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Vrouwen als schrijfsters----Kolonies--Tentoonstellingen.!Vrouwen als kunstenaressen----Kolonies--Tentoonstellingen.!--Reizen en reisbeschrijvingen--Bibliografies. --- Femmes écrivains----Colonies--Expositions.!Femmes artistes----Colonies--Expositions.!--Descriptions et voyages--Bibliographies.

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Femmes artistes --- Femmes dans l'art --- Kunstenaressen --- Vrouwen in de kunst --- Women artists --- Women as artists --- Women in art --- History --- Sociology of the family. Sociology of sexuality --- Art --- Art [Modern ] --- Themes, motives --- Women artists. --- Women in art. --- Art, Modern --- Themes, motives. --- Artists --- Art history --- Images of women --- Book

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VALIE EXPORT is considered one of the most important artists working in the fields of conceptual media art, performance art and film. She continues to have an ongoing influence on generations of up-and-coming artists with her feminist and media-critical works. Neuer Berliner Kunstverein (n.b.k.) is presenting VALIE EXPORT in a first representative exhibition of works and archival materials at a German institution in 15 years. 

From the beginning of her career, EXPORT has been addressing the issues of an increasingly mediatized society and questioning its functions, guiding principles and mechanisms of communication. In 1968, the year when the womens rights movement and student protests substantially challenged the bourgeois society, EXPORT directed peoples gaze onto the female body and the social inscriptions it carries in works such as Tapp und Tastkino or Aktionshose Genitalpanik. But also beyond these now canonical works, EXPORT created a media-reflexive and political oeuvre in the 1980s and 1990s that directs attention to the tension between the individual and society. In the process, the artist simultaneously explored the limits of what can be seen and said, and created connections across media boundaries between seemingly disparate research areas.

The work complexes presented at the n.b.k. stem from five decades and illustrate the diversity of subjects in VALIE EXPORTs oeuvre. They range from dealing with societys thinking and acting in dichotomies like culture / nature or masculine / feminine, to locating the human and above all female subject in the worldwithin a (constructed) social body that finds it materialization, among other things, in the built city. How architecture, technologies and media (de)form people is the central focus of research in this process. As a result, archival materials and works from the work complex of research on culture and nature from the 1970s are shown as well as those works that focus on the writing subject that constitutes itself in script. In photographs, films and installations from the 1980s and 1990s the artist has been exploring a self that has been fragmented and alienated in the digital age. By creating allegorical images new perspectives are explored, analyzed and exhausted. The exhibition provides insight into VALIE EXPORTs working process, looks at her practice of questioning space, the body and media, and underlines the research quality of the artistic process.

Export, Valie --- kunst --- Oostenrijk --- twintigste eeuw --- eenentwintigste eeuw --- Export Valie --- performances --- archieven --- archivering --- feminisme --- gender studies --- kunst en politiek --- film --- video --- videokunst --- fotografie --- beeldhouwkunst --- installaties --- 7.071 EXPORT --- Exhibitions --- 7.07 --- Export, Valie °1940 (°Linz, Oostenrijk) --- Vrouwelijke kunstenaars --- Avant-garde kunstenaressen --- Kunst en feminisme --- Performances --- Installaties --- Body Art ; performances ; videokunst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z

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Aan de hand van dertien levensbeschrijvingen schetst 'Oude meesteressen' de gevarieerde en rijke bijdrage die vrouwen aan de kunst van de Nederlanden leverden, van de zevende tot de achttiende eeuw. In chronologische volgorde worden een aantal vrouwen beschreven wier biografie duidelijk maakt aan welke moeilijkheden en beperkingen ze het hoofd moesten bieden bij de ontplooiing van hun artistiek talent. Tegelijk schetsen de auteurs via de vrouwelijke invalshoek een boeiend beeld van de artistieke wereld in de Nederlanden: de kloosterkunst, de hofkunstenaars, de gilde en het ambacht, de artistieke opleiding, de verspreiding van thema's en technieken. Enkele bekende en minder bekende namen uit het boek : Margaretha van Eyck, Catharina van Hemessen, Clara Peeters, Judith Leyster, Maria Sibylla Merian, Rachel Ruysch.

History --- Painting --- Art --- History of the Low Countries --- Peeters, Clara --- Anguissola, Sofonisba --- Hemessen, van, Catharina --- Cnoop, Cornelia --- Leyster, Judith --- Wautier, Michaelina --- Ruysch, Rachel --- Merian, Maria Sibylla --- Relinde [s.] --- Keysere, de, Clara --- Herlinde [s.] --- Eyck, van, Margaretha --- Keysere, Clara de --- Eyck, Margriete van --- Belgique --- België --- Biographies --- Kunst --- Levensbeschrijvingen --- Nederland --- Pays-Bas --- Women painters --- 7.03 --- 75 --- 7.071.1-055.2 --- 091.31 <491.9> --- -#A9808A --- Kunst ; van vrouwen ; Nederlanden ; 7de tot 18de eeuw --- Biografieën --- 7.049 --- kunst --- Nederlanden --- kunstenaressen --- 7.071 --- Painters --- Women artists --- Kunststijlen. Kunstscholen. Kunststromingen --- Schilderkunst --- Vrouwelijke kunstenaars --- Verluchte handschriften--De Nederlanden. Benelux --- Iconografie ; verschillende onderwerpen --- kunstenaars --- 091.31 <491.9> Verluchte handschriften--De Nederlanden. Benelux --- 7.071.1-055.2 Vrouwelijke kunstenaars --- 75 Schilderkunst --- 7.03 Kunststijlen. Kunstscholen. Kunststromingen --- Belgium --- Netherlands --- #A9808A --- 700 --- vrouw en kunst --- kunst algemeen --- art généralités --- Women painters - Netherlands - Biography. --- Hollandse school --- Nederlandse school --- schilderes --- Vlaamse school --- vrouwelijke kunstenaar --- anno 1600-1699 --- anno 1700-1799 --- Artists --- Book

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Women's Work. Is Never Done' brings together the twenty most important essays by internationally acclaimed art critic and curator Catherine de Zegher. Together with Gerald McMaster, de Zegher has been appointed artistic director of this year's 18th Biennale of Sydney. Her essays on female artists, which have now been collected for the first time, cover a period of thirteen years. Over the years de Zegher's essays launched and consolidated the careers of such artists as Joelle Tuerlinckx, Ann Veronica Janssens, Eva Hesse and Bracha L. Ettinger. Thanks to de Zegher, these artists are now wildly acclaimed and acknowledged in the art world for their cutting edge, groundbreaking artistic activism that has shaped female artistic practice from the late 19th century onwards.

kunst --- twintigste eeuw --- eenentwintigste eeuw --- 7.036/039 --- Kunz Emma --- Martin Agnes --- Gill Simryn --- Bloch Pierrette --- Kot'áková Eva --- Wright Judith --- De Keersmaeker Anne Teresa --- Grzymala Monika --- Verhaeghe Ria --- Ettinger Bracha L. --- Shettar Ranjani --- Iglesias Cristina --- Mehretu Julie --- Tuerlinckx Joëlle --- Hesse Eva --- Gego --- af Klint Hilma --- Atkins Anna --- Newman Avis --- Maiolino Anna Maria --- Gallagher Ellen --- Spero Nancy --- Rosler Martha --- Janssens Ann Veronica --- Hatoum Mona --- Vicuña Cecilia --- Nicodemus Everlyn --- gender studies --- feminisme --- Kunst van vrouwen 20ste en 21ste eeuw --- 7.041 --- 7.01 --- 7.038 --- 7.039 --- Gender Studies --- Feminisme --- Iconografie de mens, portretten --- Kunst theorie, filosofie, esthetica --- Kunstgeschiedenis 1950 - 2000 --- Kunstgeschiedenis 2000 - 2050 --- Kunz, Emma --- Gill, Simryn --- Shettar, Ranjani --- Verhaeghe, Ria --- Nicodemus, Everlyn --- Wright, Judith --- Keersmaeker, de, Anne Teresa --- Bloch, Pierrette --- Lichtenberg-Ettinger, Bracha --- Iglesias, Cristina --- Mehretu, Julie --- Grzymala, Monika --- Klint, Hilma A.F. --- Kot'átková, Eva --- Feminism and the arts --- Feminisme en kunst --- Kunstenaressen --- Women as artists --- vrouwelijke kunstenaars --- Atkins, Anna --- Klint, Hilma af --- Ettinger, Bracha L. --- Keersmaeker, Anne Teresa De --- Kot'átkova, Eva --- 21ste eeuw --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Iconografie ; de mens, portretten --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- drawing [image-making] --- video recordings --- Art --- performance art --- installations [visual works] --- painting [image-making] --- sculpting --- Martin, Agnes --- Hatoum, Mona --- Hesse, Eva --- Maiolino, Anna Maria --- Janssens, Ann Veronica --- Gallagher, Ellen --- Vicuña, Cecilia --- Spero, Nancy --- Newman, Avis --- Rosler, Martha --- Tuerlinckx, Joëlle --- women [female humans] --- hedendaagse kunst --- Sociology of the family. Sociology of sexuality --- feminism --- Contemporary [style of art] --- vrouw in de kunst --- Artists --- moderne kunst --- 20ste eeuw --- Arts [Modern ] --- 20th century --- 21st century --- Women artists --- MAD-faculty 15 --- hedendaagse kunstenaars --- Women artists. --- Ettinger Bracha L --- Af Klint, Hilma --- video recordings [physical artifacts] --- vrouwelijke kunstenaar --- vrouwelijke kunstenaars. --- hedendaagse kunst. --- moderne kunst. --- Nicodemus, Everlyn. --- Vicuña, Cecilia. --- Hatoum, Mona. --- Janssens, Ann Veronica. --- Rosler, Martha. --- Spero, Nancy. --- Gallagher, Ellen. --- Maiolino, Anna Maria. --- Newman, Avis. --- Atkins, Anna. --- Af Klint, Hilma. --- Kunz, Emma. --- Martin, Agnes. --- Gego. --- Hesse, Eva. --- Tuerlinckx, Joëlle. --- Mehretu, Julie. --- Iglesias, Cristina. --- Shettar, Ranjani. --- Verhaeghe, Ria. --- Grzymala, Monika. --- Keersmaeker, Anne Teresa De. --- Wright, Judith. --- Kot'átkova, Eva. --- Bloch, Pierrette. --- Gill, Simryn. --- 20ste eeuw. --- 21ste eeuw. --- Keersmaeker, De, Anne Teresa