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Lois Weinberger
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ISBN: 9783775735179 Year: 2013 Publisher: Ostfildern : Hatje Cantz,

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Fractals : the patterns of chaos, discovering a new aesthetic of art, science, and nature
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ISBN: 0500276935 Year: 1994 Publisher: London : Thames and Hudson,

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Vivian Suter
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ISBN: 9783775745512 3775745513 Year: 2019 Publisher: Berlin Hatje Cantz

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"More than thirty years ago the Swiss-Argentine artist Vivian Suter (*1949) moved to the rain forest in Panajachel, Guatemala, to live on a former coffee plantation. Since then she has worked on her impressive paintings in her wooden-hut studio, as well as outdoors. The tropical garden is her playground; her canvases lie on the sandy ground or hang in trees; dust, mud, leaves, mangos, and insects leave their traces on them. Her painting is influenced by organic processes and coincidence--even natural disasters are her material, when flood waters make their mark on canvases, becoming part of her large, colorful paintings. Containing documentation of her living and work spaces, as well as brief statements from companions and friends, the monograph also offers essays, numerous pictures, and insight into the artist's private life"--Publisher's description.


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Mark Dion : concerning hunting.
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ISBN: 9783775721974 Year: 2008 Publisher: Ostfildern Hatje Cantz

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Passage
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ISBN: 0500511918 Year: 2004 Publisher: London Thames and Hudson

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Jan Dibbets : roodborst territorium / sculptuur 1969 = Jan Dibbets : robin redbreast's territory / sculpture 1969 = Jan Dibbets : domaine d'un rouge-gorge / sculpture 1969 = Jan Dibbets : rotkehlchenterritorium / Skulptur 1969
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ISBN: 2915859450 9782915859454 Year: 2014 Publisher: Brest Zédélé éditions

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Unnatural horizons : paradox and contradiction in landscape architecture.
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ISBN: 1568981392 Year: 1998 Publisher: New York Princeton Architectural Press

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herman de vries : chance & change.
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ISBN: 8494625780 9788494625787 Year: 2017 Publisher: León ; Barcelona : MUSAC : By Publications S.L.,


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Zeger Reyers : paviljoen
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ISBN: 9789085865735 Year: 2010 Publisher: Place of publication unknown BAI

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Zeger Reyers (1966, NL) is bekend geworden met installaties waarbij hij ruimten liet begroeien met paddenstoelen of schimmels. Natuurlijke processen als eten en gegeten worden, groei, bloei en verval hebben zijn speciale aandacht. Hij laat zwammen uit meubels en apparaten groeien en hij zonk stoelen af in de Oosterschelde, om ze te laten overwoekeren door mosselen. Het werk van Zeger Reyers laat zich niet eenduidig lezen. Het straalt een lyriek uit die doet denken aan het enthousiasme waarmee in Victoriaanse tijden de natuur werd bestudeerd. In de gepassioneerde wijze waarop Reyers paddenstoelen kweekt en er recepten en wetenswaardigheden bij verzamelt, liggen wetenschap en kunst - net als in het Westerse wereldbeeld van de 19e eeuw - op een logische manier in elkaars verlengde. Voor het Middelheimmuseum werkt hij aan een presentatie met verschillende werken, in en rond het Braempaviljoen. Opnieuw staan de overgang tussen ontstaan en verval centraal. Bovendien gaat Reyers de confrontatie aan met de biomorfe architectuur van het paviljoen en met de vormentaal van Renaat Braem (die dit jaar gevierd wordt naar aanleiding van zijn 100ste verjaardag).


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Reading by osmosis : nature interprets us
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ISBN: 9789462085169 9462085161 Year: 2019 Publisher: Rotterdam nai010 publishers

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Reading by Osmosis. Nature Interprets Man' shows works of art that are not made by human hands: an overgrown fence, an underwater video and a battered disco ball. The makers? Ivy, an octopus and time. If we acknowledge that animals and plants, too, can 'read' the world and interpret and 'artistically' transform it, is the traditional opposition between culture and nature still tenable? Sema Bekirovic does not identify with the image of artists as lonely geniuses. Rather, she places little value on her own contribution to her work and shares her authorship with coots, warmth or light. Reading by Osmosis is the provisional high point of this process. As a rule, the intention and the autonomy of a maker are inextricably linked to their artistry. Reading by Osmosis raises the question of whether making art is a process as unintentional and plantlife-like as, for example, osmosis. The book includes the essay 'On Art as Planetary Metabolism', in which philosopher Michael Marder expounds his theory about the artist as a plant (and vice versa) in a surprising way.

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