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Studies the propagandistic and political features of five prominent series of frescoes originating in papal Rome in the fifteenth and sixteenth centuries. Discusses the manipulation of historical events for propagandistic purposes, the importance of inscriptions in controlling interpretation, and the reactions of contemporary viewers. -- Provided by publisher.

Mural painting and decoration, Renaissance --- Mural painting and decoration --- Popes --- Art and society --- Mural painting and decoration, Italian --- Propaganda in art. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art patronage --- Art patrons --- Ceilings, Painted --- Fresco painting --- Frescoes --- Frescos --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Decoration and ornament --- Interior decoration --- Painting --- Political aspects --- Art patronage. --- Social aspects --- Propaganda in art --- 262.13 "14/15" --- 7 <09> <45> --- Renaissance mural painting and decoration --- Italian mural painting and decoration --- 7 <09> <45> Kunstgeschiedenis. Kunsthistorie--Italië --- Kunstgeschiedenis. Kunsthistorie--Italië --- 262.13 "14/15" Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--?"14/15" --- Pausschap. Heilige Stoel. Vaticaan. Paus als soeverein--?"14/15" --- Christian church history --- History of civilization --- History of Italy --- anno 1400-1499 --- anno 1500-1599 --- Vatican City --- Peinture et décoration murales --- Propagande --- Papes --- Aspect politique. --- Dans l'art. --- Mécénat.