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Literature, Comparative --- Literature --- Themes, motives --- Adaptations --- Literature, Comparative - Themes, motives --- Literature - Adaptations

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English literature --- Literature --- Adaptations --- 82:791.43 --- Literatuur en film --- Adaptations. --- 82:791.43 Literatuur en film --- Adaptations, Literary --- Literary adaptations --- Literature - Adaptations

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Pratique littéraire adoptée depuis le Moyen Âge et choyée particulièrement par les érudites et les lettrées de la Renaissance, la réécriture est une manière de faire sa révérence aux prédécesseurs en revisitant la matière littéraire canonique. Tenant pour acquis que la réécriture est le déplacement/détournement d'une œuvre par une autre, il s'agit de voir en quoi les nouveaux textes ainsi produits se démarquent des textes antérieurs et quelle(s) lecture(s) critique(s) en font les auteures. Réécrire au féminin: pratiques, modalités, enjeux se propose d'examiner les diverses formes de ce phénomène littéraire afin d'en définir les enjeux et les visées. Au cœur de ces interrogations se trouve la réécriture comme effet de lecture qui révèle chez bon nombre d'auteures contemporaines une double démarche de déconstruction des modèles générateurs et de leur reconstruction sous d'autres signes.

French literature --- Women authors, French --- Literature --- French-speaking countries --- History and criticism --- Adaptations --- Special issues --- French literature - French-speaking countries - History and criticism --- Literature - Adaptations - History and criticism

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Children's literature --- History and criticism --- Congresses --- Translations --- Adaptations --- Children's literature - History and criticism - Congresses --- Children's literature - Adaptations - History and criticism --- Children's literature - Translations - Congresses

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"Why are so many theatre productions adaptations of one kind of another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of literary texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance and live art. In Adaptation in Contemporary Theatre, Frances Babbage sets out a series of fresh critical perspectives on the theory of adaptation in theatre-making, focusing on meditations of prose literature within contemporary performance. Individual chapters explore the significance and impact of books as physical objects within productions; the relationship between the dramatic adaptation and literary edition; storytelling on the page and in performance; literary space and theatrical space; and prose fiction reframed as 'found text' in contemporary theatre and live art. Case studies are drawn from internationally acclaimed companies including Complicite, Elevator Repair Service, Kneehigh, Forced Entertainment, Gob Squad, Teatro Kismet and Stan's Cafe. Adaptation in Contemporary Theatre is a compelling and provocative resource for anyone interested in the potential and the challenges of using prose literature ad material for new theatrical performance."--

Aufführung. --- DRAMA --- Drama --- Dramatisierung. --- Kurzgeschichte. --- Literatur. --- Literature --- PERFORMING ARTS --- Playwriting. --- Roman. --- Stage adaptations --- Stage adaptations. --- Theater --- Theater. --- General. --- Adaptations --- History and criticism. --- Adaptations. --- History & Criticism. --- Production and direction. --- Production and direction --- Literature - Adaptations --- Theater - Production and direction