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This book is a study of the English Reformation as a political and literary event. Focusing on an eclectic group of texts, unified by their explication of the key elements of the cultural history of the period 1510-1580 the book unravels the political, poetic and religious themes of the era. Through readings of work by Edmund Spenser, William Tyndale, Sir Thomas More and John Skelton, as well as less celebrated Tudor writers, Betteridge surveys pre-Henrician literature as well as Henrician Reformation texts, and delineates the literature of the reigns of Edward VI, Mary Tudor and Elizabeth I. Ultimately, the book argues that this literature, and the era, should not be understood simply on the basis of conflicts between Protestantism and Catholicism but rather that Tudor culture must be seen as fractured between emerging confessional identities and marked by a conflict between those who embraced confessionalism and those who rejected it.This important study will be fascinating reading for students and researchers in early modern English literature and history.

English literature --- Politics and literature --- Reformation --- History and criticism. --- History --- English Reformation --- Great Britain --- Politics and government --- History. --- Early modern history: c. 1450/1500 to c. 1700. --- LITERARY COLLECTIONS / European / English, Irish, Scottish, Welsh. --- Biography, Literature & Literary Studies --- Biography & non-fiction prose --- Anthologies: general.

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"Samuel Richardson and the theory of tragedy is a bold new interpretation of one of the greatest European novels, Samuel Richardson's Clarissa. The book argues that Clarissa needs to be rethought as a dangerous exploration of the ethics of tragedy, on the scale of the great arguments of post-Romantic tragic theory, from Hölderlin and Nietzsche, to Benjamin and Lacan and beyond. Influenced by and providing introductory readings of all of these thinkers, the book also reflects the latest developments in eighteenth century studies, from developing views of the concept of the Enlightenment to recent work on anthology literature and quotation in the period. Taking the reader through Clarissa from beginning to end, Samuel Richardson and the theory of tragedy acts as a guidebook for newcomers to Richardson's notoriously massive text, situating it alongside Richardson's other works and the epistolary novel form in general. Filled with innovative close readings that will provoke and interest, Samuel Richardson and the theory of tragedy will also serve as a jumping off point for anyone interested in the way the theory of tragedy continues to be the privileged meeting point between literature and philosophy.This book will appeal to both literature scholars and students and the general reader; to those with interest in the eighteenth-century novel, tragedy and ethics in critical theory." --Back cover.

Richardson, Samuel, --- Criticism and interpretation. --- Clarissa (Richardson, Samuel) --- History of Clarissa Harlowe (Richardson, Samuel) --- Clarissa, or, The history of a young lady (Richardson, Samuel) --- Literature --- Literary Studies: C 1500 To C 1800 --- LITERARY COLLECTIONS / European / English, Irish, Scottish, Welsh [Add BISAC headings from the spreadsheet e.g. HISTORY / Europe / Western --- Anthologies: general --- Clarissa. --- European novels. --- German seventeenth century. --- Lovelace. --- Samuel Richardson. --- Terry Castle. --- Walter Benjamin. --- ethics of tragedy. --- linguistic persecutions. --- mad papers. --- mournful landscape. --- parental tyranny. --- post-Romantic tragic theory. --- rape. --- received notion. --- tragic drama.