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Iconography --- Art --- art [discipline] --- utopias --- imagination --- kunstsociologie --- kunst en politiek --- Constant --- Saraceno, Tomás --- Lennon, John --- Armajani, Siah --- Knowles, Alison --- Ono, Yoko --- Wentworth, Richard --- Cao Fei --- Chlebnikow, Welimir --- Pistoletto, Michelangelo --- Bourgeois, Louise --- Jennings, Packard --- Koo Jeong-a --- Lambert, Steve --- Weiner, Lawrence --- Beuys, Joseph --- Norman, Nils --- Qiu Anxiong --- Kabakov, Ilija Iosefovich --- Durham, Jimmie --- Eliasson, Olafur --- Hirschhorn, Thomas --- Tiravanija, Rirkrit --- Höller, Carsten --- Huyghe, Pierre --- Grosse, Katharina --- Peljhan, Marko --- Zittel, Andrea --- Ai Weiwei --- Atelier Van Lieshout [Rotterdam] --- SUPERFLEX [Copenhagen] --- anno 1900-1999 --- anno 2000-2099 --- Eastern and Central Europe --- China --- Cuba
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Artists represented include Wieslaw Borowski, Daniel Buren, Marcel Broodthaers, Groupe de Recherche d'Art Visuel, Hans Haacke, Robert Smithson, John Knight, Graciela Carnevale, Osvaldo Mateo Boglione, Guerilla Art Action Group, Art Workers' Coalition, Mierle Laderman Ukeles, Michael Asher, Mel Ramsden, Adrian Piper, The Guerrilla Girls, Laibach, Silvia Kolbowski, Andrea Fraser, Fred Wilson, Mark Dion, Maria Eichhorn, Critical Art Ensemble, Bureau d'Études, WochenKlausur, The Yes Men, Hito Steyerl, Andreas Siekmann. "Institutional critique” is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. This anthology traces the development of institutional critique as an artistic concern from the 1960s to the present by gathering writings and representative art projects of artists from across Europe and throughout the Americas who developed and extended the genre. The texts and artworks included are notable for the range of perspectives and positions they reflect and for their influence in pushing the boundaries of what is meant by institutional critique. Like Alberro and Stimson's Conceptual Art: A Critical Anthology this volume will shed new light on its subject through its critical and historical framing. Even readers already familiar with institutional critique will come away from this book with a greater and often redirected understanding of its significance.
ALBERRO, Alexander --- Institutional Critique (Art movement) --- Artists' writings. --- kunstenaarsgeschriften --- institutionele kritiek --- Aareen Rasheed --- Armaly Fareed --- art workers' coalition --- Battcock Gregory --- Boglione Osvaldo Mateo --- Bordowitz Gregg --- Borowski Wieslaw --- Bortolotti Aldo --- bureau d'études --- Carnevale Graciela --- critical art ensemble --- d'Arcangelo Christopher --- Eichhorn Maria --- Favario Eduardo --- Green Renée --- groupe de recherche d'art visuel --- group material --- guerilla art action --- guerilla girls --- institute for applied autonomy --- Knight John --- Kolbowski Silvia --- Lambert Steve --- Laibach --- Le Parc Julio --- little Warsaw --- Lublin Lea --- Mosset Olivier --- Müller Christian Philipp --- nsk --- Parmentier Michel --- Ptaszkowska Hanna --- Ramsden Mel --- repohistory --- RTMark --- Siekmann Andreas --- Steyerl Hito --- Tchorek Mariusz --- Ukeles Mierle Laderman --- Wochenklasur --- The yes men --- 7.071 AAAA --- Institutional Critique (Art movement). --- Artists' writings --- 7.01 --- Asher Michael --- Broodthaers Marcel --- Buren Daniel --- Dion Mark --- eenentwintigste eeuw --- Fraser Andrea --- Haacke Hans --- Kaprow Allan --- Kruger Barbara --- kunst --- kunst en politiek --- kunst en sociologie --- kunsttheorie --- Lawler Louise --- Norman Nils --- Piper Adrian --- politiek --- Rosler Martha --- Smithson Robert --- sociologie --- Tiravanija Rirkrit --- Toroni Niele --- twintigste eeuw --- Wilson Fred --- Art, Modern --- Artists' literary writings --- Writings of artists --- Literature --- Ecrit d'artiste --- Institutional critique --- Artists --- Interviews --- Attitudes.
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Art styles --- Iconography --- Art --- Environmental planning --- art [discipline] --- humor --- street art --- cities --- public spaces --- kunst in de openbare ruimte --- graffiti [casual notations] --- Zevs --- Pignon-Ernest, Ernest --- Tinguely, Jean --- Banksy --- Oppenheim, Dennis --- Lennon, John --- Ono, Yoko --- Simonds, Charles --- Picasso, Pablo --- Ginsberg, Allen --- Blek le Rat --- Blu --- Darius & Downey --- Downey, Brad --- Eicher, Amanda --- Fairey, Shepard --- Fekner, John --- Friedkin, Anthony --- Grey, Alex --- Guyton, Tyree --- Hammonds, David --- Harfleet, Paul --- Harvey, Ellen --- Haring, Keith --- Hoffman, Abbie --- Hsieh, Tehching --- Kfouri, Daniel --- Know Hope --- Smithson, Robert --- Köster, Kim --- Kulig, Curtis --- Lambert, Steve --- Lee, Ji --- Leinkauf, Mischa --- Medlin, Jennifer --- Messner, Anne --- MOMO --- Mora, Nuria --- Naegeli, Harald --- Nicholson, Chad --- Notzold, Paul --- Ontiveros, Camilo --- Orion, Alexandre --- Os Gemeos --- Otterness, Tom --- Petit, Philippe --- Quinones, Lee --- Reid IV, Leon --- REVS --- Riley, Duke --- Rupp, Christy --- Skaggs, Joey --- Skullphone --- Slinkachu --- Spanhake, Shannon --- Stain, Chris --- Swoon --- Thundercut --- Tokodi, Edina --- Torres, Rigoberto --- Vinchen --- Wallacavage, Adam --- Winkler, Hans Hs --- Witz, Dan --- ZASD --- Zezão --- Zhang Dali --- The Yes Men --- Heizer, Michael --- Basquiat, Jean-Michel --- Holzer, Jenny --- Kruger, Barbara --- Wodiczko, Krysztof --- Wojnarowicz, David --- Tunick, Spencer --- Labat, Tony --- Kerouac, Jack --- Matta-Clark, Gordon --- Kaprow, Allan --- Gelitin --- monochrom [Vienna] --- Guerrilla Girls [New York, N.Y.] --- Vomito Attack --- anno 1900-1999 --- anno 2000-2099 --- Wodiczko, Krzysztof
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