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Gerz, Jochen --- Conceptual art --- Public sculpture --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Public opinion
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Art [Conceptual] --- Art conceptuel --- Art povera --- Arte povera --- Concept art --- Conceptual art --- Conceptuele kunst --- Language art (Fine arts) --- Possible art --- Post-object art --- Conceptual art. --- Art, Modern --- Art [Modern ] --- 20th century
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Art into Ideas: Essays on Conceptual Art provides an overview of one of the most important and influential developments in American and European art over the past thirty years. Robert Morgan defines and elucidates the premises of Conceptual Art, focusing on works by a range of international artists, including Joseph Kosuth, Hans Haacke, Sherrie Levine, and Joseph Beuys. He examines its evolution, from its inception in the 1960s through the 1980s, relating the movement to historical and cultural contexts, as well as to important theoretical and critical issues that emerged during these decades. Defining three primary modes of representation that characterize Conceptual Art - the philosophical, the structuralist, and the systemic - Morgan then applies these concepts in analyses of a variety of media, including painting, photography, books, and performance
Conceptual art --- Kunsttheorie ; conceptuele kunst --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Conceptual art. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art
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Conceptual art --- -Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Exhibitions --- Gilbert & George --- -George and Gilbert --- Gilbert and George --- Exhibitions. --- -Exhibitions --- Art, Conceptual --- George and Gilbert
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Illustrated critical essays on the work of artist James Coleman.James Coleman has emerged in recent years as one of the most important artists of visual postmodernism. His work has transformed critical debates about the status of the image in contemporary culture and influenced an entire generation of younger artists in ways that have not yet been fully acknowledged. Until recently, Coleman has enjoyed relatively little critical attention--in part because of his refusal to comment on his projects or to allow his work to be reconstructed outside of the context of its exhibition.The illustrated essays in this book span the entirety of Coleman's career to date, from his early postminimal and conceptual experiments with memory and perception, through his work in film, video, and narrative in the 1980s, to his current ongoing series of slide projections with voice-over that he calls simply "projected images." Reflecting the interdisciplinary nature of the debates induced by Coleman's work, the essays discuss issues of subjectivity and identity, nationalism, postcolonialism, memory, spectacle culture, digitalization, and new media. The contributors are Raymond Bellour, Benjamin Buchloh, Lynne Cooke, Jean Fisher, Luke Gibbons, Rosalind Krauss, Anne Rorimer, and Kaja Silverman. Written by curators, critics, and scholars and spanning the fields of art history, literary criticism, philosophy, and film theory, the essays attest to the interdisciplinary challenge of Coleman's work.
Conceptual art --- Coleman, James, --- Criticism and interpretation. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- ARTS/General
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"A path along the floor, of proportions 1x21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects." With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it was exhibited, it had to be made anew, unique to its setting. Embracing Minimal and Conceptual art, performance and site-specific installation, there is no other artwork like Photopath. In his characteristically analytical and associative manner, writer and curator David Campany takes the reader through the history and implications of Photopath, and their place in the breadth of Victor Burgin's art and theoretical writings.
Conceptual art --- Photography, Artistic --- Burgin, Victor --- Criticism and interpretation. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Aesthetics
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sculpting --- Sculpture --- art [fine art] --- Art --- Kirkeby, Per --- anno 1900-1999 --- Denmark --- Exhibitions. --- Conceptual art --- Exhibitions --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Kirkeby Christensen, Per --- Christensen, Per Kirkeby --- Kirkeby, Per. --- art [discipline]
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The history of artists’ involvement with the book format between 1963 and 2000 includes a fascinating range of artists and movements from Mallarmé to the Piece of Paper Press via Cubism, Futurism, Dada, Fluxus and conceptual art. This second edition includes updated text with new bibliographic descriptions of 600 key artists’ books and over 130 new, full-page, colour illustrations taken from the internationally renowned Chelsea College of Art & Design Library collection. It is an indispensable resource for the definition and classification of artists’ books by a renowned scholar in the field. - Bernard Quaritch Ltd
Graphics industry --- artists' books [books] --- Art --- anno 2000-2009 --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- anno 1990-1999 --- Artists' books --- Conceptual art. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Books --- Conceptual art --- History. --- History
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chalk drawings --- Lodewijks, Bart --- Conceptual art --- 741.07 --- Krijttekeningen ; Genk ; 2012-2014 ; B. Lodewijks --- Krijtlijnen --- Tekeningen ; krijt ; buiten en binnen --- Krijttekingen ; 21ste eeuw --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Tekenkunst ; tekenkunstenaars A - Z --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art
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arte povera --- Arte Povera --- Merz, Mario --- Arte povera --- Artiste --- Conceptual art --- Criticism and interpretation --- 20e siècle --- Françoise Ducros --- kunst --- Italië --- Merz Mario --- installaties --- iglo's --- 7.071 MERZ --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Merts, Maryo --- מרץ, מריו --- Criticism and interpretation. --- Conceptual art - Italy --- Merz, Mario - Criticism and interpretation
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