Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In Black Dragon, Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death, Ron Van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between these distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By zeroing in on this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist liberation for the twenty-first century.

Literary Criticism / American / Asian American --- Literary Criticism / Drama --- Literary Criticism / American / African American & Black --- Literature --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Since the publication of The Woman Warrior in 1976, Maxine Hong Kingston has gained a reputation as one of the most popular -- and controversial -- writers in the Asian American literary tradition. In this volume Grice traces Kingston's development as a writer and cultural activist through both ethnic and feminist discourses, investigating her novels, occasional writings and her two-book 'life-writing project'.The publication of The Woman Warrior not only propelled Kingston into the mainstream literary limelight, but also precipitated a vicious and ongoing controversy in Asian American letters

Kingston, Maxine Hong --- Hong, Maxine Jinsidun --- Hong, Maxine Ting Ting --- Jinsidun, Makexin Hong --- Tang, Tingting, --- 汤亭亭 --- 洪婷婷 --- Criticism and interpretation. --- Literature --- Literary Studies: From C 1900 --- -LITERARY CRITICISM / American / Asian American --- Literature: history & criticism --- Asian American. --- China Men. --- Maxine Hong Kingston. --- Tripmaster Monkey. --- Woman Warrior. --- controversial writers. --- cultural activist. --- cultural references. --- feminist discourses. --- life-writing project.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Challenging the tidy links among authorial position, narrative perspective, and fictional content, Stephen Hong Sohn argues that Asian American authors have never been limited to writing about Asian American characters or contexts. Racial Asymmetries specifically examines the importance of first person narration in Asian American fiction published in the postrace era, focusing on those cultural productions in which the author’s ethnoracial makeup does not directly overlap with that of the storytelling perspective.Through rigorous analysis of novels and short fiction, such as Sesshu Foster’s Atomik Aztex, Sabina Murray’s A Carnivore’s Inquiry and Sigrid Nunez’s The Last of Her Kind, Sohn reveals how the construction of narrative perspective allows the Asian American writer a flexible aesthetic canvas upon which to engage issues of oppression and inequity, power and subjectivity, and the complicated construction of racial identity. Speaking to concerns running through postcolonial studies and American literature at large, Racial Asymmetries employs an interdisciplinary approach to reveal the unbounded nature of fictional worlds.

LITERARY CRITICISM / American / Asian American. --- SOCIAL SCIENCE / Customs & Traditions. --- Equality in literature. --- Subjectivity in literature. --- Race in literature. --- Point of view (Literature) --- First person narrative --- American literature --- Fiction --- Narration (Rhetoric) --- Narrative, First person --- Literature --- History and criticism. --- Asian American authors --- Technique --- Nunez, Sigrid. --- Murray, Sabina. --- Foster, Sesshu. --- Lee, Chang-rae.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Perhaps the most popular of all canonicalAmerican authors, Mark Twain is famous for creating works that satirizeAmerican formations of race and empire. While many scholars have exploredTwain’s work in African Americanist contexts, his writing on Asia and AsianAmericans remains largely in the shadows. In Sitting in Darkness, Hsuan Hsuexamines Twain’s career-long archive of writings about United States relationswith China and the Philippines. Comparing Twain’s early writings about Chineseimmigrants in California and Nevada with his later fictions of slavery andanti-imperialist essays, he demonstrates that Twain’s ideas about race were notlimited to white and black, but profoundly comparative as he carefully craftedassessments of racialization that drew connections between groups, includingAfrican Americans, Chinese immigrants, and a range of colonial populations.Drawing on recent legal scholarship,comparative ethnic studies, and transnational and American studies, Sitting inDarkness engages Twain’s best-known novels such as Tom Sawyer, HuckleberryFinn, and A Connecticut Yankee in King Arthur’s Court, as well as hislesser-known Chinese and trans-Pacific inflected writings, such as theallegorical tale “A Fable of the Yellow Terror” and the yellow face play AhSin. Sitting in Darkness reveals how within intersectional contexts of ChineseExclusion and Jim Crow, these writings registered fluctuating connectionsbetween immigration policy, imperialist ventures, and racism.

SOCIAL SCIENCE / Customs & Traditions. --- LITERARY CRITICISM / American / Asian American. --- LITERARY CRITICISM / American / General. --- Chinese in literature. --- Asian Americans in literature. --- Twain, Mark, --- Twain, Mark --- Tvėn, Mark --- Tuėĭn, Mark --- Tuwayn, Mārk --- Twayn, Mārk --- Tʻu-wen, Ma-kʻo --- Tven, M. --- Touen, Makū --- Twain, Marek --- Make Tuwen --- Tuwen, Make --- Make Teviin --- Твен, Марк --- Touain, Mark --- טבןַ, מרק, --- טוויין, מארק, --- טוויין, מרק, --- טווין, מארק, --- טווין, מרק, --- טווען, מארק, --- טוין, מרק, --- טװען, מארק, --- טװײן, מארק, --- 馬克吐温, --- Tuvāyn, Mārk --- Tvāyn, Mārk --- تواين، مارک --- Clemens, Samuel Langhorne --- Snodgrass, Quintus Curtius --- Conte, Louis de --- Knowledge --- Criticism and interpretation.