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"This book sets out to investigate and theorise mediations of lesbian desire in a substantial corpus of films (spanning the period 1936-2002) by male and female directors working in France and also in French-speaking parts of Belgium, Canada, Switzerland and Africa. The corpus is unique in never before having been assembled, and represents a valuable tool not just for researchers but also for university teachers creating courses both on lesbianism in film and on sexuality in French cinema. A fair number of the 89 texts treated are mainstream films which have achieved high critical acclaim and/or high viewing figures: to cite just a few examples, Henri-Georges Clouzot’s Quai des orfèvres (1947), Louis Malle’s Milou en mai (1989), Claude Chabrol’s La Cérémonie (1995), André Téchiné’s Les Voleurs (1995), and François Ozon’s Huit femmes (2001). As such, they have contributed to hegemonic constructions of and debate on (female) homosexuality, in a century wherein sexed/ gendered identity, including sexual orientation, has become a preeminent factor in the constitution of subjectivity. While such constructions and debate have a French-language specificity, and have been produced in distinct socio-political and cultural contexts, this study also engages in analytical comparisons with relevant anglophone films and their own distinct discursive contexts." --
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"Between Banat presents a feminist and queer of color analysis of homoeroticism and nonnormative sexualities between Arab women as represented in transnational Arab literature, art, and film. It draws on a dynamic archive of Arabic and Anglophone film and literature, as well as works in translation and transliteration to outline dominant discourses which make representing queer Arab subjects difficult. Between Banat establishes queer Arab critique as a strategy to read around limiting discourses and proposes tenets to make possible queer Arab futures. Mejdulene Bernard Shomali demonstrates how systems of heteropatriarchy, Arab nationalisms, and Orientalism work in relation to mire queer Arab women's horizons and uses queer Arab critique to locate queer desire amidst heteronormative imperatives"--
Women, Arab --- Women --- Lesbianism --- Feminism --- Lesbianism in literature. --- Lesbianism in motion pictures. --- Queer theory. --- Sex --- Social conditions. --- Lesbianism in literature --- Lesbianism in motion pictures --- Queer theory --- Social conditions
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The unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.
Sociology of the family. Sociology of sexuality --- Film --- Lesbianism in motion pictures. --- Motion pictures
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