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Kunst ins Leben : Alfred Lichtwarks Wirken für die Kunsthalle und Hamburg von 1886 bis 1914.
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Year: 1986 Publisher: Hamburg : Hamburger Kunsthalle,

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Achenbach, Oswald ; Brütt, Ferdinand ; Calderon R.A., Philip ; Hübner, Carl ; Lenbach, Franz ; Bonnard, Pierre ; Corinth, Lovis ; Courbet, Gustave ; Klinger, Max ; Liebermann, Max ; Manet, Edouard ; Renoir, Auguste ; Slevogt, Max ; Vuillard, Edouard ; Kauffmann, Hermann ; etc.


Book
Der Kunstbegriff Alfred Lichtwarks.
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Year: 1986 Publisher: Hildesheim ; Zürich ; New York : Georg Olms Verlag,

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Alfred Lichtwark : ein Führer zur deutschen Zukunft
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Year: 1924 Publisher: Jena : Diederichs,

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Book
Kunst ins Leben: Alfred Lichtwarks Wirken für die Kunsthalle und Hamburg von 1886 bis 1914
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Year: 1986 Publisher: Hamburg Hamburger Kunsthalle

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Briefe an die Kommission für die Verwaltung der Kunsthalle
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Year: 1924 Publisher: Hamburg Westermann

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Book
Drei programme.
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Year: 1902 Publisher: Berlin : Cassirer,

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Book
Palastfenster und Flügeltür
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Year: 1905 Publisher: Berlin : Cassirer,

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Das Beispiel Alfred Lichtwark : eine Studie zum Selbstverständnis der Reformpädagogik
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Year: 1976 Publisher: Köln : [Beckers],

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Der Briefwechsel zwischen Alfred Lichtwark und Max Liebermann
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ISBN: 3487117754 Year: 2002 Publisher: Hildesheim Olms

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Art and the German bourgeoisie : Alfred Lichtwark and modern painting in Hamburg, 1886-1914
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ISBN: 0802009220 1282008536 1442671025 9786612008535 Year: 2002

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In this new study of art in fin-de-siecle Hamburg, Carolyn Kay examines the career of the city's art gallery director, Alfred Lichtwark, one of Imperial Germany's most influential museum directors and a renowned cultural critic. A champion of modern art, Lichtwark stirred controversy among the city's bourgeoisie by commissioning contemporary German paintings for the Kunsthalle by secession artists and supporting the formation of an independent art movement in Hamburg influenced by French impressionism. Drawing on an extensive amount of archival research, and combining both historical and art historical approaches, Kay examines Lichtwark's cultural politics, their effect on the Hamburg bourgeoisie, and the subsequent changes to the cultural scene in Hamburg. Kay focuses her study on two modern art scandals in Hamburg and shows that Lichtwark faced strong public resistance in the 1890s, winning significant support from the city's bourgeoisie only after 1900. Lichtwark's struggle to gain acceptance for impressionism highlights conflicts within the city's middle class as to what constituted acceptable styles and subjects of German art, with opposition groups demanding a traditional and 'pure' German culture. The author also considers who within the Hamburg bourgeoisie supported Lichtwark, and why. Kay's local study of the debate over cultural modernism in Imperial Germany makes a significant contribution both to the study of modernism and to the history of German culture.

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