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Until the Renaissance the centrality of Roman tragedy in Western society and culture was unchallenged. Studies on Roman Republican tragedy and on Imperial Roman tragedy by the contributors have been directing the gaze of scholarship back to Roman tragedy. This volume has two goals: first, to demonstrate that Republican tragedy had a far more central role in shaping Imperial tragedy than is currently thought, and quite possibly more important than Classical Greek tragedy. Second, the influence of other Roman literary genres on Roman tragedy is greater than has formerly been credited. Studies on von Kleist and Shelley, Eliot and Claus help reconstruct the ancient Roman stage by showing how moderns had thought to change it for contemporary aesthetics.
Classical Latin literature --- Drama --- Latin drama (Tragedy) --- Tragédie latine --- History and criticism. --- Histoire et critique --- History and criticism --- Tragédie latine --- Latin drama (Tragedy) - History and criticism
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Astyanax (Legendary character) --- Astyanax (Personnage légendaire) --- Accius, Lucius. --- Latin drama (Tragedy) --- Mythology, Greek, in literature. --- History and criticism. --- Astyanax (Personnage légendaire) --- Mythology, Greek, in literature --- History and criticism --- Accius, Lucius. Astyanax --- Latin drama (Tragedy) - History and criticism.
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Theater --- Latin drama (Tragedy) --- History --- History and criticism --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- -Latin drama (Tragedy) --- History and criticism. --- -History and criticism --- Theater - Rome --- Theater - History - To 500 --- Latin drama (Tragedy) - History and criticism
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In Brill's Companion to the Reception of Senecan Tragedy, Eric Dodson-Robinson incorporates essays by specialists working across disciplines and national literatures into a subtle narrative tracing the diverse scholarly, literary and theatrical receptions of Seneca's tragedies. The tragedies, influential throughout the Roman world well beyond Seneca's time, plunge into obscurity in Late Antiquity and nearly disappear during the Middle Ages. Profound consequences follow from the rediscovery of a dusty manuscript containing nine plays attributed to Seneca: it is seminal to both the renaissance of tragedy and the birth of Humanism. Canonical Western writers from Antiquity to the present have revisited, transformed, and eviscerated Senecan precedents to develop, in Dodson-Robinson's words, "competing tragic visions of agency and the human place in the universe.
Comparative literature --- Seneca [Younger] --- Latin drama (Tragedy) --- History and criticism --- Seneca, Lucius Annaeus, --- Appreciation --- Art appreciation --- Latin drama (Tragedy) - History and criticism --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. - Tragedies --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. - Appreciation --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. --- History and criticism. --- Appreciation.
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Latin drama (Tragedy) --- Tragédie latine --- History and criticism --- Histoire et critique --- Seneca, Lucius Annaeus, --- Greek drama (Tragedy) --- Tragédie latine --- Latin drama --- Greek drama --- Latin drama (Tragedy) - History and criticism - Congresses --- Greek drama (Tragedy) - History and criticism - Congresses --- Seneca, Lucius Annaeus, - approximately 4 BC-65 AD - Tragedies - Congresses --- Seneca, Lucius Annaeus, - approximately 4 BC-65 AD - Tragedies
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Latin drama (Tragedy) --- History and criticism --- Seneca, Lucius Annaeus, --- Oedipus --- -Oedipus (Greek mythology) --- -Oedipus (Greek mythology) in literature --- Drama --- Seneca, Lucius Annaeus --- Oedipus (Greek mythology) in literature. --- Oedipus (Greek mythology) --- History and criticism. --- Drama. --- Sénèque --- Oedipus (Greek mythology) in literature --- Latin drama (Tragedy) - History and criticism --- Seneca, Lucius Annaeus, - approximately 4 BC-65 AD - Oedipus --- Oedipus - (Greek mythological figure) - Drama --- Oedipus - (Greek mythological figure)
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In four separate studies, Andreas Heil shows that Seneca, in his tragedies Thyestes , Hercules furens , Troas ( Troades ) and Medea , handles dramatic time less experimentally than has been assumed before. In all of these plays, taking into consideration the accompanying action on the stage and the characters' respective points of view, a gradually developing plot can be reconstructed. Thus, the survey considerably deepens our understanding of Seneca's dramatic technique. In vier Einzelstudien zeigt Andreas Heil, daß Seneca mit der dramatischen Zeit in seinen Tragödien Thyestes , Hercules furens , Troas ( Troades ) und Medea weniger experimentell verfährt, als bislang angenommen wurde. In allen untersuchten Stücken läßt sich – berücksichtigt man die begleitende Bühnenhandlung und die jeweilige Figurenperspektive – eine sukzessive sich entwickelnde Handlung rekonstruieren. Die Untersuchung leistet somit einen wichtigen Beitrag zum besseren Verständnis der dramatischen Technik Senecas.
Latin drama (Tragedy) --- DRAMA / Ancient, Classical & Medieval --- History and criticism. --- Seneca, Lucius Annaeus, --- Seneca, Lucius Annaeus --- Seneca --- Annaeus Seneca, Lucius, --- Seneca, Annaeus, --- Seneca, --- Seneca, L. A. --- Seneca, Lucio Anneo, --- Seneka, --- Seneka, L. Annėĭ, --- Sénèque, --- סנקא, לוציוס אנאוס --- Pseudo-Seneca --- Criticism and interpretation. --- Latin drama (Tragedy) - History and criticism --- Seneca, Lucius Annaeus, - approximately 4 B.C.-65 A.D. - Criticism and interpretation
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Ce travail s'intéresse aux éléments permettant de rapprocher l'univers tragique sénéquien des fictions gothiques et fantastiques du point de vue de la généricité lectoriale. Les littératures gothique et fantastique reposent sur l'avènement du surnaturel et le développement d'une atmosphère cauchemardesque afin de provoquer l'effroi des lecteurs. Or, si les critiques ont depuis longtemps fait de ces éléments une des caractéristiques des pièces sénéquiennes, le rapport avec l'esthétique fantastique a rarement été étudié. La prégnance de l'onirisme macabre comme le style outrancier de Sénèque sont habituellement considérés comme un exemple du baroque néronien. Il s'agit ici de montrer que, par bien des aspects, les pièces s'avèrent plus proches, pour un lecteur moderne, de l'esthétique gothique ou fantastique que de la mouvance baroque. En effet, les tragédies mettent en scène des créatures fantastiques, des évènements troublants et sont parcourues par la topique infernale. Ces différents motifs concourent à la création d'une atmosphère cauchemardesque qui vise à stupéfier et terrifier les spectateurs. Il semble que Sénèque cherche avant tout à développer un théâtre de l'effet reposant sur une forte implication émotionnelle du public. En cela, ses pièces rejoignent les préconisations du Traité du Sublime qui invite les poètes à s'affranchir de l'idéal mimétique pour privilégier l'exploitation de la phantasia. Les descriptiones de lieux surnaturels, de fantômes hideux et de montres rappellent que le poète possède la faculté de placer sous les yeux de l'auditoire des scènes impossibles dans la réalité. Ainsi, Sénèque, en cherchant à susciter la terreur du public, recourt à de nombreuses stratégies scripturales développées plus tard par les auteurs gothiques et fantastiques. Cet intérêt le conduit à développer une nouvelle conception du tragique et à concevoir une véritable esthétique de l'horreur.
Latin drama (Tragedy) - History and criticism --- Supernatural in literature --- Seneca, Lucius Annaeus, approximately 4 B.C.-65 A.D. Tragedies --- Seneca, Lucius Annaeus --- Seneca --- Annaeus Seneca, Lucius, --- Seneca, Annaeus, --- Seneca, --- Seneca, L. A. --- Seneca, Lucio Anneo, --- Seneca, Lucius Annaeus, --- Seneka, --- Seneka, L. Annėĭ, --- Sénèque, --- סנקא, לוציוס אנאוס --- Pseudo-Seneca --- Fantastique (littérature).
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Seneca [Younger] --- Phaedra (Greek mythology) in literature --- Latin drama (Tragedy) --- History and criticism --- Seneca, Lucius Annaeus --- 871 SENECA, LUCIUS ANNAEUS --- 871-21 --- -Latijnse literatuur--SENECA, LUCIUS ANNAEUS --- Latijnse literatuur: tragedie --- Phaedra (Greek mythology) in literature. --- History and criticism. --- Seneca, Lucius Annaeus, --- -871-21 Latijnse literatuur: tragedie --- 871 SENECA, LUCIUS ANNAEUS Latijnse literatuur--SENECA, LUCIUS ANNAEUS --- Latijnse literatuur--SENECA, LUCIUS ANNAEUS --- Sénèque --- 871-21 Latijnse literatuur: tragedie --- Latin drama (Tragedy) - History and criticism
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"Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but up-to-date secondary material is sparse and difficult to obtain. This volume intends to help remedy that deficit by addressing the drama in a full political, religious, legal and social context, and by considering the plays as interventions in those contexts. Contributors are: Christian Biet, Jan Bloemendal, Helmer J. Helmers, Blair Hoxby, Sarah M. Knight, Tatiana Korneeva, Frans-Willem Korsten, Joel B. Lande, Russell J. Leo, Howard B. Norland, Kirill Ospovat, James A. Parente, Jr., Freya Sierhuis, Nienke Tjoelker and Emily Vasiliauskas"--
European drama --- European drama (Tragedy) --- Latin drama (Tragedy) --- Politics in literature --- Aesthetics in literature --- History and criticism --- Classical influences --- Political science in literature --- Drama, Modern --- Comparative literature --- Thematology --- Drama --- anno 1600-1699 --- Europe --- European literature --- Politics in literature. --- Aesthetics in literature. --- History and criticism. --- Classical influences. --- European drama - 17th century - History and criticism --- European drama (Tragedy) - Classical influences --- Latin drama (Tragedy) - History and criticism --- History
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