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This trilingual collection contains studies on how the literary guises of Gods enemies originated, how they were presented and what meaning they held in the Jewish Holy Scriptures, the Christian Bible, ancient and rabbinical Jewish writings, in early Christianity and in gnostic texts.
God. --- Antichrist --- Satan --- Beelzebub --- böser Trieb --- Lars von Trier --- Kirchengeschichte --- Neues Testament
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Serien wie »Lost«, »Twin Peaks« oder »Like a Velvet Glove Cast in Iron« faszinieren uns nicht zuletzt deshalb so nachhaltig, weil sie mit etlichen Regeln des Erzählens zu brechen scheinen, insbesondere mit der traditionellen und in diesen Serien besonders heraufbeschworenen Annahme einer letztlichen Sinnhaftigkeit aller Elemente einer Narration. Hannes Niepold zeigt erstmals die gemeinsamen Erzählstrukturen und -verfahren dieser phantastischen Serien auf und beschreibt den grundlegenden Zusammenhang von offen-endiger Serialität, Phantastik und Improvisation. Die Studie umreißt damit eine spezifische Erzählform, welche bislang als solche noch nicht betrachtet wurde. So unterhaltsam erzählt, dass Niepolds Analyse auch gut lesbar für literaturwissenschaftlich weniger bewanderte Fans der Serien [ist].« Jan-Paul Koopmann, Testcard, 25 (2017) »Wer sich für die Strukturen fantastischen Erzählens interessiert, wird in dem Buch einige anschauliche Hinweise finden.« Lothar Mikos, TV Diskurs, 81, 3 (2017) »Hannes Niepold macht in seiner Studie literaturwissenschaftliche Ansätze für die Analysen von Serien fruchtbar.« Fabian Ebeling, Auslöser, 3 (2016) Besprochen in: http://www.hhprinzler.de, 21.04.2016, Hans Helmut Prinzler GMK-Newsletter, 5 (2016)
Television series. --- Television soap operas. --- Soap operas --- Soap operas, Television --- Telenovelas --- Television series --- Series, Television --- Television serials --- Television programs --- Serie; Phantastik; Improvisation; Film; TV; Comic; Surrealismus; Tzvetan Todorov; David Lynch; Daniel Clowes; Franz Kafka; Lost; Lars Von Trier; Chester Brown; Dramaturgie; Traum; Fernsehen; Medienästhetik; Literaturwissenschaft; Medienwissenschaft; Periodicals; Fantasy; Tv; Dramaturgy; Dream; Television; Media Aesthetics; Literary Studies; Media Studies --- Chester Brown. --- Comic. --- Daniel Clowes. --- David Lynch. --- Dramaturgy. --- Dream. --- Fantasy. --- Film. --- Franz Kafka. --- Improvisation. --- Lars Von Trier. --- Literary Studies. --- Lost. --- Media Aesthetics. --- Media Studies. --- Television. --- Tv. --- Tzvetan Todorov.
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Obwohl die meisten Werbetexte, Anzeigen und Poster über ein hohes Maß an Literarizität verfügen, werden diese kommerziellen Formen des Schreibens für gewöhnlich von literarischen Texten abgegrenzt. Medienübergreifend werden in Werbeformen poetogene und narrative Strukturen eingesetzt. Umgekehrt ist Literatur heute ein milliardenschweres Konsumgut - und Literaturproduktion und -rezeption damit zwangsläufig von guter Werbung abhängig. Der Band versammelt literatur-, kultur- und medienwissenschaftliche Beiträge zur Funktion und Wirkmächtigkeit literarischer Sprache in Werbetexten, zu Literatur als Konsumgut sowie zu Werbung, Konsum und Überredungskunst als literarischen Topoi. Besprochen werden dabei so unterschiedliche Texte wie die TV-Serie »Mad Men«, die Romane von Émile Zola und die Filme Lars von Triers. Besprochen in: Erfurter Hefte zum angewandten Marketing, 55 (2018)
Werbung; Literarizität; Poetik; Poetologie; Medien; Cultural Studies; Populärkultur; Intermedialität; Intertextualität; Konsumforschung; Rhetorik; Spätkapitalismus; Émile Zola; Lars von Trier; 9/11; Mad Men; Postmoderne; Konkrete Poesie; Serendipität; Popkultur; Literatur; Neoliberalismus; Konsum; Allgemeine Literaturwissenschaft; Kulturwissenschaft; Advertising; Literaricity; Poetics; Poetology; Media; Popular Culture; Intermediality; Intertextuality; Consumer Research; Rhetorics; émile Zola; Postmodernism; Serendipity; Literature; Neoliberalism; Consumption; General Literature Studies --- 9/11. --- Consumer Research. --- Consumption. --- Cultural Studies. --- General Literature Studies. --- Intermediality. --- Intertextuality. --- Lars von Trier. --- Literaricity. --- Literature. --- Mad Men. --- Media. --- Neoliberalism. --- Poetics. --- Poetology. --- Popular Culture. --- Postmodernism. --- Rhetorics. --- Serendipity. --- émile Zola.
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Leo Bersani, known for his provocative interrogations of psychoanalysis, sexuality, and the human body, centers his latest book on a surprisingly simple image: a newborn baby simultaneously crying out and drawing its first breath. These twin ideas-absorption and expulsion, the intake of physical and emotional nourishment and the exhalation of breath-form the backbone of Receptive Bodies, a thoughtful new essay collection. These titular bodies range from fetuses in utero to fully eroticized adults, all the way to celestial giants floating in space. Bersani illustrates his exploration of the body's capacities to receive and resist what is ostensibly alien using a typically eclectic set of sources, from literary icons like Marquis de Sade to cinematic provocateurs such as Bruno Dumont and Lars von Trier. This sharp and wide-ranging book will excite scholars of Freud, Foucault, and film studies, or anyone who has ever stopped to ponder the give and take of human corporeality.
Human body (Philosophy) --- Human body --- Sex (Psychology) --- Sexual excitement. --- Psychoanalysis. --- Erotic aspects. --- social philosophy, humanism, demographic studies, lgbtq, psychoanalysis, sexuality, gender, gws, human body, emotional nourishment, essays, essay collection, fetuses in utero, eroticized adults, erotic, sex, marquis de sade, perversion, cinematic provocateurs, bruno dumont, lars von trier, freud, foucault, film study, corporeality, psychology, sexual excitement, sensuality.
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According to scholars of the nonhuman turn, the scandal of theory lies in its failure to decenter the human. The real scandal, however, is that we keep trying. The human has become a conspicuous blind spot for many theorists seeking to extend hospitality to animals, plants, and even insentient things. The displacement of the human is essential and urgent, yet given the humanist presumption that animals lack a number of allegedly unique human capacities, such as language, reason, and awareness of mortality, we ought to remain cautious about laying claim to any power to eradicate anthropocentrism altogether. Such a power risks becoming yet another self-accredited capacity thanks to which the human reaffirms its sovereignty through its supposed erasure. Monkey Trouble argues that the turn toward immanence in contemporary posthumanism promotes a cosmocracy that absolves one from engaging in those discriminatory decisions that condition hospitality as such. Engaging with recent theoretical developments in speculative realism and object-oriented ontology, as well as ape and parrot language studies, the book offers close readings of literary works by J.M. Coetzee, Charles Chesnutt, and Walt Whitman and films by Alfonso Cuarón and Lars von Trier.Anthropocentrism, Peterson argues, cannot be displaced through a logic of reversal that elevates immanence above transcendence, horizontality over verticality. This decentering must cultivate instead a human/nonhuman relationality that affirms the immanent transcendency spawned by our phantasmatic humanness.
Humanism. --- Philosophical anthropology. --- Humanism --- Philosophy. --- Anthropology, Philosophical --- Man (Philosophy) --- Nature and civilization. --- Human-animal relationships. --- Human beings. --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- Civilization --- Life --- Ontology --- Persons --- Philosophy of mind --- Homo sapiens --- Human race --- Humanity (Human beings) --- Humankind --- Humans --- Man --- Mankind --- People --- Hominids --- Animal-human relationships --- Animal-man relationships --- Animals and humans --- Human beings and animals --- Man-animal relationships --- Relationships, Human-animal --- Animals --- Civilization and nature --- Alfonso Cuarón. --- Charles Chesnutt. --- Edmund Husserl. --- J.M. Coetzee. --- Jacques Derrida. --- Lars von Trier. --- Object Oriented Ontology. --- Posthumanism. --- Speculative Realism. --- Walt Whitman. --- animal studies.
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