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Amy Levy
Authors: ---
ISBN: 0821443070 9780821443071 0821419064 9780821419069 0821419064 9780821419069 9780821419052 0821419056 9780821413302 0821413309 9780821413296 0821413295 Year: 2010 Publisher: Athens Ohio University Press

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Abstract

Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse. Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women's poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual

The New Woman and the Empire
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ISBN: 0814272703 0814210058 Year: 2005 Publisher: Columbus : Ohio State University Press,

Women's poetry and religion in Victorian England
Author:
ISBN: 1107125227 1280161086 0511120214 1139147838 0511064411 051105808X 0511329652 0511484909 0511072872 9780511064418 9780511058080 9780511072871 9780511120213 9780521811125 0521811120 9780511484902 9781280161087 9781107125223 9781139147835 9780511329654 9780521099837 0521099838 Year: 2002 Publisher: Cambridge, UK New York Cambridge University Press

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Abstract

Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that Jewish and Christian women poets had a special interest in Jewish discourse; calling on images from Judaism and the Hebrew Scriptures, their poetry created complex arguments about the relationships between Jewish and female artistic identity. She suggests that Jewish and Christian women used poetry as a site for creative and original theological interpretation, and that they entered into dialogue through their poetry about their own and each other's religious and artistic identities. This book's interdisciplinary methodology calls on poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.

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