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The largest, most comprehensive anthology of its kind, this volume brings together significant, representative stories from every decade of the twentieth century. It includes the prose of officially recognized writers and dissidents, both well-known and neglected or forgotten, plus new authors from the end of the century. The selections reflect the various literary trends and approaches to depicting reality in this era: traditional realism, modernism, socialist realism, and post-modernism. Taken as a whole, the stories capture every major aspect of Russian life, history and culture in the twentieth century. The rich array of themes and styles will be of tremendous interest to students and readers who want to learn about Russia through the engaging genre of the short story.
Short stories, Russian --- Russian fiction --- Russian fiction. --- Short stories, Russian. --- 1900-1999. --- A Tolstoy. --- Babel. --- Bulgakov. --- Bunin. --- Dovlatov. --- Eastern Europe. --- Kharms. --- Nabokov. --- Platonov. --- Russia. --- Solzhenitsyn. --- Sorokin. --- Zamyatin. --- course reader. --- culture. --- literary trends. --- literature. --- modernisms. --- political dissidents. --- postmodernism. --- short stories. --- socialist realism. --- style. --- translated fiction. --- writing.
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A contextualizing overview of the polarized critical reception of Willa Cather, one of the pre-eminent US authors of the twentieth-century.
Cather, Willa, --- Katėr, Villa, --- Cather, Willa Sibert, --- Cather, Wilella, --- Catherová, Willa, --- קאתר, וילה, --- Kāz̲ar, Vīlā, --- Kāz̲ir, Vīlā, --- کاذر، ويلا --- Criticism and interpretation --- History. --- Women and literature --- Novelists, American --- History --- American culture. --- American fiction. --- American literature. --- Cather scholarship. --- Willa Cather. --- canon formation. --- critical reception. --- cultural values. --- literary analysis. --- literary criticism. --- literary trends. --- twentieth-century authors.
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AFRICAN LITERATURE TODAY was established at a time of uncertainty and reconstruction but for 50 years it has played a leading role in nurturing imaginative creativity and its criticism on the African continent and beyond.
African literature --- History and criticism --- History and criticism. --- Black literature (African) --- Authors, African --- ALT 37: African Literature Today. --- African Creative Writers. --- African Diaspora. --- African Literary Studies. --- African Literature. --- African Voices. --- African continent. --- African creative writers. --- African diaspora. --- African geographic. --- African literary studies. --- African literature. --- African writers. --- African-American Literature. --- Contemporary Literature. --- Cultural Expressions. --- English Departments. --- Global Impact. --- Literary Criticism. --- Literary Diversity. --- Literary Journals. --- Literary Reflections. --- Literary Trends. --- communication. --- criticism. --- imaginative creativity. --- linguistic boundaries. --- newsletter. --- stylistic innovations.
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Although George Bernard Shaw quipped that "the Germans lack talent for two things: revolution and crime novels," there is a long tradition of German crime fiction; it simply hasn't aligned itself with international trends. Duringthe 1920s, German-language writers dispensed with the detective and focused instead on criminals, a trend that did not take hold in other countries until after 1945, by which time Germany had gone on to produce antidetective novels that were similarly ahead of their time. German crime fiction has thus always been a curious case; rather than follow the established rules of the genre, it has always been interested in examining, breaking, and ultimately rewriting those rules. This book assembles leading international scholars to examine today's German crime fiction. It features innovative scholarly work that matches the innovativeness of the genre, taking up the Regionalkrimi;crime fiction's reimagining and transforming of traditional identities; historical crime fiction that examines Germany's and Austria's conflicted twentieth-century past; and how the newly vibrant Austrian crime fiction ties in with and differentiates itself from its German counterpart. Contributors: Angelika Baier, Carol Anne Costabile-Heming, Kyle Frackman, Sascha Gerhards, Heike Henderson, Susanne C. Knittel, Anita McChesney, Traci S. O'Brien,Jon Sherman, Faye Stewart, Magdalena Waligórska. Lynn M. Kutch is Professor of German at Kutztown University of Pennsylvania. Todd Herzog is Professor and Head of the Department of German Studies at the University of Cincinnati.
Detective and mystery television programs --- Detective and mystery stories, German --- German fiction --- Austrian fiction --- Television crime shows --- Literature and history --- Identity (Psychology) in literature. --- History and criticism. --- History and literature --- History and poetry --- Poetry and history --- History --- Crime shows --- Crime television programs --- Criminal shows --- Criminal television programs --- Fiction television programs --- Thrillers (Television programs) --- Austrian literature --- German literature --- German detective stories --- German mystery stories --- Austrian authors --- Austrian crime fiction. --- Contemporary Crime Fiction. --- Crime Fiction. --- Crime Genre. --- Detective Fiction. --- German Authors. --- German Crime Novels. --- German Crime Writers. --- German Literature. --- German counterpart. --- German crime fiction. --- German-Language Crime Fiction. --- Literary Analysis. --- Literary Criticism. --- Literary Scholarship. --- Literary Tradition. --- Literary Trends. --- Regionalkrimi. --- historical crime fiction. --- traditional identities.
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