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Between 1400 and 1700 the political, religious, intellectual, and even geographic landscape was profoundly changed by the Reformation, Humanism, the rise of empirical science, the invention of printing technology, and the discovery of the New World. The late medieval and early modern intellectuals felt an urgent need to respond to the changes they were involved in, and to come to a revision and re-authorisation of knowledge. They embarked on a scholarly programme of a quality and extent hitherto unknown in the Western world: the whole body of the literature of antiquity, including the Bible, w
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Professor Joseph J. Duggan, emeritus professor at the University of California (Berkeley) is an eminent scholar of Medieval Studies who has written seminal works on Romance Literatures (and Old French epics in particular). His work ranges from editions of medieval classics such as the Chanson de Roland to articles about troubadours' lyrics and a monograph on Chrétien de Troyes. Here, fifteen contributions from his former students and colleagues offer literary, narratological, philological, and contextual studies of the texts he has taught and researched over his long and prestigious career.
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The essays gathered in "Place, space, and landscape in medieval literature" are at the forefront of an ongoing investigation of place and spatial relationships in medieval culture. Following the work of Michel Foucault, John Ganim asks in this volume: "Why should space be regarded as inert and dead . . . and time be valorized as dialectical, dynamic, and creative?" An attention to spatial relations, to the representation of historical places, and to the nuances of interaction between people and their landscapes restores us to a mode of thought sometimes lost or obscured in analyses of medieval narrative. This collection contains essays from thirteen authors, on topics ranging from an Old English transfiguration homily, to Galbert of Bruges, Marie de France's lais, Chaucer's gardens, Boccaccio's Decameron, and others. In each of these chapters, analyses of space map a variety of ways medieval narratives encoded meaning. In some, lost historical associations are uncovered. In others, a new way of theorizing space--even seeing bodies and minds as spaces to be imagined or marked--leads to interpretations that add significantly to our understanding of medieval narrative art. In still others, broadly political and ideological concerns find expression in the spatial world. As a whole, the volume provides provocative new perspectives on literary texts that focus on the representation of place, space, and historical landscapes in medieval narrative art.
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Eustache Deschamps, Jean Gerson et Alain Chartier font figures d'auteurs engagés et renforcent l'implication du lecteur dans le texte afin de forger un programme sociopolitique. En particulier le prince, lecteur idéal, se trouve projeté dans l'aventure de la senefiance, parce que l'effort de décodage du sens éclaire, rend sage et bon roi. Cette dynamique réformatrice de l'œuvre allégorique prend appui sur les ressorts de l'image, fonctionne dans l'articulation des intertextes (voir l'Ovide moralisé), et table sur la sollicitation des représentations du lecteur. Le Miroir de Mariage, les opuscules de Gerson sur le psaltérion mystique et le Livre de l'Espérance sont les trois textes phares où l'expérience du "sujet du texte" est interprétée comme le reflet de l'action qu'entend exercer l'écriture sur le lecteur en vue de le "restaurer" à l'image divine et pour le bien commun.
Allegory --- Literature, Medieval --- Reading --- History and criticism. --- Literature, Medieval - History and criticism.
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Bringing together a collection of this distinguished medievalist's most important and controversial work, heretofore scattered and frequently inaccessible, this book constitutes both an appropriate introduction for students new to medieval studies and a convenient compendium for scholars established in the field.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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