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All’interno del sistema dell’arte mi sono impegnato per molti anni affinché si potesse passare dalla pratica di arte nel sociale (opere nate quasi sempre all’interno di gallerie e musei, e quindi collocate nello spazio urbano) ad una ipotesi di arte “per” il sociale. L’arte per il sociale passa attraverso una serie di pratiche ma la prima, e più importante di queste, è sicuramente la “decodificazione”: pratica facilmente espressa, e quindi comprensibile, attraverso lo slogan “Abitare è essere ovunque a casa propria”, che ho realizzato attraverso un intervento di segnaletica urbana negli anni Sessanta/ Settanta. [...]For many years, from within the art system, I have committed myself to switching from an art practice with an eye to social issues (artworks almost invariably originated in galleries and museums and then placed in theurban space) to an idea of art “for” social issues. Art for social issues articulates in a series of practices, but the first and foremost is undoubtedly that of “decoding”. Such a practice can be easily described, and therefore easily understood, via the motto “living is to be at home everywhere”, which I envisaged as I was carrying out a project with urban signage in the 1960s/1970s.
Art --- History --- Histoire --- La Pietra, Ugo, --- Exhibitions --- Art, Italian --- Art italien --- Exhibitions. --- La Pietra, Ugo, - 1938- - Exhibitions --- la Pietra, Ugo --- La Pietra, Ugo, - 1938 --- -Art, Italian
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Visionary architecture --- Design --- La Pietra, Ugo, - 1938 --- -Visionary architecture --- La Pietra, Ugo, - 1938-
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Drawing -- Italy -- Milan Suburban Area. --- Architecture --- La Pietra, Ugo,
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abstract expressionisme --- mecenaat --- kunsthandel --- Arte Povera --- Pop Art --- Pettena, Gianni --- La Pietra, Ugo --- Rosso, Medardo --- De Dominicis, Gino --- Dorazio, Piero --- Vaccari, Franco --- Marini, Marino --- Montaldi, Danilo --- Zorio, Gilberto --- Fabro, Luciano --- 20ste eeuw --- Italië
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"SuperDesign' is the only comprehensive look at the short-lived but powerfully influential movement known as Italian Radical design. In numerous exclusive interviews, unreleased photographs, original drawings and artwork unearthed from personal archives, and newly commissioned photography of rarely seen works. What started as a largely student-led rally against the establishment and a rejection of accepted design norms became a movement that brought together some of the most dynamic and avant-garde thinkers and creative makers across the country. Through enigmatic, confrontational, and even distasteful objects and interiors, peppered with subversive performances and astonishingly innovative advertising campaigns, the Radicals projected design's new era as equal parts pop art, surrealism, play, and futurism. Alongside the exclusive primary source material, 'SuperDesign' features additional essays by top design scholars Deyan Sudjic and Catharine Rossi, as well as prominent collector Dennis Freedman. This book demystifies these fantastic works and tells the stories behind the often contentious relationships between the key figures of the movement (some of whom remain at odds still, nearly fifty years later)"--Publisher's description.
Design --- 749.038(450) --- Meubelen ; design ; Italië ; 20ste eeuw ; 1960-1985 ; Radical Design --- Superstudio --- Archizoom --- UFO ; Lapo Binazzi --- Gilardi, Piero --- Gruppo Sturm ; Pietro Derossi --- La Pietra, Ugo --- Pesce, Gaetano --- Pettena, Gianni --- Studio65 ; Studio 65 --- design --- architectuur --- twintigste eeuw --- Italië --- meubelkunst --- meubilair --- productdesign --- UFO --- Binazzi Lapo --- Gilardi Piero --- Derossi Pietro --- Gruppo Strum --- La Pietra Ugo --- Pesce Gaetano --- Pettena Gianni --- Studio65 --- 745.036 --- History --- Meubelkunst en design ; 1950 - 2000 ; Italië
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Le livre décortique, à travers des archives inédites de Global Tools, les traductions des deux bulletins inexistants dans le monde francophone, des entretiens exclusifs d'Andrea Branzi, Gaetano Pesce, Gianni Pettena, Ugo La Pietra, Alessandro Mendini et deux écrits qui dialoguent, l'un de Paolo Deganello et l'autre de Franco Raggi. Ce dernier présente Global Tools ainsi : "Ceux qui ont fondé ou participé à la Global Tools s'intéressaient à la construction d'un programme d'activités de recherche éducative et productive qui partait d'en bas, dans le but théorique de libérer la créativité individuelle des superstructures culturelles qui empêchaient ou ralentissaient la capacité d'expression, selon l'hypothèse de travail libre, anarchiste (mais organisé), d'expérimentations dans le domaine du design, du vivre et du construire... La tentative fut aussi de revenir à une sorte de "condition primaire" de fabrication qui impliquait des "outils" individuels, les premiers ustensiles à notre disposition permettant d'interagir avec le monde extérieur comme les mains, les pieds, les sens, le corps, et leur perception. Parmi les sujets abordés, il y avait aussi une série de sujets qui venaient de l'expérience des groupes anarchistes américains, anglais et autrichiens. Nous avons condensé une tendance très généralisée et omniprésente, bien que souterraine. Une recherche expérimentale et expressive associée à une anti-rhétorique du projet et une quasi-annulation de la pratique de conception canonique pour concevoir sa guérison grâce à une "auto-thérapie.
Design --- Radical architecture. --- Ecology in art. --- Art --- Sustainable design --- Nineteen seventies --- Architecture radicale. --- Écologie --- Design durable --- Années 1970 --- Recherche --- Research --- Study and teaching. --- Themes, motives. --- Étude et enseignement --- Dans l'art. --- Thèmes, motifs. --- Branzi, Andrea, --- Pesce, Gaetano, --- Pettena, Gianni, --- La Pietra, Ugo, --- Mendini, Alessandro, --- Deganello, Paolo, --- Raggi, Franco, --- Architecture radicale -- Italie --- Design durable -- Italie
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Hotels. --- Architecture, Modern --- Hôtels --- Architecture --- Hotels --- Architecte --- Architecture contemporaine --- Architecture intérieure --- Designer --- Hôtel --- Cazzulo, Mariella --- Isawa, Hisashi --- Juanpere, Josep --- la Pietra, Ugo --- Nouvel, Jean --- Oved, David --- Pierini, Urbano --- Pinto, Alberto --- Portman, John --- Poylo, François-Xavier --- Puig, Antonio --- Putman, Andrée --- Rossi, Aldo --- Sawade, Jürgen J. --- Schnaidt, Alain --- Starck, Philippe --- Suter, Philippe --- Uchida, Shigeru --- Wilmotte, Jean-Michel --- 728.5 --- 747.85 --- Woningbouw ; hotels ; 1988-1991 --- architectuur --- hotels --- Starck Philippe --- Isawa Hisashi --- Pierini Urbano --- La Pietra Ugo --- Portman John C. --- Oved David --- Manser Ass. --- Poulo François-Xavier --- Schnaidt Alain --- Pinto Alberto --- Rossi Aldo --- Uchida Shigeru --- Putman Andrée --- Sawade Jürgen J. --- Juanpere Josep --- Puig Antonio --- Branson Douglas --- Coates Nigel --- Nouvel Jean --- Wilmotte Jean-Michel --- Amorphe --- Hotels (architectuur) --- Hotelinterieurs --- Hotels (interieurarchitectuur) --- Woningbouw ; hotels, logementen, herbergen --- Hôtels --- Manser Ass --- Portman John C --- Sawade Jürgen J --- Hotels, taverns, etc. --- Inns --- Hospitality industry --- Boardinghouses --- Taverns (Inns) --- History --- Bâtiment hôtelier --- Nouvel, Jean, --- Rossi, Aldo, --- Wilmotte, Jean-Michel, --- Architecture, Modern - 20th century --- Nouvel, Jean, 1945 --- -Oved, David --- Rossi, Aldo, 1931-1997 --- Wilmotte, Jean-Michel, 1948 --- -Hotels. --- -Architecture, Modern --- Hotels (edifices) --- Hôtels (édifices) 1970-.... hôtels décoration 1970-....
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Art pottery, European --- Ceramic sculpture, European --- Céramique d'art européenne --- Sculpture en céramique européenne --- Exhibitions --- Expositions --- nudes [representations] --- Angel, Dominique --- Lagerfeld, Karl --- Kaufmann, Jacques --- Francés, Alex --- Mussel, Françoise --- Mizoguchi, Yoko --- Ni Haifeng --- Le Suavé, Farida --- Verdet, Martin --- Chebron, Carole --- Bru, Lucia --- Schmidlin, Paolo --- Meister, Quinette --- Glave, Patricia --- La Pietra, Ugo --- Vappereau, Ghislaine --- Schatt, Michaële-Andréa --- Wambaugh, Gabrielle --- Airieau, Véronique --- Vergier, Françoise --- Delarue, Valérie --- Lunen, Van, Clémence --- Sahal, Elsa --- Céramique d'art européenne --- Sculpture en céramique européenne --- Applied arts. Arts and crafts --- studios [work spaces] --- ceramics [object genre] --- Iconography --- design [discipline] --- Homo sapiens [species] --- Dinahet, Marcel --- Themes, motives --- Exhibitions. --- Thèmes, motifs --- Pietra, La, Ugo --- studio ceramics --- human figures [visual works] --- Sculpture
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Architect-designed furniture --- Decorative arts --- Design --- Furniture --- 745.036 --- 749.036 --- Ambasz Emilio --- Antonio José --- Arad Ron --- architecten --- Aulenti Gae --- Bellini Mario --- Boeri Cini --- Bonet Pep --- Botta Mario --- Branzi Andrea --- Calatrava Santiago --- Castelli Ferrieri Anna --- Castiglioni Achille --- Cerri Pierluigi --- Cirici Cristian --- Citterio Antonio --- Clotet Lluís --- Deganello Paolo --- De Lucchi Michele --- design --- Foster Norman --- Gehry Frank O --- Graves Michael --- Gregotti Vittorio --- Hollein Hans --- Isozaki Arata --- Jencks Charles --- Juli Capella, Quim Larrea --- Lapeña José Antonio Martinez --- La Pietra Ugo --- Magistretti Vico --- Mangiarotti Angelo --- Meier Richard --- Mendini Alessandro --- meubelkunst --- meubels --- Miralles Pedro --- Moneo Rafael --- Nemo --- Niemeyer Oscar --- Portoghesi Paolo --- productdesign --- productontwikkeling --- Rossi Aldo --- Scarpa Afra --- Scarpa Tobia --- Siza Alvaro --- Sottsass Ettore --- Stern Robert A.M --- Stoppino Giotto --- Takahama Kazuhide --- textiel --- Thun Matteo --- Torres Tur Elias --- Tusquets Oscar --- twintigste eeuw --- Venturi Robert --- verlichting --- Weil Daniel --- Wewerka Stefan --- Zanuso Marco --- 749.038 --- Industrieel design ; ontworpen door architecten ; 20ste eeuw --- Applied arts --- Art industries and trade --- Art --- Handicraft --- Architect-designed decorative arts --- History --- Meubelkunst en design ; 1950 - 2000 --- Architects. Urbanists --- anno 1980-1989
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