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Striptease recreates the combustible mixture of license, independence, and sexual curiosity that allowed strippers to thrive for nearly a century. Rachel Shteir brings to life striptease's Golden Age, the years between the Jazz Age and the Sexual Revolution, when strippers performed around the country, in burlesque theatres, nightclubs, vaudeville houses, carnivals, fairs, and even in glorious palaces on the Great White Way. Taking us behind the scenes, Shteir introduces us to a diverse cast of characters that collided on the burlesque stage, from tight-laced political reformers and flamboyant impresarios, to drag queens, shimmy girls, cootch dancers, tit serenaders, and even girls next door, lured into the profession by big-city aspirations. Throughout the book, readers will find essential profiles of famed performers, including Gypsy Rose Lee, 'the Literary Stripper'; Lili St. Cyr, the 1950s mistress of exotic striptease; and Blaze Starr, the 'human heat wave'. who literally set the stage on fire. striptease is an insightful and entertaining portrait of an art form at once reviled and embraced by the American public. Blending careful research and vivid narration, Rachel Shteir captures striptease's combination of sham and seduction while illuminating its surprisingly persistent hold on the American imagination.
Striptease --- Strip-tease --- Burlesque (Theater) --- Nudity in the performing arts --- Lap dancing --- History
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Katherine Liepe-Levinson has spent three years researching heterosexual female and male striptease in North America: this is the first full length theoretically informed study of striptease.
Striptease. --- Striptease --- Strip-tease --- Burlesque (Theater) --- Nudity in the performing arts --- Lap dancing --- Social aspects. --- Sociology of the family. Sociology of sexuality --- Stage design. Scenography --- Acting --- anno 1990-1999
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Whatkind of woman dances naked for money? Bernadette Barton takes us insidecountless strip bars and clubs, from upscale to back road as well as those thatspecialize in lap dancing, table dancing, topless only, and peep shows, toreveal the startling lives of exotic dancers. Originally published in 2006, the product of years of first-hand research in strip clubs around the country, Stripped is a classic portrait of what it’s like for those who choose to strip as a profession. Barton explores why women begin stripping, the initial excitement and financial rewards of the work, the dangers of the life—namely, drugs and prostitution—and, inevitably, the difficulties in staying in the business over time, especially for their relationships, sexuality and self-esteem. In this completely revised and updated edition, Barton returns to the strip clubs she originally studied to observe the major changes in the industry that have occurred over the last decade. She examines how “raunch culture” affects exotic dancers’ treatment by their clientele, who are now accustomed to seeing nudity and sexualized performance in accessible, R and X -rated media from a variety of outlets, particularly the Internet. Barton explores how new media has transformed exotic dancing, allowing dancers to build an online brand, but also introducing possibilities for customers to take unauthorized nude photos and videos of the entertainers.. And finally, Barton speaks to new dancers as well as dancers she interviewed in the previous edition, examining how the toll of stripping still impacts the lives of exotic dancers in a changing industry. Incorporating new scholarship, new observations, and increased awareness of emerging media technology, Barton brings a fresh and important perspective on the challenges that women face working in the still-thriving world of exotic dancing.Whatkind of woman dances naked for money? Bernadette Barton takes us insidecountless strip bars and clubs, from upscale to back road as well as those thatspecialize in lap dancing, table dancing, topless only, and peep shows, toreveal the startling lives of exotic dancers. Originally published in 2006, the product of years of first-hand research in strip clubs around the country, Stripped is a classic portrait of what it’s like for those who choose to strip as a profession. Barton explores why women begin stripping, the initial excitement and financial rewards of the work, the dangers of the life—namely, drugs and prostitution—and, inevitably, the difficulties in staying in the business over time, especially for their relationships, sexuality and self-esteem. In this completely revised and updated edition, Barton returns to the strip clubs she originally studied to observe the major changes in the industry that have occurred over the last decade. She examines how “raunch culture” affects exotic dancers’ treatment by their clientele, who are now accustomed to seeing nudity and sexualized performance in accessible, R and X -rated media from a variety of outlets, particularly the Internet. Barton explores how new media has transformed exotic dancing, allowing dancers to build an online brand, but also introducing possibilities for customers to take unauthorized nude photos and videos of the entertainers.. And finally, Barton speaks to new dancers as well as dancers she interviewed in the previous edition, examining how the toll of stripping still impacts the lives of exotic dancers in a changing industry. Incorporating new scholarship, new observations, and increased awareness of emerging media technology, Barton brings a fresh and important perspective on the challenges that women face working in the still-thriving world of exotic dancing.
Stripteasers. --- Striptease --- Strip-tease --- Burlesque (Theater) --- Nudity in the performing arts --- Lap dancing --- Dancers, Exotic --- Ecdysiasts --- Exotic dancers --- Peelers (Burlesque) --- Strip-teasers --- Strippers (Burlesque) --- Entertainers --- Sex workers --- Social aspects.
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Is stripping good or bad for the women who do it? According to sociologist Mindy S. Bradley-Engen, there's no simple answer. An exotic dancer's experiences can be both empowering and degrading: at times a dancer can feel like a goddess, at times ashamed and dirty. Drawing on extensive interviews as well as her own experiences as an exotic dancer, Bradley-Engen shows that strippers' work experiences are shaped by the types of establishments—the different worlds—in which they work. A typology of strip clubs emerges: the hustle club, the show club, and the social club, each with its own distinct culture, expectations, and challenges, each creating circumstances in which stripping can be good, bad, or indifferent. Going beyond the warring rhetorics of exploitation and empowerment, this book provides a rich and complex account of the realities of exotic dance and offers a fascinating, thought-provoking consideration for both academics and general readers.
Stripteasers. --- Stripteasers --- Striptease --- Women dancers. --- Sex in dance. --- Women dancers --- Sex in dance --- Music, Dance, Drama & Film --- Drama --- Dancers, Exotic --- Ecdysiasts --- Exotic dancers --- Peelers (Burlesque) --- Strip-teasers --- Strippers (Burlesque) --- Entertainers --- Sex workers --- Sensuality in dance --- Sexuality in dance --- Dance --- Dancers --- Strip-tease --- Burlesque (Theater) --- Nudity in the performing arts --- Lap dancing --- Social aspects. --- Interviews --- Social aspects
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Moving from first hand interviews with dancers and others, this book broadens into an accessible examination of the popularity of ""striptease culture,"" with sex-saturated media imagery, and stripper aerobics at your local gym. It aims to scrutinize the truth of a industry whose norms are increasingly at the center of contemporary society.
Sex in popular culture --- Women --- Striptease --- Analysis. --- Strip-tease --- Burlesque (Theater) --- Nudity in the performing arts --- Lap dancing --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- cultural studies --- sociology --- culturele studies --- sociologie --- Human sexuality --- Prostitution --- Sex-positive movement --- Strip club --- Stripper
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Across America, strip clubs have come under attack by a politically aggressive segment of the Christian Right. Using plausible-sounding but factually untrue arguments about the harmful effects of strip clubs on their communities, the Christian Right has stoked public outrage and incited local and state governments to impose onerous restrictions on the clubs with the intent of dismantling the exotic dance industry. But an even larger agenda is at work, according to Judith Lynne Hanna. In Naked Truth, she builds a convincing case that the attack on exotic dance is part of the activist Christian Right’s “grand design” to supplant constitutional democracy in America with a Bible-based theocracy. Hanna takes readers onstage, backstage, and into the community and courts to reveal the conflicts, charges, and realities that are playing out at the intersection of erotic fantasy, religion, politics, and law. She explains why exotic dance is a legitimate form of artistic communication and debunks the many myths and untruths that the Christian Right uses to fight strip clubs. Hanna also demonstrates that while the fight happens at the local level, it is part of a national campaign to regulate sexuality and punish those who do not adhere to Scripture-based moral values. Ultimately, she argues, the naked truth is that the separation of church and state is under siege and our civil liberties—free speech, women’s rights, and free enterprise—are at stake.
Striptease --- Stripteasers --- Sex in dance --- Christianity and politics --- Dance --- Social aspects --- Political aspects. --- Sensuality in dance --- Sexuality in dance --- Dancers, Exotic --- Ecdysiasts --- Exotic dancers --- Peelers (Burlesque) --- Strip-teasers --- Strippers (Burlesque) --- Entertainers --- Sex workers --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Strip-tease --- Burlesque (Theater) --- Nudity in the performing arts --- Lap dancing
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