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Lake poets --- Poetry --- English literature --- Regional documentation --- Lake District --- Lake school --- Lakists --- Poets, English

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The idea that the inspired poet stands apart from the marketplace is considered central to British Romanticism. However, Romantic authors were deeply concerned with how their occupation might be considered a kind of labour comparable to that of the traditional professions. In the process of defining their work as authors, Wordsworth, Southey and Coleridge - the 'Lake school' - aligned themselves with emerging constructions of the 'professional gentleman' that challenged the vocational practices of late eighteenth-century British culture. They modelled their idea of authorship on the learned professions of medicine, church, and law, which allowed them to imagine a productive relationship to the marketplace and to adopt the ways eighteenth-century poets had related their poetry to other kinds of intellectual work. In this work, Goldberg explores the ideas of professional risk, evaluation and competition that the writers developed as a response to a variety of eighteenth-century depictions of the literary career.

Lake poets. --- English poetry --- Lake school --- Lakists --- Poets, English --- History and criticism. --- Great Britain --- Intellectual life --- Arts and Humanities --- Literature

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"Gothic Romanticism relates architecture, politics, and literary form to read afresh the works of the Lake Poets: Wordsworth, Coleridge, and Southey. Reading a wide range of canonical and lesser-read texts, including Wordsworth and Coleridge's The Recluse, Wordsworth's The Convention of Cintra, and Southey's Roderick, the Last of the Goths, the book recovers the collaborative project of these poets for a purified "Gothic" poetry. The book positions this cultural enterprise in relation to the nineteenth-century Gothic Revival, and argues for a powerful analogy between the Romantic culture of the Gothic and the medievalism of contemporary Anglo-American culture and society" --Provided by publisher.

Architecture in literature --- English poetry --- Gothic literature --- Gothic revival (Literature) --- Lake poets --- Literary form --- National characteristics, American, in literature --- Romanticism --- History and criticism --- History and criticism --- History

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Thomas De Quincey (1785-1859) described his adolescent discovery of the Lyrical Ballads of Wordsworth and Coleridge as 'an absolute revelation of untrodden worlds, teeming with power and beauty'. The admiring letter he sent to Wordsworth led to friendships with him, Coleridge and Robert Southey. Relations soured over time, though, as De Quincey's opium addiction and debts increased. Following Coleridge's death in 1834, De Quincey began writing his 'Lake Reminiscences', published serially in Tait's Magazine up to 1840. Candid, occasionally bitter, and highlighting flaws such as Coleridge's plagiarism, the recollections offended the surviving poets and their families, yet these vivid portraits attract continued scholarly interest for both the light shed on the subjects and on the author himself. The collected essays, reissued in this 1863 printing of the 1862 first edition, certainly served to confirm the Lake Poets as leading figures of English Romanticism.

Lake poets. --- Authors, English --- Homes and haunts --- Lake District (England) --- Intellectual life --- English authors --- Lake school --- Lakists --- Poets, English --- Lakeland (England) --- Lakes (England) --- Coleridge, Samuel Taylor, --- Southey, Robert, --- Wordsworth, William, --- Wœ̄tsawœ̄t, Winlīam, --- Wurdzwurth, Wilyam, --- Varḍsavartha Viliyama, --- Axiologus, --- Southey, Roberto, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט.,