Listing 1 - 6 of 6 |
Sort by
|
Choose an application
German literature --- Gemälde --- Kunstauktion --- Kunstbetrieb --- Kunstfälschung --- Kunsthändler --- Liebesbeziehung
Choose an application
Stadt und Kultur gehören unmittelbar zusammen. Die Stadt ist in formaler Hinsicht wichtig für die Kultur, weil Kulturpolitik im Wesentlichen in die Zuständigkeit der Städte fällt. Sie bildet aber auch den Raum, in dem Kultur stattfindet und diskursiv verhandelt wird. Dabei ist es einem Wandel unterworfen, was die Akteure innerhalb der Stadt als legitime Kultur betrachten und was als Imagegewinn und Bereicherung für das städtische Leben verstanden wird. Im Zeichen der Internationalisierung des Kunstbetriebs und der beginnenden Jugendproteste in den 1960er bis 1980er Jahren veränderten sich die Zielsetzungen der kulturpolitischen Akteure erheblich. Neue Strömungen stellten das tradierte Verständnis von Kultur in Frage. Dieser Veränderungsprozess führte zu zahlreichen Diskussionen und auch Konflikten um die Kultur im städtischen Raum. Die zentralen Debatten kreisten dabei um die Themen Pluralisierung, Demokratisierung und Politisierung sowie die Frage, inwieweit Kultur zur Kommunikation in der Stadt beitragen könne. Eine wichtige Rolle spielten auch die finanziellen Aspekte der Kulturpolitik. Das Buch analysiert diesen kulturellen Wandel im Hinblick auf seine Beweggründe, Widerstände und Durchsetzungspraktiken und nimmt sowohl Akteure als auch Diskurse in den Blick. Am Beispiel der beiden westfälischen Städte Dortmund und Münster werden vor allem drei Bereiche des kulturellen Lebens behandelt, die in dieser Zeit besonders umstritten waren: die Stadttheater, die Kunst im öffentlichen Raum sowie die Alternativ- und Soziokultur.
Pluralisierung --- Kunstbetrieb --- Soziokultur --- Stadtraum --- Stadttheater --- Westfalen --- Öffentlicher Raum --- Politisierung --- Kulturpolitik --- Alternativkultur --- Demokratisierung --- Internationalisierung --- Jugendproteste --- kultureller Wandel
Choose an application
kunst --- galeries --- tentoonstellingen --- Amsterdam --- Nederland --- twintigste eeuw --- eenentwintigste eeuw --- 069 --- Art museums --- Art museums. --- Museum. --- Kunstgalerie. --- Kunstbetrieb. --- 1900-2099. --- Netherlands --- Amsterdam. --- MAD-faculty 16 --- musea --- kunstgalerijen
Choose an application
The publication centres on the gallery in Vienna in which a new generation of young artists, such as Herbert Brandl, Otto Zitko, and Josef Danner, had their first exhibitions. John Baldessari, Ilya Kabakov, Mike Kelley, Martin Kippenberger, or Sol Lewitt also exhibited in the gallery up until 1993. The book presents all of the avant-garde gallery's activities in photos, documents, and correspondences. Exhibition: Wien Museum, Vienna, Austria (24.09.2015-14.02.2016).
hedendaagse kunst --- 1980 - 1990 --- 20ste eeuw --- Wenen --- Exhibition catalogs. --- Kunst. --- Kunstausstellung. --- Kunstbetrieb. --- Modernism (Art) --- Modernism (Art). --- Galerie Peter Pakesch --- Exhibitions --- History --- 1900-1999. --- Austria --- Wien. --- hedendaagse kunst. --- 1980 - 1990. --- 20ste eeuw. --- Wenen.
Choose an application
"The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation."--Publisher's website.
Art and globalization --- Art, Modern --- Globalization in art --- Exhibitions --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Araeen Rasheed --- Glissant Edouard --- globalisering --- 7.039 --- 7.01 --- Beeldende kunst ; 21ste eeuw ; geografische verschuivingen --- Globalisering --- Diversiteit ; emigratie en imigratie van kunstenaars --- Globale kunst --- Kosmopolitanisme --- Mondiale kunstontwikkelingen --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- Art and globalization. --- Art et mondialisation --- Art --- Art, Modern. --- Biennials (Art fairs). --- Globalisierung. --- Globalization in art. --- Kunst. --- Kunstbetrieb. --- Moderne. --- Pluralismus. --- Expositions. --- Expositions --- 1900 - 2099. --- Entwicklungsländer. --- Schwellenländer. --- Art and globalization - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Globalization in art - Exhibitions
Choose an application
"Unconcealed describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--Publisher's website.
Conceptual art --- Art, European --- Art museums --- Art galleries, Commercial --- Art --- Collectors and collecting --- collecties --- verzamelaars --- Maenz Paul --- Fischer Konrad --- Darboven Hanne --- minimal art --- minimalisme --- Siegelaub Seth --- Lippard Lucy R. --- Sperone Gian Enzo --- Wide White Space --- König Walther --- Op losse schroeven --- When attitudes become form --- Kosuth Joseph --- Huebler Douglas --- Greenwood Nigel --- Wendler Jack --- Ludwig Peter --- Ströher Karl --- Speck Reiner --- Hahn Wolfgang --- Herbig Jost --- Hock Wolfgang --- Matthys Roger --- Peeters Hubert --- Goeminne André --- Perlstein Sylvain --- Fiszman I9si --- Daled herman --- Herbert Annick --- Becht Frits --- Becht Agnes --- van Eelen Herman --- van Eelen Henriëtte --- Visser Martin --- Visser Mia --- Palumbo Peter --- Gordon Max --- Power Ted --- Power Alan --- Rausmüller Urs --- Marzona Egidio --- Baldassare Angelo --- Panza Giuseppe --- Ammann Jean-Christophe --- Charlier Jacques --- De Decker Anny --- Fuchs Rudi --- Harrison Charles --- Honnef Klaus --- Logsdail Nicholas --- Preisig Rolf --- Serota Nicholas --- Szeemann Harald --- Tremlett David --- Daled Herman --- Conceptual art. --- Art museums. --- Art galleries, Commercial. --- Collectors and collecting. --- 7.038 --- Andre Carl --- Art & Language --- Broodthaers Marcel --- Buren Daniel --- concept art --- conceptuele kunst --- Dibbets Jan --- galeries --- Gilbert & George --- kunst --- LeWitt Sol --- Lippard Lucy R --- Long Richard --- Merz Mario --- twintigste eeuw --- Weiner Lawrence --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Commercial art galleries --- Print galleries --- Prints --- Galleries and museums --- Art styles --- anno 1970-1979 --- anno 1960-1969 --- Europe --- Art conceptuel --- Histoire --- Histoire. --- Art, European. --- Ausstellung. --- Concept-art. --- Kunstbetrieb. --- Kunstgalerie. --- Kunsthandel. --- Künstler. --- Soziales Netzwerk. --- Serota, Nicholas. --- 1900-1999. --- Geschichte 1967-1977. --- Europa. --- Europe. --- Art, Primitive --- Conceptual art - Europe --- Art, European - 20th century --- Conceptual art - Europe - Exhibitions --- Art museums - Europe --- Art galleries, Commercial - Europe --- Art - Collectors and collecting - Europe
Listing 1 - 6 of 6 |
Sort by
|