Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Architecture --- International style (Architecture) --- Style international (Architecture) --- History --- Histoire --- Lescaze, William, --- Lescaze, William

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

William Lescaze 1896-1969 (° Geneva, Zwitserland). Emigreerde in 1920 naar America. --- Architectuur ; vnl. Verenigde Staten ; 1919-1933 ; William Lescaze --- Architectuur ; 20ste eeuw ; Internationale stijl --- Architectuur ; Verenigde Staten ; Modernisme --- 72.07 --- Lescaze, William --- Architecten. Stedenbouwkundigen A - Z --- Exhibitions --- Architecture --- History --- Lescaze, William, --- William Lescaze 1896-1969 (° Geneva, Zwitserland). Emigreerde in 1920 naar America --- Lescaze, William Howard,

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Futurism, Art-Deco, the International Style, non-objective art, and other European-originated art forms radically changed the direction of American architecture in the twentieth century. Beginning with Rockefeller Center, the culmination of the Beaux-Arts tradition, Jordy examines in Volume 5 the influence of modern art on the architecture of George Howe, William Lescaze, Marcel Breuer, Ludwig Mies van der Rohe, Frank Lloyd Wright, and Louis I. Kahn.

Architecture --- Architects --- Architectes --- Mouvement moderne --- Art déco --- Style international --- Breuer, Marcel, --- Kahn, Louis Isidore, --- Mies Van Der Rohe, Ludwig, --- Lescaze, William --- Howe, George --- Wright, Frank Lloyd, --- Amérique du Nord --- Breuer, Marcel, 1902-1981 --- Kahn, Louis Isidore, 1901-1974 --- Mies Van Der Rohe, Ludwig, 1886-1969 --- Wright, Frank Lloyd, 1867-1959

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of "race" and "style" as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists--Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze--to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.

Architecture and society --- History --- Architecture and race --- Architecture --- Democracy and architecture. --- ARCHITECTURE / General --- Architecture and race. --- Architecture and society. --- Architecture and democracy --- Environmental psychology --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Race and architecture --- Race --- Psychological aspects. --- Human factors --- Social aspects --- 1800-1999 --- Sociology of minorities --- Sociology of environment --- architecture [discipline] --- Modern [style or period] --- Viollet-le-Duc, Eugène-Emmanuel, --- Semper, Gottfried, --- Sullivan, Louis H., --- Lescaze, William, --- Wright, Frank Lloyd, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Interieurarchitectuur ; geschiedenis --- 749(091) --- John Pile --- interieurvormgeving --- geschiedenis --- oudheid --- Byzantium --- Romaanse kunst --- Byzantijnse kunst --- middeleeuwen --- gotiek --- renaissance --- maniërisme --- barok --- rococo --- zeventiende eeuw --- achttiende eeuw --- negentiende eeuw --- twintigste eeuw --- Arts and Crafts --- Art Nouveau --- Wiener Sezession --- eclecticisme --- De Stijl --- Bauhaus --- Art Deco --- modernisme --- tempels --- kerken --- woningen --- gebouwen --- kastelen --- paleizen --- Brunelleschi Filippo --- Michelozzo --- Alberti --- Bramante Donato --- Bernini --- Borromini --- Longhena --- Guarini --- Juvarra --- Adam Robert --- empire --- Wren Christopher --- Jones Inigo --- Regency --- Jefferson --- Bulfinch --- Nash --- Soane --- Shaker --- Ruskin John --- Morris William --- Webb Philip --- Mackintosh Charles Rennie --- Horta Victor --- Van de Velde Henry --- Gaudí Antoni --- Jugendstil --- Wagner Otto --- meubelkunst --- Loos Adolf --- Hoffmann Josef --- Olbrich Joseph Maria --- Saarinen Eero --- architectuur --- schepen --- Le Corbusier --- Wright Frank Lloyd --- urbanisme --- stedenbouw --- Mondriaan Piet --- Van Doesburg Theo --- Rietveld Gerrit --- Lutyens Edwin --- McKim/Mead/White --- Neutra Richard --- Schindler R.M. --- Lescaze William --- Goodwin Philip --- Stone Edward Durrell --- Gropius Walter --- Breuer Marcel --- Mies van der Rohe Ludwig --- Johnson Philip --- Knoll Hans --- Kahn Louis I. --- Pelli Cesar --- Fuller Richard Buckminster --- Piano Renzo --- Rogers Richard --- Foster Norman --- Stirling James --- Venturi Robert --- Graves Michael --- Greenberg Allan --- Stern Robert A.M. --- Pei I.M. --- Gwathmey Charles --- Meier Richard --- Starck Philippe --- Putman Andrée --- Eisenman Peter --- Tschumi Bernard --- Gehry Frank --- Ando Tadao --- Mondrian Piet --- 747.03 --- Meubelkunst en design ; geschiedenis --- Art styles --- Architecture --- Applied arts. Arts and crafts --- History --- interior design --- history [discipline] --- kunststijlen --- binnenhuisinrichting --- Schindler R.M --- Kahn Louis I --- Stern Robert A.M --- Pei I.M --- style [critical concept]