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Book
De la métaphore au Mythe "Les Rougon-Macquart" d'Emile Zola
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Year: 1985 Publisher: Nijmegen

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L'opéra des Rougon-Macquart : essai de rythmologie romanesque
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Year: 1983 Publisher: Paris Klincksieck

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Le personnel du roman : le système des personnages dans les "Rougon-Macquart" d'Emile Zola
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Year: 1983 Publisher: Genève : Droz,

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Aspects épiques des Rougon-Macquart de Zola
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Year: 1966 Publisher: The Hague Paris : Mouton,

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Structures et unité dans "Les Rougon-Macquart" : la poétique du cycle
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Year: 1977 Publisher: Paris : A. G. Nizet,

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Ténèbres et lumière de l'argent : la représentation de l'ordre social dans les Rougon-Macquart
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Year: 1981 Publisher: Dijon : Université de Dijon,


Dissertation
Les Rougon-Macquart d'Emile Zola : étude du système architectural et immobilier
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Year: 1992 Publisher: Liège : Université de Liège [ULg], Faculté de Philosophie et Lettres,

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Dissertation
Représentation et symbolique de la mort dans Les Rougon-Maquarts d'Emile Zola
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Year: 1999 Publisher: Liège : Université de Liège [ULg], Faculté de Philosophie et Lettres,

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Book
Le sens de l'espace dans La fortune des Rougon d'Emile Zola
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ISBN: 9634717241 9789634717249 Year: 1990 Volume: 15 Publisher: Debrecen Kossuth Lajos tudomanyegyetem


Book
The novel map : space and subjectivity in nineteenth-century French fiction.
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ISBN: 9780810166387 0810166380 9780810128668 0810128667 Year: 2013 Publisher: Evanston Northwestern university press

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Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory.

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