 20e siècle. --- Popular literature. --- Stories, plots, etc. --- Théâtre (Genre littéraire) 20e siècle. --- History and criticism Theory, etc.
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