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Political parties --- Dong lin shu yuan (China). --- China --- History

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This Pivot reconsiders the controversial literary figure of Lin Shu and the debate surrounding his place in the history of Modern Chinese Literature. Although recent Chinese mainland research has recognized some of the innovations introduced by Lin Shu, he has often been labeled a 'rightist reformer' in contrast to 'leftist reformers' such as Chen Duxiu and the new wave scholars of the May Fourth Movement. This book provides a well-documented account of his place in the different polemics between these two circles ('conservatives' and 'reformers') and provides a more nuanced account of the different literary movements of the time. Notably, it argues that these differences were neither in content nor in politics, but in the methodological approach of both parties. Examining Lin Shu and the 'conservatives' advocated coexistence of both traditional and modern thought, the book provides background to the major changes occurring in the intellectual landscape of Modern China. di.

Computer. Automation --- Literature --- Chinese literature --- Asian literature --- World history --- History --- NLP (neurolinguïstisch programmeren) --- wereldgeschiedenis --- geschiedenis --- literatuur --- Lin, Shu --- anno 1900-1999 --- China --- Asia

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Das 20. Jahrhundert erlebte eine »Ästhetisierung der Politik« (Benjamin). Humanismus wurde zum politisch beliebigen Slogan, bildete aber gleichzeitig eine gemeinsame Kommunikationsbasis zwischen Künstler und Publikum. Der Band geht der gegenwärtigen interkulturellen Transformation und Verbreitung humanistisch inspirierter Literatur und Theaterkunst am Beispiel der englischen und chinesischen Tradition nach. Damit eröffnet er zugleich einen anschaulichen Blick auf einen wichtigen Aspekt der kulturellen Globalisierung. Es zeigt sich, dass Humanismus in der heutigen Kunst längst kein rigider Rationalismus oder wissenschaftlicher Positivismus mehr ist, mit denen er oft verbunden wurde. Vielmehr beeinflusste er autobiografische Erzählungen und Stücke (Gao Xingjian), favorisierte ganz persönliche Erfahrungen gegenüber einer institutionalisierten und anonymen Geschichte (Mo Yan) und förderte Neuinterpretationen eines westlichen Erzählkanons (Wu Hsing-kuo und sein Stück »Lear«). Besprochen in: Die Deutsche Bühne, 9 (2012) GERMANISTIK, 54/3-4 (2013)

Thematology --- Drama --- anno 2000-2099 --- Literature --- Humanism in literature. --- Humanism in art. --- History and criticism. --- Film; Theater; Shakespeare; Kultur; Humanismus; Konfuzianismus; Exil; Gao Xingjian; Lu Xun; Lao She; Mo Yan; Lin Shu; Liang Shiqiu; Literatur; Mensch; Allgemeine Literaturwissenschaft; Theaterwissenschaft; Globalisierung; Interkulturalität; Literaturwissenschaft; Theatre; Culture; Literature; Human; General Literature Studies; Theatre Studies; Globalization; Interculturalism; Literary Studies --- Culture. --- General Literature Studies. --- Globalization. --- Human. --- Interculturalism. --- Literary Studies. --- Literature. --- Theatre Studies. --- Theatre.

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This Pivot reconsiders the controversial literary figure of Lin Shu and the debate surrounding his place in the history of Modern Chinese Literature. Although recent Chinese mainland research has recognized some of the innovations introduced by Lin Shu, he has often been labeled a 'rightist reformer' in contrast to 'leftist reformers' such as Chen Duxiu and the new wave scholars of the May Fourth Movement. This book provides a well-documented account of his place in the different polemics between these two circles ('conservatives' and 'reformers') and provides a more nuanced account of the different literary movements of the time. Notably, it argues that these differences were neither in content nor in politics, but in the methodological approach of both parties. Examining Lin Shu and the 'conservatives' advocated coexistence of both traditional and modern thought, the book provides background to the major changes occurring in the intellectual landscape of Modern China. di.

Literature. --- China --- Literature, Modern --- Oriental literature. --- Computational linguistics. --- Asian Literature. --- Twentieth-Century Literature. --- History of China. --- Language Translation and Linguistics. --- History. --- 20th century. --- Chinese literature --- History and criticism. --- Lin, Shu, --- Automatic language processing --- Language and languages --- Language data processing --- Linguistics --- Natural language processing (Linguistics) --- Asian literature --- Literature --- Data processing --- Lin, Weilu, --- Lin, Qinnan, --- Weilulaoren, --- Lin, Wei-lu, --- Lin, Chʻin-nan, --- Wei-lu-lao-jen, --- 左紓, --- 林紆, --- 林紓, --- 林緖, --- 林纾, --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Applied linguistics --- Cross-language information retrieval --- Mathematical linguistics --- Multilingual computing --- Literature, Modern-20th century. --- China-History. --- Natural language processing (Computer science). --- Natural Language Processing (NLP). --- NLP (Computer science) --- Artificial intelligence --- Electronic data processing --- Human-computer interaction --- Semantic computing --- Literature, Modern—20th century. --- China—History.

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Cai Guo-Qiang ; Cao Yong ; Chen Hui-Chiao ; Chen Shunchu ; Chu, Chiahua ; Fang Lijun ; Fang Tu ; Fang Weiwen ; Geng Jianyi ; Gu Wenda ; Ho Siu-kee ; Hong Hao ; Hou Chun-ming ; Huang Chih-Yang ; Huang Yong Ping ; Kum Chi-Keung ; Li Shan ; Lin Tian-miao ; Liu Wei ; Liu Xiaodong ; Long-Tailed Elephant Group ; Ma Jian ; Ma Liuming ; Mao Xuhui ; New Analysis Group ; Pan Xing Lei ; Phoebe Man (Man Ching Ying) ; Qiu Zhijie ; Ren Jian ; Shu Qun ; Shu-min Lin ; Song Dong ; Song Yonghong ; Song Yongping ; Southern Artists Salon ; Su Xinping ; Tang Song ; Tim Yu ; To Weun ; Tsong Pu ; Wang Gong Xin ; Wang Guangyi ; Wang Jin ; Wang Jinsong ; Wang Jun-Jieh ; Wang Peng ; Wang Tiande ; Wen Pulin ; Wu Ma-Li ; Wu Shan Zhuan ; Wu Tien-chang ; Xiao Lu ; Xu Bing ; Yan Binghui ; Yin Xiuzhen ; Yuan Jai

History --- Film --- video art --- Drawing --- Art --- installations [visual works] --- art history --- drawing [image-making] --- Painting --- art [fine art] --- painting [image-making] --- assemblages [sculpture] --- Man, Hale --- Zhang Xiaogang --- Wen Pulin --- Wang Guangyi --- Long-Tailed Elephant Group --- Chu Chiahua --- Hou Chun-ming --- Fang Weiwen --- Lin, Shu-Min --- Yung, Danny Ning Tsun --- Zhang Peili --- Xu Bing --- Kum Chi-Keung, Desmond --- Wang Jin --- Wang Jinsong --- Fang Li-Jun --- Zhang Yu --- Wang Tiande --- Huang Chih-yang --- Yu, Tim --- To Weun --- Wang Gongzin --- Huang, Yong Ping --- Ma Liuming --- Wang Pen --- Tsong Pu --- Tang Song --- Fang Tu --- Geng Jianyi --- Wang Jun Jieh --- Cao Young --- Chen Shun-shu --- Ren Jian --- Gu Wenda --- Ho Sio-kee --- New Analysis Group --- Guo-Qiang, Cai --- Shu Qun --- Zhang Huan --- Qiu Zhijie --- Ma Jian --- Chen Hui-chiao --- Wu Shan Zhuan --- Song Yonghong --- Liu Wei --- Song Dong --- Lin Tianmiao --- Su Xinping --- Liu Xiaodong --- Hong Hao --- Pan Xing Lei --- Song Yongping --- Li Shan --- Mao Xuhui --- Wu Mali --- Wu Tien-Chang --- Yin Xiuzhen --- Yan Binghui --- Xiao Lu --- Yuon Jai --- 21st Century Group --- Southern Artists Salon --- anno 1900-1999 --- anno 1980-1989 --- anno 1970-1979 --- anno 1990-1999 --- anno 2000-2099 --- Hong Kong --- Shanghai --- Taiwan --- China --- S17/0630 --- Art, Chinese --- -Chinese art --- China: Art and archaeology--Contemporary painting after 1911 (also European influence) --- Exhibitions --- Exhibitions. --- -China: Art and archaeology--Contemporary painting after 1911 (also European influence) --- hedendaagse kunst --- Contemporary [style of art] --- Wang Gongxin --- Chun-ming, Hou --- Cai Guo Qiang --- art [discipline] --- Ho Siu-kee --- Cao Yong