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This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of "ations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of influence is based, thus describing the limitations and merits of this kind of comparative research for critics and scholars.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Judgment (Aesthetics) --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Influence (Literary, artistic, etc) --- -Themes, motives. --- Judgment (Aesthetics). --- Influence littéraire, artistique, etc. --- Jugement (Esthétique) --- Art --- Influence (Literary, artistic, etc.) --- Literature --- -Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Belles-lettres --- Western literature (Western countries) --- World literature --- Themes, motives. --- Philosophy --- Subjects --- Comparative literature --- Littérature --- Themes, motives --- Thèmes, motifs --- Philosophie --- Aesthetics --- Artistic impact --- Influence (Psychology) --- Intermediality --- Intertextuality --- Originality in literature --- Literature and philosophy --- Philosophy and literature --- Theory --- Influence (Literary, artistic, etc.). --- Philosophy. --- Art - Themes, motives --- Literature - Philosophy --- Adjective. --- Aesthetic Theory. --- Aesthetics. --- Allegory. --- Allusion. --- Anachronism. --- Ancient art. --- Anecdote. --- Antithesis. --- Art criticism. --- Art history. --- Artistic merit. --- Baroque painting. --- Caravaggio. --- Carolingian art. --- Causality. --- Cliché. --- Clinamen. --- Close reading. --- Comparative literature. --- Comparative method (linguistics). --- Contemporary art. --- Contemporary philosophy. --- Counterfactual conditional. --- Criticism. --- Cubism. --- D. H. Lawrence. --- Deed. --- Digression. --- Drapery. --- Engraving. --- Epic poetry. --- Explanation. --- Ezra Pound. --- Fine art. --- Florentine painting. --- Forgery. --- French literature. --- Genre. --- Human Action. --- Humanities. --- Iconography. --- Ideogrammic method. --- Ideology. --- Illocutionary act. --- Illusionism (art). --- Illustration. --- Illustrator. --- Imagery. --- Indian aesthetics. --- Individualism. --- Invention. --- Japanese art. --- Journalism. --- Languages of Art. --- Las Meninas. --- Literary genre. --- Literature. --- Marcel Duchamp. --- Metaphor. --- Monograph. --- Mural. --- Mutatis mutandis. --- Narrative. --- Oil sketch. --- Ontology. --- Originality. --- Overreaction. --- Pablo Picasso. --- Paul Gauguin. --- Perlocutionary act. --- Philosopher. --- Philosophy of history. --- Philosophy of language. --- Plagiarism. --- Poetry. --- Publication. --- Publishing. --- Rapprochement. --- Requirement. --- Result. --- Romanticism. --- Secondary source. --- Speech act. --- Still life. --- Stipulation. --- Stipulative definition. --- Suggestion. --- Symbolism (arts). --- The Conceptual Framework. --- Theory of art. --- Theory. --- Thought. --- Titian. --- Treatise. --- Value judgment. --- Visual arts. --- Work of art. --- Writer. --- Writing.
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Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication thirty years ago, and he assesses the continuing relevance of his argument for the twenty-first century. -- ‡c From publisher's description.
Architecture --- Aesthetics --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics. --- A Theory of Architecture. --- Aesthetic Theory. --- Aestheticism. --- Analogy. --- Applied arts. --- Architectural Design. --- Architectural historian. --- Architectural pattern. --- Architectural style. --- Architectural theory. --- Architecture. --- Art Nouveau. --- Art. --- Classicism. --- Cloister. --- Consciousness. --- Contingency (philosophy). --- Cornice. --- Critical theory. --- Critical thinking. --- Criticism. --- Decorative arts. --- Design methods. --- Designer. --- Ethics and Language. --- Experience architecture. --- Explanation. --- Expressionist architecture. --- Form of life (philosophy). --- Functionalism (architecture). --- Good and evil. --- Gothic architecture. --- Historicism (art). --- Idealism. --- Ideology. --- Individualism. --- Intentionality. --- Interior design. --- International Style (architecture). --- Languages of Art. --- Le Corbusier. --- Lectures on Aesthetics. --- Lightness (philosophy). --- Martyrium (architecture). --- Masonry. --- Modern architecture. --- Modernism. --- Monumental sculpture. --- Moral character. --- Morality. --- Nominalism. --- Objectivity (philosophy). --- On the Aesthetic Education of Man. --- Palladian architecture. --- Philosopher. --- Philosophical Investigations. --- Philosophical theory. --- Philosophy of architecture. --- Philosophy of design. --- Philosophy of language. --- Philosophy of mind. --- Philosophy of perception. --- Philosophy. --- Picturesque. --- Practical reason. --- Pragmatism. --- Proportion (architecture). --- Psychoanalysis. --- Psychology of art. --- Rationality. --- Reason. --- Sacred architecture. --- Self-image. --- Self-realization. --- Sense of Place. --- Sense of place. --- Setback (architecture). --- Sophistication. --- Space, Time and Architecture. --- Spirit of place. --- Spirituality. --- Subjectivism. --- Suggestion. --- Summa Theologica. --- The Analysis of Beauty. --- The Bounds of Sense. --- The Nature of Order. --- The Timeless Way of Building. --- Theory of Forms. --- Theory of art. --- Theory. --- Thought. --- Urban planning. --- Urbanism. --- Utilitarianism. --- Vernacular architecture. --- Vestibule (architecture). --- Vitruvius. --- Work of art.
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