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Artist Lee Bontecou (b. 1931) became widely known in the 1960s and 1970s for her welded steel sculptures and plastic molded assemblages--powerful constructions that evoked natural phenomena and organic biological life as well as machines and instruments of war. This book reevaluates the career of this highly influential artist and focuses not only upon the impact of her early work but also on the import she has exerted on a generation of younger artists. Featuring some 50 sculptures and more than 100 drawings from the late 1950s to 2003, the book presents four essays that reposition Bontecou's work within the history of recent art, examine its shifting critical reception, discuss the artistic context in which her work was made, and analyze how science underpinned some of her earliest explorations.
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Exposition du 1er juillet au 30 sept. au Capitole à Arles. Cette monographie originale, la première publiée en français, rassemble une iconographie complète de l’oeuvre de Lee Ufan et des documents illustratifs de sa biographie. Un entretien exclusif avec Michel Enrici lève pour la première fois le voile sur une enfance et une destinée qui ont conduit l’artiste d’un particularisme culturel à l’universalité, en même temps qu’il éclaire sur ses positions morales, intellectuelles et esthétiques. Un texte analytique et théorique rassemble l’appareil critique et philosophique qui a accompagné l’oeuvre de Lee Ufan pendant quatre décennies.
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