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All’interno del sistema dell’arte mi sono impegnato per molti anni affinché si potesse passare dalla pratica di arte nel sociale (opere nate quasi sempre all’interno di gallerie e musei, e quindi collocate nello spazio urbano) ad una ipotesi di arte “per” il sociale. L’arte per il sociale passa attraverso una serie di pratiche ma la prima, e più importante di queste, è sicuramente la “decodificazione”: pratica facilmente espressa, e quindi comprensibile, attraverso lo slogan “Abitare è essere ovunque a casa propria”, che ho realizzato attraverso un intervento di segnaletica urbana negli anni Sessanta/ Settanta. [...]For many years, from within the art system, I have committed myself to switching from an art practice with an eye to social issues (artworks almost invariably originated in galleries and museums and then placed in theurban space) to an idea of art “for” social issues. Art for social issues articulates in a series of practices, but the first and foremost is undoubtedly that of “decoding”. Such a practice can be easily described, and therefore easily understood, via the motto “living is to be at home everywhere”, which I envisaged as I was carrying out a project with urban signage in the 1960s/1970s.

Art --- History --- Histoire --- La Pietra, Ugo, --- Exhibitions --- Art, Italian --- Art italien --- Exhibitions. --- La Pietra, Ugo, - 1938- - Exhibitions --- la Pietra, Ugo --- La Pietra, Ugo, - 1938 --- -Art, Italian