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Ralph Lemon (born 1952) is one of the most significant figures to emerge from New Yorks downtown dance and performance world in the past 40 years. A polymath and shape-shifter, Lemon combines dance and theater with drawing, film, writing and ethnography in works presented on the stage, in publications and in museums. He builds his politically resonant and deeply personal projects in collaboration with dance makers and artists from New York, West Africa, South and East Asia, and the American South. Lemon, who was born in Cincinnati and raised in Minneapolis, describes his explorations as a "search for the forms of formlessness." Absorbing and transmuting fractured mythologies, social history and dance techniques from multiple geographies and decades, Lemons genre-transcending works perform an alchemy of past and present, reality and fantasy. This book, the first monograph on the artist, features a wide range of texts by scholars and performers, an original photo essay by Lemon and an extensive chronology.
Choreographers --- Choreographers --- Choreographers. --- PERFORMING ARTS / Dance / Modern. --- Lemon, Ralph --- Lemon, Ralph. --- Lemon, Ralph. --- Lemon, Ralph. --- History and criticism. --- United States. --- United States.
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"Tree is the second installment in Ralph Lemon's performance trilogy and documents his travels through India, Indonesia, China, and Japan as he retraces the Buddha's migration map. More artistic sociologist than mere traveler, Lemon kept journals, drew, collected ephermera, conducted informal interviews, and took photograph as he explored performance traditions and met the performers with whom he would eventually choreograph an evening-length work."--BOOK JACKET.
Choreographers --- Choreographers. --- Travel. --- Lemon, Ralph --- Lemon, Ralph --- Lemon, Ralph --- Lemon, Ralph --- Lemon, Ralph. --- Description and travel. --- Travel --- Tree (Choreographic work : Lemon). --- Tree (Choreographic work : Lemon). --- Asia. --- Asien. --- United States.
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André Lepecki surveys a decade of experimental choreography to uncover the dual meaning of 'performance' in the twenty-first century: not just an aesthetic category, but a mode of political power. He demonstrates the enduring ability of performance to critique and subvert this power, examining this relationship through five 'singularities' in contemporary dance: thingness, animality, persistence, darkness, and solidity. Exploring the works of Mette Ingvartsen, Yvonne Rainer, Ralph Lemon, Jérôme Bel and others, Lepecki uses his concept of 'singularity'--the resistance of categorization and aesthetic identification--to examine the function of dance and performance in political and artistic debate.
performance art --- dances [performance events] --- Theatrical science --- choreography --- Ingvartsen, Mette --- Rainer, Yvonne --- Lemon, Ralph --- Bel, Jérôme --- Movement (Philosophy). --- Performance art.
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"Geography, a tapestry of journal entries, choreographic scores, drawings, and photographs, leads us through the creation of an evening-long dance, "Geography," a collaboration about being American, African, brown, black, blue black, male, and artist. This dance piece was a major departure for Ralph Lemon. In it everything is at stake - his identity, his politics, his art, his very way of moving. In order to create it, he traveled to Africa in search of dancers and a new relationship to the stage." "The intimate, keenly observed passages in this artist's journal give us extraordinary insights on the process of dance-making - from the discovery of specific movements to the sometimes uneasy relationships between the dancers. At every juncture the collaboration posed difficult questions about representing African dance and culture within the context of modern America's post-slave heritage. The book beautifully documents Lemon's ability to negotiate different dance traditions without either erasing or cementing them."--BOOK JACKET.
African American choreographers. --- African American choreographers. --- African American dancers --- African American dancers. --- Afrikanischer Tanz. --- Choreografie. --- Choreographers --- Choreographers. --- Danse moderne. --- Modern Dance. --- Modern dance. --- Modern dance. --- Multikulturelle Gesellschaft. --- Performance --- Lemon, Ralph --- Lemon, Ralph. --- Lemon, Ralph. --- Geography (Choreographic work : Lemon). --- Geography (Choreographic work : Lemon). --- Geography (Chorégraphie : Lemon). --- United States.
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A moving and imaginative memoir documenting the Civil Rights Era, contemporary southern culture, and Lemon's private and public art practice
African American choreographers. --- African American dancers --- African American dancers. --- African Americans --- African Americans. --- Choreographers --- Choreographers. --- History. --- Lemon, Ralph --- Lemon, Ralph. --- Come home Charley Patton (Choreographic work : Lemon). --- United States. --- Afro-American dancers --- Dancers, African American --- Dancers --- Black history --- Come home Charley Patton (Choreographic work : Lemon) --- African Americans history --- history
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Dance's galvanizing and transformative presence in art and theory over the last decade becomes part of a broader investigation of its dialogue with modernism's legacies. This collection surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography. Dance because of its ephemerality, corporeality, precariousness, scoring, and performativity is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project—a central concern for both art and critical thought in our time.
Art --- choreography --- art theory --- art [fine art] --- dances [performance events] --- Rainer, Yvonne --- Stuart, Meg --- Butcher, Rosemary --- Sehgal, Tino --- Jones, Bill T. --- Forti, Simone --- Oiticica, Hélio --- Cunningham, Merce --- Pape, Lygia --- La Ribot --- Jonas, Joan --- Halprin, Anna --- Hijikata, Tatsumi --- Fabre, Jan --- Piper, Adrian --- Plisková, Nadezda --- Paxton, Steve --- Abramovic, Marina --- Brown, Trisha --- Bausch, Pina --- Forsythe, William --- Charmatz, Boris --- Lemon, Ralph --- Le Roy, Xavier --- Cage, John --- anno 2000-2009 --- anno 1900-1999 --- Art and dance. --- Dance. --- Modern dance. --- Choreography. --- Movement, Aesthetics of. --- Art et danse --- Danse --- Danse moderne --- Chorégraphie --- Mouvement, Esthétique du --- Art and dance --- Dance --- Modern dance --- Choreography --- Movement, Aesthetics of --- Mouvement (esthétique) --- 7.049 --- Beeldende kunst ; dans in de hedendaagse kunst --- Thema's in de kunst ; dans ; choreografie --- Beeldende kunst ; 20ste en 21ste eeuw --- Aesthetics --- Movement, Psychology of --- Rhythm --- Interpretive dancing --- Modern dancing --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Art and dancing --- Dance and art --- Iconografie ; verschillende onderwerpen --- Chorégraphie --- Mouvement, Esthétique du --- Iconographie --- Art contemporain --- Performance --- Processus de création --- Création artistique --- Art éphemère --- Happening --- Corps, thème --- Art militant --- Art et politique --- kunst --- 130.2 --- kunst en dans --- 7.039 --- 7.01 --- 792 --- danstheorie --- economie --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- dans --- Art et danse. --- Danse moderne. --- Chorégraphie. --- Roy, Le, Xavier --- Corps humain, thème --- Plíšková, Naděžda --- 793.01 --- Dans ; theorie, filosofie, esthetica --- art [discipline] --- Activité motrice --- Performance-art --- Arts du spectacle
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On Line: Drawing through the Twentieth Century explores a radical transformation of drawing that began over a century ago and continues as a vital impulse in art today. In a revolutionary departure from traditional ideas of drawing, and from the reliance on paper as the medium's fundamental support, artists have pushed the line of drawing into real space, expanding its relationship to gesture and form and invigorating its links with painting and sculpture, photography and film, and, particularly notably, dance and performance. Through works by over 100 artists, and through essays by Cornelia Butler and Catherine de Zegher that illuminate both broad themes and individual practices, On Line presents a groundbreaking history of an art form. The great, recognized art movements, from Cubism and Futurism at the beginning of the twentieth century through Abstract Expressionism, Neo-Concretism, arte povera, Conceptualism, and many other approaches up to the diverse present, are shown from a new perspective, and are joined by a host of less familiar artworks that properly claim a place in this differently defined field.
Drawing --- anno 1900-1999 --- Line (Art) --- 741.039 --- Tekenkunst ; 20ste en 21ste eeuw --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst en dans --- Albers Anni --- Balasubramanian A. --- Boccioni Umberto --- Braque Georges --- Brouwn Stanley --- Brown Trisha --- Calder Alexander --- Camnitzer Luis --- Canell Nina --- Cool Marie --- Balducci Fabio --- Dekyndt Edith --- Ferrari Leon --- Forsythe William --- Fuller Loie --- Gellman Mimi --- Hay Alex --- Hefuna Susan --- Kempinas Zilvinas --- Kngwarray Emily Kam --- Kosice Gyula --- Krasinski Edward --- Kupka Frantisek --- Lemon Ralph --- Le Roy Xavier --- Lewitt Sol --- Lombardi Mark --- Maiolind Anna Maria --- Makhijani Sheila --- Malich Karel --- Masson André --- McCall Anthony --- Mehretu Juli --- Meireles Cildo --- Merz Marisa --- Mohamedi Nasreen --- Molnar Vera --- N.E. Thing CO. LTD. --- Nijinsky Vaslaw --- Parker Cornelia --- Popova Lyubov --- Pougny Jean --- Rockburne Dorothea --- Rodchenko Alexander --- Rosenfeld Lotty --- Sandback Fred --- Severini Gino --- Shiomi Mieko --- Soto Jesus Rafael --- Stuart Michell --- Sullivan Françoise --- Syed Alia --- Tottie Sophie --- Twombly Cy --- Vieira da Silva Maria Helena --- de la Villeglé Jacques --- Winters Terry --- Young La Monte --- Tekenkunst ; 2000 - 2050 --- Ryman Robert --- Schendel Mira --- Schneemann Carolee --- Schwitters Kurt --- Shettar Ranjani --- Snow Michael --- Taeuber-Arp Sophie --- Tanaka Atsuko --- tekenkunst --- Tuerlinckx Joëlle --- Tuttle Richard --- twintigste eeuw --- Vantongerloo Georges --- Vicuna Cecilia --- 741.036 --- Alÿs Francis --- Anselmo Giovanni --- Arp Jean --- Balasubramanian A --- Bloch Pierrette --- Clark Lygia --- dans --- De Keersmaeker Anne Teresa --- Duchamp Marcel --- Fabro Luciano --- Fontana Lucio --- Gallagher Ellen --- Gego --- Grzymala Monika --- Hatoum Mona --- Heizer Michael --- Herrera Arturo --- Hesse Eva --- Kandinsky Wassily --- Kelly Ellsworth --- Klee Paul --- kunst --- Lissitzky El --- Maldonado Tomas --- Malevich Kazimir --- Man Ray --- Manzoni Piero --- Martin Agnes --- Matta-Clark Gordon --- Miro Joan --- Mondriaan Piet --- Nauman Bruce --- N.E. Thing CO. LTD --- Newman Avis --- Penone Giuseppe --- Picasso Pablo --- Pollock Jackson --- Rainer Yvonne --- Rauschenberg Robert --- Ray Man --- Art --- Exhibitions --- tekenen --- film --- hedendaagse kunst --- 20ste eeuw --- 21ste eeuw --- Dessin --- 20e siècle --- Art and Design. --- Drawing. --- Line (Art). --- Zeichnung. --- 1900-1999. --- dansen --- Drawing - 20th century - Exhibitions --- Line (Art) - Exhibitions --- tekenen. --- dansen. --- film. --- hedendaagse kunst. --- 20ste eeuw. --- 21ste eeuw.
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A survey of performance art from the 1960s to the present, this text examines its emergence in the work of Yves Klein, Piero Manzoni and "Happenings", the work of Hermann Nitsch and Joseph Beuys, and the opera spectacles of Robert Wilson. Laurie Anderson and Pina Bausch are also covered
Performance art. --- Performance art --- History. --- performance art --- performances (kunst) --- Theatrical science --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- anno 1990-1999 --- music [discipline] --- religions [belief systems, cultures] --- feminism --- video art --- Butoh --- drama [literature] --- dances [performance events] --- art history --- eroticism --- Childs, Lucinda --- Smith, Jack --- Fagan, Garth --- McQueen, Steve --- Tiravanija, Rirkrit --- Laub, Michel --- Kounellis, Jannis --- Jones, Bill T. --- Whitman, Robert --- Sierens, Arne --- Latham, John --- Eno, Brian --- Schneemann, Carolee --- Fusco, Coco --- Guerilla Art Action Group --- Stitt, André --- Sherman, Cindy --- Lauwers, Jan --- Maclennan, Alastair --- Alien Comic --- Wampler, Claude --- Castellucci, Romeo --- Elwes, Catherine --- Jonas, Joan --- Riley, Terry --- Rosenthal, Rachel --- Sprinkle, Annie --- Cale, John --- Gilbert and George --- Knizak, Milan --- Ludovicus --- Beecroft, Vanessa --- Julien, Isaac --- Mabou Mines --- McLean, Bruce --- Moorman, Charlotte --- Bausch, Pina --- Wilson, Robert --- English, Rose --- Montano, Linda --- Kusama, Yayoi --- Teshigawara, Saburo --- Nauman, Bruce --- Antin, Eleanor --- Lebel, Jean-Jacques --- Orr, Jill --- Zazeela, Marian --- Orlan --- Mortensen, Kevin --- Lemon, Ralph --- Wilson, Martha --- Foreman, Richard --- Heyward, Julia --- Kaprow, Allan --- Chicago, Judy --- Goebbels, Heiner --- Glass, Philip --- Catling, Brian --- Stuart, Meg --- Muehl, Otto --- Tanaka, Min --- Kipper Kids --- Saint-Phalle, de, Niki --- Rolfe, Nigel --- Branca, Glenn --- Adams, John --- Koek, Paul --- Kubota, Shigeko --- Korot, Beryl --- Gray, Spalding --- Labowitz, Leslie --- McCauley, Robbie --- Oleszko, Pat --- Rainer, Arnulf --- Fabre, Jan --- O'Connor, Tere --- Beuys, Joseph --- Halprin, Anna --- Antoni, Janine --- Klein, Yves --- Carlos, Laurie --- Jesurun, John --- Lepage, Robert --- Brown, Trisha --- Petronio, Stephen --- Potter, Sally --- Rosenbach, Ulrike --- Gaulke, Cheri --- Streb, Elizabeth --- Colette --- Grooms, Red --- Keersmaeker, de, Anne Teresa --- Horn, Rebecca --- Brisley, Stuart --- Forsythe, William --- Ruller, Tomás --- Platel, Alain --- Manzoni, Piero --- Cage, John --- Reedy, Carlyle --- Ulay --- Rainer, Yvonne --- Maciunas, Georg --- Burden, Chris --- Galas, Diamanda --- Kelly, John --- Schechner, Richard --- Barney, Matthew --- Guo-Qiang, Cai --- Rauschenberg, Robert --- Malpede, John --- Forti, Simone --- Chang, Patty --- Taylor-Wood, Sam --- Pucher, Stefan --- Cunningham, Merce --- Hamilton, Ann --- Apple, Jacki --- Jones, Kim --- Nakas, Kestutis --- Bean, Ann --- Fraser-Munro, Ronald --- Wilding, Faith --- McCarthy, Paul --- Eichelberger, Ethyl --- Stevens, Gary --- Finley, Karen --- Piper, Adrian --- Dine, Jim --- Dance Noise --- Ontani, Luigi --- Bruguera, Tania --- La Fura Dels Baus --- Rockburne, Dorothea --- Lacy, Suzanne --- Garhel, Pedro --- Mendieta, Ana --- Ono, Yoko --- Gómez-Peña, Guillermo --- Young, La Monte --- Oppenheim, Dennis --- Export, Valie --- Armitage, Karole --- Signer, Roman --- Abramovic, Marina --- Magnuson, Ann --- Rousseve, David --- Kelly, Mary --- O'Grady, Lorraine --- Dean, Laura --- Tropicana, Carmelita --- Ashley, Robert --- Nitsch, Hermann --- Knowles, Alison --- Arcade, Penny --- Bag, Alex --- Metzger, Gustav --- Miller, Tim --- Oliveros, Pauline --- Vostell, Wolf --- Baker, Bobby --- Warhol, Andy --- Wojnarowicz, David --- Rinke, Klaus --- Kelley, Mike --- Miller, Paul D. --- Oldenburg, Claes --- Longo, Robert --- Abdoh, Rezah --- Fenley, Molissa --- Hatoum, Mona --- Greenaway, Peter --- Monk, Meredith --- Pane, Gina --- Marclay, Christian --- Paik, Nam June --- Wilke, Hannah --- Comfort, Jane --- Anderson, Laurie --- Arias, Joey --- Galindo, Rosa --- Mori, Mariko --- Hoch, Danny --- Brus, Günther --- Marthaler, Christoph --- Hughes, Holly --- Reich, Steve --- Bogosian, Eric --- Oursler, Tony --- Acconci, Vito --- Stelarc --- Zane, Arnie --- Raban, Tamar --- Graham, Dan --- Orta, Lucy --- Vautier, Ben --- Station House Opera --- Athey, Ron --- Neuer Tanz --- Grand Union --- Act Up --- Ting Theatre of Mistakes --- Gutai Group --- Guerrilla Girls --- DV8 Physical Theatre --- Gob Squad --- COUM Transmissions --- Hi Red Center --- Forced Entertainment Opera --- Black Market International --- Falso Movimento --- The Velvet Underground --- The Wooster Group --- Urban Bushwomen --- Naslagwerken ; kunst ; 1960-1998 ; performances --- Kunstgeschiedenis ; 1950 - 2000 --- music [performing arts] --- Cai Guo Qiang --- Hi Red Center [Tokyo] --- 7.038 --- History --- photography [process] --- Film --- Iconography --- Art --- art [fine art] --- Photography --- Music --- anno 1900-1999 --- Arts, Modern --- Themes, motives --- Ruller, Tomáš --- Guerrilla Girls [New York, N.Y.] --- Bean, Anne --- Mabou Mines [New York, N.Y.] --- Performance art - History. --- Performance art - Themes, motives --- Arts, Modern - 20th century - Themes, motives --- art [discipline] --- music [performing arts genre] --- drama [discipline] --- culturele diversiteit (kunst) --- Knížák, Milan
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