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The first monograph on the artists group "Collective Actions", one of the most significant enterprises of modern and contemporary Russian art, studies their guiding esoteric principle of 'Empty action'. Departing from the seemingly mundane fact that their practice emerged in their free time from full-time employment for the Soviet State in a period of stagnating industrialisation, Marina Gerber identifies Empty Action as a form of "art after work". The result is a comprehensive and profound investigation of the artistic and socio-historical context of Collective Actions' practice that bears some significance for contemporary debates on art and labour in a post-industrial age.
Art, Russian --- Art, Russian. --- Conceptual art --- Conceptual art. --- Labor in art. --- Labor in art. --- Leisure in art. --- Leisure in art. --- History --- Kollektivnye deĭstvii͡a (Group of artists). --- Kollektivnye deĭstvii͡a (Group of artists). --- 1900-1999. --- Russia (Federation)
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Art --- fête galante --- Watteau, Jean Antoine --- Leisure in art --- Landscapes in art --- Painting, French --- Drawing, French --- Loisir dans l'art --- Paysages dans l'art --- Peinture française --- Dessin français --- Exhibitions. --- Exhibitions --- Expositions --- Watteau, Antoine, --- feesten --- Watteau, Antoine --- 17de eeuw --- 18de eeuw --- 7.071 WATTEAU, JEAN-ANTOINE> --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--WATTEAU, JEAN-ANTOINE --- Peinture française --- Dessin français --- Vatto, Antuan, --- Wateau, Jean Antoine, --- Watteau, Jean Antoine, --- Ватто, Антуан, --- Themes, motives --- Influence --- Theater --- France --- History --- 18th century --- 75.071 WATTEAU --- CDL --- Leisure in art - Exhibitions --- Landscapes in art - Exhibitions --- Watteau, Antoine, - 1684-1721 - Exhibitions --- fête galante. --- feesten. --- Watteau, Antoine. --- 17de eeuw. --- 18de eeuw. --- Watteau (antoine), 1684-1721 --- Fetes --- Themes, motifs --- Dans l'art --- Watteau, Antoine, - 1684-1721 --- Baugniet, Marcel-Louis. --- Marini, Marino.
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Painting --- Art styles --- Impressionist [style] --- History of civilization --- anno 1800-1899 --- Paris --- Painting, French --- Impressionism (Art) --- Painters --- Leisure in art --- Amusements in art --- Peinture française --- Impressionnisme (Art) --- Peintres --- Biography --- Biographies --- Paris (France) --- Paris (France) dans l'art --- In art --- Social life and customs --- Moeurs et coutumes --- 316:7 <44Parijs> "18" --- 7.036.2 <44Parijs> --- -Leisure in art --- -Painting, French --- -French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Artists --- Aesthetics --- Art, Modern --- Modernism (Art) --- Post-impressionism (Art) --- Kunstssociologie--Frankrijk--19e eeuw. Periode 1800-1899--Parijs --- Impressionistische richtingen in de kunst. Impressionisme--Frankrijk--Parijs --- -Paris (France) --- -Biography --- -Amusements in art. --- Leisure in art. --- Biography. --- Amusements in art. --- -Kunstssociologie--Frankrijk--19e eeuw. Periode 1800-1899--Parijs --- -316:7 <44Parijs> "18" --- 7.036.2 <44Parijs> Impressionistische richtingen in de kunst. Impressionisme--Frankrijk--Parijs --- 316:7 <44Parijs> "18" Kunstssociologie--Frankrijk--19e eeuw. Periode 1800-1899--Parijs --- -Painting --- Spectacles et divertissements dans l'art --- Peinture française --- CDL --- 75.035 --- -Parijs (France) --- Pařiž (France) --- Parizh (France) --- Parigi (France) --- Bārīs (France) --- Lutetia (France) --- Paryż (France) --- Lutèce (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Parys (France) --- باريس (France) --- Parij (France) --- Parĩ (France) --- Pa-lí (France) --- Париж (France) --- Горад Парыж (France) --- Horad Paryz︠h︡ (France) --- Парыж (France) --- Paryz︠h︡ (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Παρίσι (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- -Amusements in art --- French painting
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Collective Actions is one of the most significant artistic practices to emerge from Moscow Conceptualism. The group's enigmatic idea of 'Empty action' is the focal point for Marina Gerber's exploration of this practice in relation to labour in the late Soviet Union. Based on interviews with members of the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the collective in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that Collective Actions' practice took place in free time from work for the Soviet State, Gerber identifies Empty action as a form of 'art after work'.
Art, Modern --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Moscow Conceptualism; Performance Art; Russia; Labour and Work; Free Time; Art; Cultural History; Music; Art History of the 20th Century; Media Aesthetics; Political Art; Slavic Studies; Fine Arts --- Art History of the 20th Century. --- Art. --- Cultural History. --- Fine Arts. --- Free Time. --- Labour and Work. --- Media Aesthetics. --- Music. --- Performance Art. --- Political Art. --- Russia. --- Slavic Studies. --- Art, Russian --- Art, Russian. --- Conceptual art --- Conceptual art. --- Labor in art. --- Leisure in art. --- History --- Kollektivnye deĭstvii͡a (Group of artists). --- 1900-1999. --- Russia (Federation)
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