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Henry Veggian introduces readers to one of the most influential American writers of the last half- century. Winner of the National Book Award, American Book Award, and the first Library of Congress Prize for American Fiction, Don DeLillo is the author of short stories, screenplays, and fifteen novels, including his breakthrough work White Noise (1985) and Pulitzer Prize finalists Mao II (1992) and Underworld (1998). Veggian traces the evolution of DeLillo's work through the three phases of his career as a fiction writer, from the experimental early novels, through the critically acclaimed works of the mid-1980's and 1990's, into the smaller but newly innovative novels of the last decade. He guides readers to DeLillo's principal concerns--the tension between biography and anonymity, the blurred boundary between fiction and historical narrative, and the importance of literary authorship in opposition to various structures of power--and traces the evolution of his changing narrative techniques. Beginning with a brief biography, an introduction to reading strategies, and a survey of the major concepts and questions concerning DeLillo's work, Veggian proceeds chronologically through his major novels. His discussion summarizes complicated plots, reflects critical responses to the author's work, and explains the literary tools used to fashion his characters, narrators, and events. In the concluding chapter Veggian engages notable examples of DeLillo's other modes, particularly the short stories that reveal important insights into his "modular" working method as well as the evolution of his novels.
DeLillo, Don --- Criticism and interpretation --- Criticism and interpretation. --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- DeLillo, Don - Criticism and interpretation
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Postmodernism (Literature) --- DeLillo, Don --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- Criticism and interpretation.
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DeLillo, Don --- Criticism and interpretation. --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- Criticism and interpretation --- DeLillo, Don - Criticism and interpretation
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Don DeLillo is one of the most important novelists of the late twentieth and early twenty-first century. Yet despite DeLillo's prolific output and scholarly recognition, much of the attention has gone to his works individually, rather than collectively or thematically. This volume provides separate entries into the wide variety and categories of contexts that surround and help illuminate DeLillo's writings. Don DeLillo in Context examines how geography, biography, history, media studies, culture, philosophy, and the writing process provide critical frameworks and ways of reading and understanding DeLillo's prodigious body of work.
DeLillo, Don --- Criticism and interpretation. --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- LITERARY CRITICISM / American / General
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With the publication of his seminal novel White Noise, Don DeLillo was elevated into the pantheon of great American writers. His novels are admired and studied for their narrative technique, political themes, and their prophetic commentary on the cultural crises affecting contemporary America. In an age dominated by the image, DeLillo's fiction encourages the reader to think historically about such matters as the Cold War, the assassination of President Kennedy, threats to the environment, and terrorism. This Companion charts the shape of DeLillo's career, his relation to twentieth-century aesthetics, and his major themes. It also provides in-depth assessments of his best-known novels, White Noise, Libra, and Underworld, which have become required reading not only for students of American literature, but for all interested in the history and the future of American culture.
DeLillo, Don --- Criticism and interpretation --- Criticism and interpretation. --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- English --- American Literature --- Languages & Literatures --- DeLillo, Don - Criticism and interpretation --- DeLillo, Don (1936-....) --- Critique et interprétation
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An exploration of three of the most brilliant American novelists and their country's myths, dreams, outrages, innocence and heartbreak.
American fiction --- Despair in literature. --- Meaning (Philosophy) in literature. --- History and criticism. --- DeLillo, Don --- McCarthy, Cormac, --- Stone, Robert, --- מקארתי, קורמאק, --- McCarthy, Charles, --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- Criticism and interpretation.
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American fiction --- Postmodernism (Literature) --- History and criticism. --- History and criticism --- Acker, Kathy, --- DeLillo, Don --- Reed, Ishmael, --- Coleman, Emmett, --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- Fear, Clay, --- Black Tarantula, --- Technique. --- Acker, Kathy --- ROMAN AMERICAIN --- POSTMODERNISME (LITTERATURE) --- REED (ISHMAEL), 1938 --- -ACKER (KATHY), 1948 --- -DELILLO (DON), 1936 --- -20E SIECLE --- ETATS-UNIS --- ART D'ECRIRE --- HISTOIRE ET CRITIQUE
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In his novel Mao II, Don DeLillo lets his protagonist say, 'Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness.' DeLillo suggests that while the collective imagination of the past was guided by the creative order of narrative fictions, our contemporary fantasies and anxieties are directed by the endless narratives of war and terror relayed by the mass media. To take DeLillo's literary reflections on media, terrorism, and literature seriously means to engage with the ethical implications of his media critique. This book departs from existing works on DeLillo not only through its focus on the function of literature as public discourse in culture, but also in its decidedly transatlantic perspective. Bringing together prominent DeLillo scholars in Europe and in the US, it is the first critical book on DeLillo to position his work in a transatlantic context
Terrorism in mass media --- Mass media and literature --- Politics and literature --- Terrorism in literature --- Ethics in literature --- History --- DeLillo, Don --- Criticism and interpretation --- Political and social views --- Literature --- Literature and politics --- Literature and mass media --- Mass media --- Political aspects --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- DeLillo, Don (1936-....) --- Morale --- Médias et littérature --- Terrorisme --- Politique et littérature --- Critique et interprétation --- Dans la littérature --- Dans les médias --- Etats-Unis --- Histoire --- 21e siècle --- 20e siècle
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This book examines representations of the specter in American twentieth and twenty-first-century fiction. David Coughlan’s innovative structure has chapters on Paul Auster, Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternating with shorter sections detailing the significance of the ghost in the philosophy of Jacques Derrida, particularly within the context of his 1993 text, Specters of Marx. Together, these accounts of phantoms, shadows, haunts, spirit, the death sentence, and hospitality provide a compelling theoretical context in which to read contemporary US literature. Ghost Writing in Contemporary American Fiction argues at every stage that there is no self, no relation to the other, no love, no home, no mourning, no future, no trace of life without the return of the specter—that is, without ghost writing.
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In America, authors are as likely to be seen on television talk shows or magazine covers as in the more traditional settings of literary festivals or book signings. Is this literary celebrity just another result of 'dumbing down'? Yet another example of the mass media turning everything into entertainment? Or is it a much more unstable, complex phenomenon? And what does the American experience tell us about the future of British literary celebrity?In Star Authors, Joe Moran shows how publishers, the media and authors themselves create and disseminate literary celebrity. He looks at such famous contemporary authors as Toni Morrison, J.D. Salinger, Thomas Pynchon, Don DeLillo, John Updike, Philip Roth, Kathy Acker, Nicholson Baker, Paul Auster and Jay McInerney. Through an examination of their own work, biographical information, media representations and promotional material, Moran illustrates the nature of modern literary celebrity. He argues that authors actively negotiate their own celebrity rather than simply having it imposed upon them - from reclusive authors such as Salinger and Pynchon, famed for their very lack of public engagement, to media-friendly authors such as Updike and McInerney. Star Authors analyses literary celebrity in the context of the historical links between literature, advertising and publicity in America; the economics of literary production; and the cultural capital involved in the marketing and consumption of books and authors.
American literature --- Authors and readers --- Popular culture --- Celebrities --- Canon (Literature) --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- Readers and authors --- Authorship --- History and criticism. --- History --- History and criticism --- Acker, Kathy, --- DeLillo, Don --- Updike, John --- Roth, Philip --- Roth, Philip Milton --- Apdajk, Džon --- Apdaĭk, Dzhon --- אפדייק, ג"ון --- أبدايك، جون --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- Fear, Clay, --- Black Tarantula, --- Appreciation --- Rʺut, Bhilip --- Рот, Филип --- Rot, Filip --- רות, פיליפ --- ロス, フィリップ --- Acker, Kathy
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