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Thomas Middleton is one of the major English Renaissance dramatists alongside Marlowe, Shakespeare and Jonson. Middleton continues to fascinate audiences and readers with his black humour, his wry and witty treatment of sexuality, morality, and politics. He is a consummate professional dramatist, experimenting with stagecraft in a manner that combines the visual and the verbal to startling effect.
Middleton, Thomas, --- Criticism and interpretation. --- Middleton, Thomas --- LITERARY CRITICISM / Drama.
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The art and craft of playwriting as explored in candid conversations with some of the most important contemporary dramatists Edward Albee, Lanford Wilson, Lynn Nottage, A. R. Gurney, and a host of other major creative voices of the theater discuss the art of playwriting, from inspiration to production, in a volume that marks the tenth anniversary of the Yale Drama Series and the David Charles Horn Foundation Prize for emerging playwrights. Jeffrey Sweet, himself an award-winning dramatist, hosts a virtual roundtable of perspectives on how to tell stories onstage featuring extensive interviews with a gallery of gifted contemporary dramatists. In their own words, Arthur Kopit, Marsha Norman, Christopher Durang, David Hare, and many others offer insights into all aspects of the creative writing process as well as their personal views on the business, politics, and fraternity of professional theater. This essential work will give playwrights and playgoers alike a deeper and more profound appreciation of the art form they love.
Dramatists --- Playwriting. --- LITERARY CRITICISM / Drama. --- Drama --- Play-writing --- Authorship --- Playwrights --- Authors --- Technique
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Das Drama ist eine der relevantesten Strukturen in einer sich globalisierenden und transmedial erweiternden Kultur. In seiner historischen Konstanz wie Wandlungsfähigkeit - vom Dionysostheater bis zur aktuellen Qualitätsserie - bleibt es, trotz performativer Ästhetiken, höchst aktuell.Die Publikation bietet eine umfassende historische wie systematische Darstellung aus literatur- und theaterwissenschaftlicher Perspektive. Ein besonderes Augenmerk wird auf die Verbindung zwischen informierendem Überblick und Ausdifferenzierungen wie Transformationen des Dramas gelegt. Berücksichtigt wird die Integration des Dramas in theatrale Institutionen und deren Produktionsprozesse, ebenso ästhetische Distanzierungen bzw. mediale Reflexionen oder Dekonstruktionen. Neben verschiedenen Dramaturgien und Kontexten wie Politik, Wirtschaft, Zensur, Didaktik oder Psychologie werden postdramatische und außereuropäische Formen behandelt, zudem transdisziplinäre Bezüge zu neueren Medien wie Film, TV-Serie, Computerspiel, Musiktheater und Tanz hergestellt.Dem Band gelingt ein kompakter Überblick, der dem Drama in seiner systematischen wie historischen Komplexität gerecht wird.
Drama --- LITERARY CRITICISM / Drama. --- LITERARY CRITICISM / General. --- Criticism --- History and criticism. --- Drama. --- plays. --- theater texts. --- theater.
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Waiting for Godot has been acclaimed as the greatest play of the twentieth century. It is also the most elusive: two lifelong friends sing, dance, laugh, weep, and question their fate on a road that descends from and goes nowhere. Throughout, they repeat their intention "Let's go," but this is inevitably followed by the direction "(They do not move.)." This is Beckett's poetic construct of the human condition. Lois Gordon, author of The World of Samuel Beckett, has written a fascinating and illuminating introduction to Beckett's great work for general readers, students, and specialists. Critically sophisticated and historically informed, it approaches the play scene by scene, exploring the text linguistically, philosophically, critically, and biographically. Gordon argues that the play portrays more than the rational mind's search for self and worldly definition. It also dramatizes Beckett's insights into human nature, into the emotional life that frequently invades rationality and liberates, victimizes, or paralyzes the individual. Gordon shows that Beckett portrays humanity in conflict with mysterious forces both within and outside the self, that he is an artist of the psychic distress born of relativism.
Beckett, Samuel --- LITERARY CRITICISM / Drama. --- Beckett, Samuel, --- BECKETT (SAMUEL), 1906-1989 --- EN ATTENDANT GODOT --- CRITIQUE ET INTERPRETATION
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In Black Dragon, Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron Van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between these distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By zeroing in on this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist liberation for the twenty-first century.
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In Black Dragon, Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron Van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between these distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By zeroing in on this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist liberation for the twenty-first century.
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In spite of steady growth in popularity, Pinter's plays have continued to elude adequate critical appraisal. Considering the last decade's scholarship, Austin E. Quigley attributes the impasse in Pinter criticism to the failure of Pinter's readers to appreciate the diversity of ways in which language can transmit information. This explanation places recent commentaries in a new light and enables the author to take a fresh approach to the plays themselves.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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"This cutting-edge collection of essays offers provocative studies of ancient history, literature, gender identifications and roles, and subsequent interpretations of the republican and imperial Roman past. The prose and poetry of Cicero and Petronius, Lucretius, Virgil, and Ovid receive fresh interpretations; pagan and Christian texts are re-examined from feminist and imaginative perspectives; genres of epic, didactic, and tragedy are re-examined; and subsequent uses and re-uses of the ancient heritage are probed with new attention: Shakespeare, Nineteenth Century American theater, and contemporary productions involving prisoners and veterans. Comprising twenty essays collectively honoring the feminist Classical scholar Judith Hallett, this book will interest the Classical scholar, the ancient historian, the student of Reception Studies, and feminists interested in all periods. The authors from the United States, Britain, France and Switzerland are authorities in one or more of these fields and chapters range from the late Republic to the late Empire to the present"--
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This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for the specialist of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza, El príncipe constante, El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.
Barockliteratur. --- Baroque Literature. --- Calderón. --- Drama. --- Frühe Neuzeit. --- Lope de Vega. --- Siglo de Oro. --- Spanish Golden Age. --- Theater. --- Barock --- LITERARY CRITICISM / Drama. --- Barockzeit --- Barockzeitalter --- 1570-1750
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Cheney argues that Marlowe organizes his canon around an ""Ovidian"" career model, or cursus, which turns from amatory poetry to tragedy to epic. The first comprehensive reading of the Marlowe canon in over a generation.
Authorship --- English literature --- National characteristics, British, in literature. --- LITERARY CRITICISM / Drama. --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- History --- Roman influences. --- History and criticism --- Theory, etc. --- Marlowe, Christopher,
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