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Landscapes in motion pictures --- Motion pictures --- 791.41 --- CDL --- Landscape in motion pictures --- Film --- Italy
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England --- Landscape in motion pictures --- Cartes --- Television serials --- England --- Cartes --- Motion pictures --- England --- Cartes
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"The first comprehensive study of animated landscapes across media."--
Animated films --- Landscapes in art. --- Landscapes in motion pictures. --- Animation (Cinematography) --- PERFORMING ARTS / Animation. --- PERFORMING ARTS / Film & Video / History & Criticism. --- History and criticism. --- Cinematography --- Animated television programs --- Landscape in motion pictures --- Motion pictures --- Landscape in art --- Technique
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This book shows how landscape, place, and territory play a crucial role in all forms of aesthetic communication. Whether real, mythological, fantastic, allegorical, or symbolic, they are essential constituents of the verbal and visual construction of an artwork. The authors show how space determines narrative plots and shapes emotional, rational, and social tendencies of any aesthetic expression. The analysis has shifted from the principles of mimesis to recent critical attention given to specific perspectives in different cultural lenses. This volume, edited by two enterprising scholars espec
Aesthetics. --- Communication in organizations. --- Mythology. --- Italian literature --- Motion picture --- Landscapes in literature --- Landscapes in motion pictures --- Place (Philosophy) in literature --- Place (Philosophy) in motion pictures --- Space in literature --- Space in motion pictures --- Romance Literatures --- Languages & Literatures --- Italian Literature --- Motion pictures --- Landscape in motion pictures --- Landscape in literature --- Ottovolante (Group of writers) --- History and criticism --- History
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Green lawns, swimming pools, backyard barbecues: welcome to suburbia, the promised land of the American middle class. Or is it? To judge by the depiction of suburbia in prominent works of American fiction and film, the suburbs are also home to dysfunctional families, broken communities, and widespread misery. Clearly, despite the continued popularity of the suburbs as a place to live, the prevailing image of suburbia has changed markedly since the days of 'Leave It to Beaver' and 'Father Knows Best'. In this book, Robert Beuka argues that in order to begin to understand our conflicted relationship toward the suburbs, we need to understand how suburbia has come to be defined through its representation in the popular media and arts. SuburbiaNation looks carefully at the suburban landscape through the lens of fiction and of film, and Beuka weaves together such classics as 'It's a Wonderful Life', 'The Stepford Wives', 'The Great Gatsby', 'The Swimmer', 'The Graduate', and 'House Party' to discuss the suburb and its significance in American culture.
Banlieues dans la littérature --- Banlieues dans le cinéma --- Landscape in literature --- Landscape in motion pictures --- Landscapes in literature --- Landschap in de film --- Landschap in de literatuur --- Landschappen in de literatuur --- Leven in de voorsteden in de literatuur --- Paysage dans la littérature --- Paysage dans le cinéma --- Paysages dans la littérature --- Suburban life in literature --- Suburbs in literature --- Suburbs in motion pictures --- Vie de la banlieue dans la littérature --- Voorsteden in de film --- Voorsteden in de literatuur --- American fiction --- Landscape in literature. --- Landscape in motion pictures. --- Landscapes in literature. --- Landscapes in motion pictures. --- Motion pictures --- Suburban life in literature. --- Suburbs in literature. --- Suburbs in motion pictures. --- History and criticism. --- History. --- Landscapes in motion pictures --- History and criticism --- History --- 20th century --- United States --- CINEMA AMERICAIN --- ROMAN AMERICAIN --- VIE EN BANLIEUE DANS LA LITTERATURE --- PAYSAGES DANS LA LITTERATURE --- PAYSAGES AU CINEMA --- BANLIEUES DANS LES MEDIAS --- BANLIEUES DANS LA LITTERATURE --- HISTOIRE ET CRITIQUE --- 20E SIECLE
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Film --- Motion picture locations. --- Landscapes in motion pictures --- Cinéma --- Paysages au cinéma --- Extérieurs --- Extérieurs (Cinéma) --- Cinéma--Tournage en extérieur --- Extérieur [Tournage en ] (Cinéma) --- Film--Opnamen op locatie --- Filming on location --- Filmlocaties --- Landscape in motion pictures --- Landschap in de film --- Locatie [Filmopnamen op ] --- Locations (Motion pictures) --- Motion picture locations --- Moving-picture locations --- Opnamen op locatie (Film) --- Paysage dans le cinéma --- Tournage en extérieur (Cinéma) --- Extérieurs (Cinéma) --- Paysages au cinéma
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La notion de paysage a fait un bon en avant à la Renaissance et lors de la révolution industrielle du XIXème siècle. L'observation de la nature a fait dès lors l'objet d'un nombre important de rapports de l'homme face à son environnement. Le cinéma a lui aussi créé de nouvelles valeurs. Ce livre propose d'en explorer les représentations et les usages
Cinéma --- Paysage (thème) --- Motion picture locations --- Landscapes in motion pictures --- Art and motion pictures --- Décors de cinéma --- Sémiotique et cinéma --- Paysage --- Au cinéma --- Thèmes, motifs --- Extérieurs (Cinéma) --- Paysages au cinéma --- Art et cinéma --- Congresses --- Congrès --- Extérieurs (Cinéma) --- Paysages au cinéma --- Art et cinéma --- Congrès --- Landscape in motion pictures --- Au cinéma. --- Décors de cinéma. --- Sémiotique et cinéma. --- Thèmes, motifs. --- Motion picture locations - Congresses --- Landscapes in motion pictures - Congresses --- Art and motion pictures - Congresses
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Motion pictures --- Memory in motion pictures. --- Landscapes in motion pictures. --- Mythology in motion pictures. --- Ethnicity in motion pictures. --- Jewish-Arab relations in motion pictures. --- Landscape in motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History. --- History and criticism --- Space in motion pictures --- Jewish-Arab relations in motion pictures --- Cinéma --- Mémoire au cinéma --- Paysages au cinéma --- Espace et temps au cinéma --- Relations judéo-arabes au cinéma
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Among the items discussed are Wake in Fright, a novel by Kenneth Cook, adapted iconically to the screen and recently onto the stage; the Australian North as a mythic space; spatial and temporal narrative shifts in retellings of the story of Alexander Pearce, a convict who gained notoriety for resorting to cannibalism after escaping from a remote Tasmanian penal colony; travel narratives and road movies set in Western Australia; and the challenges and spatial politics of mapping spaces for which there are no coordinates.
Space and time in motion pictures. --- Space and time in literature. --- Landscapes in motion pictures. --- Motion pictures --- Landscapes in literature. --- Australian literature --- Space and time as a theme in literature --- Landscape in motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Landscape in literature --- History and criticism. --- History and criticism --- Australia --- In motion pictures. --- In literature. --- Littérature australienne --- Paysage --- Espace et temps --- Cinéma --- Histoire et critique. --- Dans la littérature. --- Au cinéma. --- Australie --- Littérature australienne --- Cinéma --- Dans la littérature. --- Au cinéma.
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Film --- United States --- Asphalt Jungle, The (Film) --- Asphalt Jungle, The (Motion picture) --- Cities and towns in motion pictures --- Double Indemnity (Film) --- Double Indemnity (Motion picture) --- Killer's Kiss (Film) --- Killer's Kiss (Motion picture) --- Landscape in motion pictures --- Landschap in de film --- Paysage dans le cinéma --- Plunder Road (Film) --- Plunder Road (Motion picture) --- Steden in de film --- The Naked City (Motion picture) --- The naked City (Film) --- Villes dans le cinéma --- Film noir --- Films noirs --- History and criticism. --- Histoire et critique --- Edward Dimendberg --- film --- twintigste eeuw --- film noir --- Verenigde Staten --- filmgeschiedenis --- filmtheorie --- ruimte --- urbanisme --- grootsteden --- New York --- Los Angeles --- film en architectuur --- film en stedenbouw --- kunst --- 791.43 --- 791.41 --- 791.43.01 --- Filmanalyse ; de stad in de film --- Film en het stedelijk landschap --- Film en architectuur --- Chandler, Raymond --- Hopper, Edward --- Kracauer, Siegfried --- Lefebvre, Henri --- Film noir ; Verenigde Staten ; 1940-1960 --- Filmkunst ; theorie, filosofie, esthetica --- CDL --- History and criticism --- United States of America
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