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Proposed as a collection of imaginary logos for the corporate sponsors of Borges’s Library of Babel, Kern balances on a precipice between the visual and nonsensical, offering poems just out of meaning’s reach. Using dry-transfer lettering, Derek Beaulieu made these concrete pieces by hand, building the images gesturally in response to shapes and patterns in the letters themselves. This is poetry closer to architecture and design than confession, in which letters are released from their usual semantic duties as they slide into unexpected affinities and new patterns. Kern highlights the gaps inside what we see and what we know, filling the familiar with the singular and the just seen with the faintly remembered.

visual poetry --- dry-transfer lettering --- asemic writing --- language art --- signage --- advertising --- graphic art --- Canadian poetry --- Logos (Symbols) --- Logos (Symboles) --- logos.

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Gerz, Jochen --- Conceptual art --- Public sculpture --- Sculpture, Public --- Public art --- Sculpture --- Monuments --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Public opinion

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Art into Ideas: Essays on Conceptual Art provides an overview of one of the most important and influential developments in American and European art over the past thirty years. Robert Morgan defines and elucidates the premises of Conceptual Art, focusing on works by a range of international artists, including Joseph Kosuth, Hans Haacke, Sherrie Levine, and Joseph Beuys. He examines its evolution, from its inception in the 1960s through the 1980s, relating the movement to historical and cultural contexts, as well as to important theoretical and critical issues that emerged during these decades. Defining three primary modes of representation that characterize Conceptual Art - the philosophical, the structuralist, and the systemic - Morgan then applies these concepts in analyses of a variety of media, including painting, photography, books, and performance

Conceptual art --- Kunsttheorie ; conceptuele kunst --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Conceptual art. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art

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Illustrated critical essays on the work of artist James Coleman.James Coleman has emerged in recent years as one of the most important artists of visual postmodernism. His work has transformed critical debates about the status of the image in contemporary culture and influenced an entire generation of younger artists in ways that have not yet been fully acknowledged. Until recently, Coleman has enjoyed relatively little critical attention--in part because of his refusal to comment on his projects or to allow his work to be reconstructed outside of the context of its exhibition.The illustrated essays in this book span the entirety of Coleman's career to date, from his early postminimal and conceptual experiments with memory and perception, through his work in film, video, and narrative in the 1980s, to his current ongoing series of slide projections with voice-over that he calls simply "projected images." Reflecting the interdisciplinary nature of the debates induced by Coleman's work, the essays discuss issues of subjectivity and identity, nationalism, postcolonialism, memory, spectacle culture, digitalization, and new media. The contributors are Raymond Bellour, Benjamin Buchloh, Lynne Cooke, Jean Fisher, Luke Gibbons, Rosalind Krauss, Anne Rorimer, and Kaja Silverman. Written by curators, critics, and scholars and spanning the fields of art history, literary criticism, philosophy, and film theory, the essays attest to the interdisciplinary challenge of Coleman's work.

Conceptual art --- Coleman, James, --- Criticism and interpretation. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- ARTS/General

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sculpting --- Sculpture --- art [fine art] --- Art --- Kirkeby, Per --- anno 1900-1999 --- Denmark --- Exhibitions. --- Conceptual art --- Exhibitions --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Kirkeby Christensen, Per --- Christensen, Per Kirkeby --- Kirkeby, Per. --- art [discipline]