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Timed out is a pioneering study of modern and contemporary art in the aftermath of empire. It addresses the current 'global turn' in the study of art by way of the transnational Caribbean, offering an in-depth account of the Atlantic world in relation to the mainstream history of art. It looks at why art of the Anglophone Caribbean and its diaspora have been placed not only 'outside' but 'behind' the dominant art canons, and how the politics of space and time can be used to rethink the global geography of art. This is an essential addition to the growing field of 'world art studies', bringing concerns around temporality together with cross-cultural issues and debates. It shows how art and artists of the Caribbean have encountered and challenged the charges of belatedness, anachronism, provincialism and marginalisation that are fundamental to the time-space logic of art history. Publisher's note.

Art, Caribbean --- 7.039(729) --- 7.038(729) --- Afrikaanse diaspora --- Caribbean art --- Kunstgeschiedenis ; 2000 - 2050 ; Caraïben --- Kunstgeschiedenis ; 1950 - 2000 ; Caraïben

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Arts, Modern --- Arts modernes --- Exhibitions. --- Expositions --- Biënnale van Venetië (49ste ; 2001) --- Kunsttentoonstellingen ; internationale --- 7.038 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Art contemporain --- Panorama mondial

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Akkerman, Philip ; Galdermans, Marilou ; Geelen, Guido ; Hoekstra, Berend ; Mark, Arno Van der ; Mars, Ton ; Oude Alink, Karen ; Schuil, Han ; Staverman, Ferry ; van Summeren, Ton ; Taken, Gert ; van der Weide, Albert

Beeldende kunst ; Nederland ; 20ste eeuw --- Kunsttheorie ; kunstfilosofie ; 20ste eeuw --- Tentoonstellingscatalogi ; Appeldoorn ; Stichting Archipel --- 7.038 --- 7.01 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties)

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Beeldende kunst ; 2de h. 20ste eeuw ; Sots Art en Pop Art --- Sots Art ; de NEST groep --- 7.038 --- (069) --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties)

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The European artistic collective known as Cobra was born in the wake of World War II's devastating events, its name an acronym for the native cities of its founders: Copenhagen, Brussels and Amsterdam. The influential group of painters and sculptors had a tremendous impact on the development of European abstract expressionism, and contemporary art in general. Cobra was arguably the last avant-garde movement of the 20th century. Moving chronologically, this book explores the years leading up to Cobra's formation, charts its complex expansion over a decade, and illuminates how the movement helped shape the trajectory of contemporary art today. Thoughtfully integrated among the numerous images, many presented as full-page color illustrations, are essays that probe the ideological hallmarks that shaped the group as a whole: its rejection of rational constraints; a focus on play and youthfulness; and its embrace of immediacy, particularly in the form of action paintings. In addition, comprehensive biographies of the artists illuminate crucial aspects of each individual's journey, helping to expand readers' understanding of Europe's socio-political and theoretical climate.

7.038 --- Beeldende kunst ; 2de helft 20e eeuw ; Cobra en nalatenschap --- Kunstgeschiedenis ; 1950 - 2000 --- Cobra (Association) --- Gruppe Cobra --- Kobura Gurūpu --- Influence --- Exhibitions --- CoBrA (Künstlervereinigung).