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Alain Locke, the central promoter of the Harlem Renaissance, is placed in conversation with leading philosophers and cultural figures in the modern world, from Aristotle to Obama. For teachers and students of contemporary debates in pragmatism, diversity, and value theory, these conversations' define new-and controversial-terrain.
World citizenship. --- Citizenship. --- Cultural pluralism. --- Cosmopolitanism. --- Toleration. --- Locke, Alain, --- Philosophy.
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"A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro--the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. In The New Negro : The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became--in the process--a New Negro himself"--
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Philosophy. --- Mental philosophy --- Humanities --- Locke, Alain L. --- Political philosophy. Social philosophy
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"A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro--the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. In The New Negro : The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar and earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. Locke also received a cosmopolitan, aesthetic education through his travels in continental Europe, where he came to appreciate the beauty of art and experienced a freedom unknown to him in the United States. And yet he became most closely associated with the flowering of Black culture in Jazz Age America and his promotion of the literary and artistic work of African Americans as the quintessential creations of American modernism. In the process he looked to Africa to find the proud and beautiful roots of the race. Shifting the discussion of race from politics and economics to the arts, he helped establish the idea that Black urban communities could be crucibles of creativity. Stewart explores both Locke's professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. Stewart's thought-provoking biography recreates the worlds of this illustrious, enigmatic man who, in promoting the cultural heritage of Black people, became--in the process--a New Negro himself"--
Locke, Alain L. --- Locke, Alain LeRoy, 1885-1954 --- Afro-Amerikaanse filosofen --- Afro-Amerikaanse intellectuelen --- Harlem Renaissance --- Afro-Amerikaanse kunsten --- Afro-Amerikanen --- Politieke en sociale denkbeelden --- Biografie --- Geschiedenis --- Intellectueel leven --- African American intellectuals --- African American philosophers --- African American college teachers --- Locke, Alain, --- Political and social views.
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"An American Friendship narrates the development of cultural pluralism, an idea that emerged in the early twentieth century to explain and shape American diversity, as told through the unlikely friendship of two philosophers, Jewish immigrant and Zionist leader Horace Kallen, and African American Alain Locke, intellectual godfather of the Harlem Renaissance"--
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Alain Locke is most known for his involvement in the Harlem Renaissance. However, he received his PhD in philosophy from Harvard University in 1918, and produced a very large corpus of philosophical work. His work shows him to have been a sophisticated philosopher who thought through practical and theoretical problems regarding the nature of cosmopolitanism, democracy, race, value, religion, art, and education. Although Locke's philosophical work has been discussed in parts, there has been no theorizing about how his different philosophical commitments fit together. In this book Corey L. Barnes begins to systematize Locke's philosophical thought, showing how his democratic theory, philosophy of race, and value theory are connected to and undergirded by a commitment to cosmopolitanism. In so doing, Barnes unearths aspects of Locke's thought-for example, his economic thinking-that have not been accorded attention and reimagines parts of his work about which have been theorized, all while bringing Locke into current debates about each subject.
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African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Casablanca (Film) --- Casablanca (Motion picture) --- Negroes in literature --- Noirs américains dans la littérature --- Zwarte Amerikanen in de literatuur --- African Americans in literature. --- African Americans --- American literature --- Cultural assimilation. --- Intellectual life. --- African American authors --- History and criticism. --- History and criticism --- Cultural assimilation --- Civilization --- Brown, William Wells --- Criticism and interpretation --- Webb, Frank J. --- Du Bois, William Edward Burghardt --- Locke, Alain Leroy --- Toomer, Jean --- Hurston, Zora Neale --- Wright, Richard --- Reed, Ishmael --- Morrison, Toni --- Twain, Mark --- Naylor, Gloria --- Knight, Etheridge --- Locke, Alain LeRoy, 1885-1954
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African Americans in literature --- Afro-Americans in literature --- Afro-Amerikanen in de literatuur --- Afro-Américains dans la littérature --- Amerikaanse zwarten in de literatuur --- Black Americans in literature --- Harlem Renaissance --- Negroes in literature --- Noirs américains dans la littérature --- Zwarte Amerikanen in de literatuur --- African Americans in literature. --- African Americans --- American literature --- Harlem Renaissance. --- Literature and anthropology --- Modernism (Literature) --- Intellectual life --- African American authors --- History and criticism. --- History --- History and criticism --- 20th century --- United States --- The Crisis --- The Nation --- The New Republic --- The Modern Quarterly --- The Messenger --- American Mercury --- Locke, Alain Leroy --- Locke, Alain LeRoy, 1885-1954
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This text offers a historical perspective on 'black intellectuals' as a social category, ranging over a century - from Frederick Douglass to Patricia Williams. These writers challenge the idea that high culture is 'white culture.'
American literature --- Language and culture --- African Americans --- African Americans in literature. --- Blacks --- Afro-Americans in literature --- Negroes in literature --- African American intellectuals --- Culture and language --- Culture --- African American authors --- History and criticism. --- History --- Intellectual life. --- Du Bois, W. E. B. --- Locke, Alain, --- Locke, Alain LeRoy, --- Du Bois, W. E. Burghardt --- Du Bois, W. E. --- Di︠u︡bua, Uilʹi︠a︡m Ėdvard Burgkhardt, --- Di︠u︡bua, Vilʹi︠a︡m, --- Du Bois, William Edward Burghardt, --- DuBois, W. E. B. --- Du Bois, William, --- Du Bois, W. B. --- United States --- Intellectual life --- Black persons --- Negroes --- Ethnology --- Black people
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