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Piano --- Les Six --- Uitgeverscatalogi --- 20e eeuw --- Frankrijk

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Écrit au XIIe siècle, le Commentaire sur les six premiers livres de l'Énéide interprète les errances maritimes d’Énée et sa descente aux enfers comme le périple d’une âme en quête d’elle-même et de Dieu. Les mythes antiques y sont repensés à la lumière d’un syncrétisme philosophique hérité de l’antiquité tardive, et décryptés à travers des jeux étymologiques repris de Fulgence. Un voile se lève peu à peu sur une révélation, un voile nommé integumentum. Un manuscrit tardif attribue ce commentaire à Bernard Silvestre, un professeur tourangeau proche des maîtres de l’école de Chartres. Nains assis sur les épaules des géants de l’Antiquité, ces clercs médiévaux se conçoivent comme des esprits novateurs, mais aussi comme des passeurs. Le Commentaire sur l’Énéide a été connu de Boccace, il a sans doute inspiré Dante. Il est donc un maillon essentiel de la chaîne de transmission et d’interprétation des mythes gréco-latins. Il est ici traduit et commenté pour la première fois en français.

Epic poetry, Latin --- Latin epic poetry --- Latin poetry --- History and criticism --- Virgil. --- Aeneas (Legendary character) --- In literature --- Commentum super sex libros Eneidos Virgilii. --- Commentaire sur les six premiers livres de l'Énéide de Virgile --- Vergilius Maro, Publius

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les Vedas --- les six Gosvamis de Vrndavana --- extase dévotionnelle --- la science védique --- science de l'âme et de l'Absolu --- Srila Rapa --- Upadesmrta --- yoga --- la bhakti --- A.C. Bhaktivedanta Swami Prabhupada --- Srila Rupa Gosvami

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Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Société Musicale Indépendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936. Exploring the ideas of consensus, resistance and rupture, the book contributes an important and nuanced reflection to the current debate on modernism in music. It considers the roles composers, critics and biographers played in shaping debates about contemporary music, showing how composers including Ravel, Poulenc, Milhaud, Jolivet and Messiaen and critics such as Paul Landormy, André Coeuroy and Roland-Manuel often worked in partnership to bring their ideas to a public forum. It also expands the notion of 'interwar' through the essential inclusion of World War I and the years before, reconfiguring the narrative for that period. This book challenges some of the stereotypes that characterise the period, in particular, neo-classicism and the dominance of secularism. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc and invited audiences and critics to rethink what it meant to be modern. The interwar years were also marked by commemoration and loss. Debussy's wartime death in 1918 stimulated competing efforts (by Emile Vuillermoz, Léon Vallas and Henry Prunières) to shape his legacy. They were motivated by nostalgia for a lost and glorious generation and a commitment to building a legacy of French achievement. Music and Ultra-Modernism in France argues for the vitality of French music in the period 1913-39 and challenges the received view that the period and its musical culture lacked dynamism, innovation or serious musical debate. BARBARA L. KELLY is Professor of Music at Keele University.

Music --- History and criticism. --- Modernism (Music) --- History --- Philosophy and aesthetics. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Modernism in music --- Modernist music --- Musical modernism --- Style, Musical --- Composers. --- Critics. --- French Music. --- Interwar. --- Jeune France. --- Les Six. --- Neo-Classicism. --- Secularism. --- Société Musicale Indépendente. --- Ultra-Modernism. --- World War I.

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Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century-a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers-Paul Poiret, Germaine Bongard, and Coco Chanel-and three breakthrough fashion magazines-La Gazette du Bon Ton, Vanity Fair, and Vogue-Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Léon Bakst, writer and director Jean Cocteau, Amédée Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read.

Popular music --- Popular culture. --- Fashion --- Musicians --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Artists --- History and criticism. --- History --- Clothing --- 20th century art history. --- 20th century fashion history. --- 20th century music history. --- amedee ozenfant. --- art. --- ballets russes. --- coco chanel. --- entertainment industry. --- erik satie. --- fashion and clothing. --- fashion photography. --- fashion plates. --- fashion. --- germaine bongard. --- high fashion. --- igor stravinsky. --- interdisciplinary. --- jean cocteau. --- la gazette du bon ton. --- leon bakst. --- les six. --- modernism. --- modernity. --- music. --- neoclassicism. --- originality. --- pablo picasso. --- paul poiret. --- retrospective. --- sound and style. --- transatlantic modernism. --- vanity fair. --- vogue.