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“The Original Explosion That Created Worlds” is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers and innovative artists of post-colonial Africa. The book includes a wide-ranging collection of essays by some of Liking’s finest critics addressing her life and work, from her earlier fiction and social criticism to her later experimental drama, which has been produced on stages around the world. Several essays also look at Liking’s culture-based entrepreneurial work, in which she has attempted to establish a new economic support for African artistic expression. Liking’s excellent but little-known poetry and art criticism, her iconoclastic novels and essays are all the subject of close critical attention in particular studies. There is also consideration of the challenges that her original language and fictional forms present to a literary translator. Liking’s work has provoked an extensive commentary, in the popular press as well as in scholarly journals and her critical reception both inside and outside of Africa is carefully examined. The final important inclusions are two plays by Liking published here for the first time in English translations– Liquid Heroes and This Africa of ours... “The Original Explosion That Created Worlds”: Essays on Werewere Liking’s Art and Writings may serve as an introduction to the work of one of Africa’s most important contemporary artists and one of the most astute commentators on the position of Africa in the new century. To those already familiar with Liking’s novels, poetry, plays, criticism or other cultural work it offers an expanded and deepened understanding of her working contexts and the amazing reach of her cultural expression. The book is of necessary interest to all readers, students, and scholars of postcolonial African literatures, of translation studies, and of gender issues.
Werewere Liking, --- Liking, Were Were, --- Liking, Werewere, --- Were Were Liking, --- Criticism and interpretation. --- Liking, Werewere
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"This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists. . . . offers illuminating interpretations of worthy writers . . . " --Multicultural Review"This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography." --Choice". . . a college-level analysis which will appeal to any interested in African studies and literature." --The BookwatchThis book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, Bá, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives.
Developmental psychology --- Sociology of the family. Sociology of sexuality --- Sexology --- Fiction --- Thematology --- Liking, Werewere --- Beyala, Calixthe --- Dangarembga, Tsitsi --- Bâ, Mariama --- Zanga Tsogo, Delphine --- Aidoo, Ama Ata --- Head, Bessie --- Tlali, Miriam --- Cameroon --- Africa --- Emecheta, Buchi --- African Literature --- Women And Literature --- Women In Literature --- Gender Identity In Literature --- Literary Criticism --- Gender --- Identity --- Literature --- Sexuality --- Writers --- Theory --- Images of women --- Book --- African literature --- Women and literature --- Women in literature --- Gender identity in literature --- Literary criticism --- Women in literature. --- History and criticism --- Women authors --- History and criticism. --- History
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