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This wide-ranging and entertaining book explores blank space from incunabula to Google books. Blanks are a paradox—simultaneously nothing and something, gesturing to what was once there or might be there. They are also a creative opportunity for readers as well as writers: readers respond to what is not there and writers come to anticipate that response. Thus, blank space develops literary and ludic applications. Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter One), marks of incompletion such as &c (Chapter Two), and the asterisk as a stand-in for things that cannot be said (Chapter Three). By looking at the early-modern page as a visual unit as well as a verbal unit, this volume shows how the relationship between textual layout and textual content is as productive for writers as it is for readers. Mise-en-page influences readers in the same way that rhetoric influences readers. It is thus possible to speak of'the rhetoric of the page'.
Books --- Layout (Printing) --- History
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This book takes a close look at an exciting group over very different magazines, exploring what makes them work graphically and how their look was conceived, designed and executed. The projects featured range in style and scope and showcase the work of top designers in the field. Profiles offer a virtual blueprint for the magazine, comparisons of rough and final drafts illustrate the process and the development of familiar and favorite magazines is traced throughout their lifespan.
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Le graphisme est avant tout un travail de conceptualisation, s'inscrivant dans un processus de communication, créateur de signes, producteur de sens. Il génère des plus-values esthétiques, artistiques, culturelles, sociales et bien sûr économiques.Pour toutes ces raisons, il constitue une composante majeure de l'identité éditoriale, de la marque.Ce livre rappelle d'abord l'histoire du graphisme en montrant comment l'esthétique des couvertures et des mises en page est liée aux évolutions artistiques. En prenant appui sur de nombreuses réalisations et sur des témoignages d'éditeurs et de graphistes, il propose ensuite au lecteur non seulement les règles et connaissances incontournables en matière de typographie, de maquette et de couleur, mais surtout des clés d'analyse pour la conception graphique appliquée à différents domaines éditoriaux.La question de la relation entre éditeur et graphiste est aussi traitée en accordant une place toute particulière au brief, à la définition des éléments stratégiques, aux aspects contractuels et à l'établissement du devis.
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For nearly 20 years, designers and non-designers alike have been introduced to the fundamental principles of great design by author Robin Williams. Through her straightforward and light-hearted style, Robin has taught hundreds of thousands of people how to make their designs look professional using four surprisingly simple principles. Now in its fourth edition, The Non-Designer's Design Book offers even more practical design advice, including a new chapter on the fundamentals of typography, more quizzes and exercises to train your Designer Eye, updated projects for you to try, and new visual and typographic examples to inspire your creativity.
Layout (Printing) --- Graphic design (Typography) --- Typografie
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Book design. --- Books --- Layout (Printing). --- Format.
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Layout (Printing) --- Maquettes (Industries graphiques) --- Plato.
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"Explore the fundamentals of typography with this practical new guide. An instructional reader rather than historical survey, Design Elements: Typography Fundamentals uses well-founded, guiding principles to teach the language of type and how to use it capably. Designers are left with a solid ground on which to design with type. Limitless potential for meaningful and creative communication exists--this is the field guide for the journey!"--
Graphic design (Typography) --- Typographic design --- Design --- Printing --- Layout (Printing)
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Editorial Design: Digital and Print is a comprehensive guide to the traditional and digital skills that a designer will need for a future career in visual journalism today - the design of magazines and newspapers for a wide variety of markets.Generously illustrated, including case studies, practical exercises and tips, and examples of best practice; profiles of individual designers include Mark Porter, Scott Dadich, and Janet Froelich. The book explains the fundamentals of editorial design and layout. Subjects covered include current and emerging digital formats, branding, how to create layout
Graphic design (Typography) --- Layout (Printing) --- Printing --- Typographic design --- Design
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