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In The Future of the New: Artistic Innovation in Times of Social Acceleration artists, theorists, and professionals working the art field reflect on the role of the arts in a world that is speeding up and changing through joint forces of globalization, digitization, commodification, and financialization. Can artistic innovation still function as a source of critique? How do artists, theorists, and art organizations deal with the changing role of and discourse on innovation? Should we look for alternative ways to innovate, or should we change our discourse and look for other (new!) ways to talk about the new? Combining timely analyses of contemporary art and inspiring visions for the future, The Future of the New attempts to set the agenda for the debate on the function, value and future of artistic innovation.
digital --- globalization --- economics --- value [economic concept] --- artistic change --- Art --- 694 --- Esthetica en filosofie --- 7.01 --- Kunst en globalisering --- Kunst en economie --- Kunst ; theorie, filosofie, esthetica --- Arts and society. --- Arts --- Mondialisation --- Philosophie de l'art --- Philosophy. --- Arts - Philosophy.
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Artist residencies provide space, time, and concentration for making art, doing research and for reflection. Residencies are crucial nodes in international circulation and career development, but also invaluable infrastructures for critical thinking and artistic experimentation, cross-cultural collaboration, interdisciplinary knowledge production, and site-specific research. The globalization process and the demands of the creative economy have had an impact on artist residencies. Ecological and geopolitical urgencies are now also affecting them more and more. In response, many residencies today actively search for more sustainable alternatives than the current neoliberal condition allows for artistic practice. With a range of critical insights from the field of residencies, this book asks what the present role of artist residencies is in relation to artists and the art ecosystem amid transformations in society.
Artists and community --- Artist-in-residence programs --- 7.01 --- 7.071 --- Centra voor artistieke praktijk en onderzoek --- Kunstenaarsresidenties --- Kunstpraktijk --- Kunst en globalisering --- Kunst en ecologie --- Artists-in-residence programs --- Community and artists --- Communities --- Community arts projects --- Kunst ; theorie, filosofie, esthetica --- Kunst ; kunstenaars en beroep --- Artiste, rôle --- Création artistique --- Artists as teachers
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Art and globalization --- Art et globalisation --- Globalisation et art --- Globalisering en kunst --- Globalization and art --- Kunst en globalisering --- Charlotte Bydler --- kunst --- cultuur --- culturele economie --- cultuurfilosofie --- globalisering --- kunstmarkt --- biënnales --- Venetië --- biennale van Venetië --- biennale di Venezia --- Havana --- Kwangju --- Manifesta --- Danto Arthur C. --- Spivak Gayatri Chakravorty --- Mosquera Gerardo --- Virilio Paul --- poskolonialisme --- 7.01 --- 130.2 --- Art and globalization. --- Danto Arthur C --- Globalization --- Art contemporain --- Art --- Mondialisation --- Historiographie --- Art - 1990-...
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Drawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing the need for research on the ground, it examines the various component parts, from art markets through auction houses to networks of collectors, that constitute the global art world. Divided into four parts-Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration-the chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, Asia and the Pacific. With contributions from Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.
Art and anthropology. --- Art, Modern --- Economic aspects --- Economic aspects. --- Art et anthropologie. --- Art moderne --- Aspect économique --- Art and anthropology --- 7.01 --- Kunsttheorie ; over hedendaagse kunst ; 21ste eeuw --- Kunsttheorie ; over kunst en globalisering ; 21ste eeuw --- Kunstenaars en kunstmarkt --- Anthropology and art --- Anthropology --- Modern art --- Kunst ; theorie, filosofie, esthetica --- Arteconomy --- Aspect économique. --- Marché de l'art --- Collectionneur --- Sociologie de l'art --- Pratique artistique --- Nieuwe Ploeg (Group of artists)
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Het civiele domein is de maatschappelijke ruimte waar individuen en gemeenschappen elkaar ontmoeten, met elkaar in gesprek gaan, en zich inzetten voor sociale en politieke kwesties. Het is een domein dat nog niet beheerst wordt door wetgeving of marktwerking. De politieke, economische en ecologische problemen van het afgelopen decennium hebben dit domein weer zichtbaar gemaakt als een plek waar ruimte is voor kritische geluiden en politieke alternatieven. Dit boek kijkt naar verschillende artistieke praktijken, activistische platforms en nieuwe burgerinitiatieven en stelt daarbij de vraag hoe kunst en cultuur de bouwstenen kunnen bieden voor een sterk civiel domein. Hoe brengen kunstenaars en mensen die werken in de culturele sector 'de kunst van "civil action'" in de praktijk? Welke strategieën kunnen zulke initiatieven toepassen om hun lokale invloed te vergroten? En wat kunnen zij betekenen op transnationaal niveau? Cultuurtheoretici, activisten en kunstenaars onderzoeken hoe de kunsten bouwstenen kunnen aanreiken voor een lokaal geworteld civiel domein in een wereld die steeds meer op globaal niveau verbonden is. Met bijdragen van: Andrew Barnett, Llorenç Bonet, llya Budraitskis, Giuliana Ciancio, Philipp Dietachmair, Milena Dragićević Šešić, Pascal Gielen, Max Haiven, Stefan Kaegi, Ivan Krastev, Thijs Lijster, Tomislav Medak, Borka Pavićević, Yudhishthir Raj Isar, Igor Stokfiszewski, Hakan Topal
political art --- public art --- citizen participation --- art [fine art] --- public spaces --- Art --- Recetas Urbanas --- Rimini Protokoll --- cultuur. --- Kunst --- kunst --- burgerparticipatie --- openbare kunst --- politieke kunst --- openbare ruimten --- Arts --- Arts and society --- Art and social action --- 7.01 --- Kunst en maatschappijkritiek ; activisme --- Kunst en maatschappij --- Cultureel activisme --- Kunst en globalisering --- Social action and art --- Social action --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Political aspects --- Kunst ; theorie, filosofie, esthetica --- Social aspects --- Analyse de l'art --- Art et politique --- Action sociale --- Arts - Political aspects --- art [discipline]
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Art --- Aesthetics. --- Economic aspects. --- art criticism --- philosophy of art --- globalisering --- globalization --- Kunsttheorie ; over kunst en globalisering ; 21ste eeuw --- Kunst en maatschappij ; Post-Fordisme --- Kunst en politiek --- Kosmopolitanisme --- Kunst en neoliberalisme --- Diversiteit --- Globale kunst --- postfordisme --- kunst en sociologie --- kunst en ecologie --- Globalisering (Anti-globalisering) --- Kunstzinnige vorming (kunsteducatie, kunstzinnige opvoeding) --- #SBIB:316.7C200 --- Kunst ; theorie, filosofie, esthetica --- Sociologie ; sociale processen, sociale dynamiek --- Sociologie van de cultuuruitingen: algemeen --- cultuursociologie --- kunstkritiek --- Sociology of culture --- Sociologie van de cultuur --- Kunst --- kunstfilosofie --- Aesthetics --- Sociologie --- 7.01 --- ecologie --- economie --- geheugen --- kunst --- kunst en economie --- kunst en politiek --- kunsttheorie --- netwerken --- politiek --- sociologie --- 316.4 --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Economic aspects --- Psychology --- Labour economics --- Radio broadcasting Aesthetics --- kunstsociologie
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7.038 --- 7.039 --- Beeldende kunst ; 1990-2008 ; naslagwerken --- abstractie --- body art --- eenentwintigste eeuw --- galeries --- globalisering --- kunst en architectuur --- kunst en globalisering --- kunst en godsdienst --- kunst en maatschappij --- kunst en natuur --- kunst en politiek --- kunst en religie --- kunst en technologie --- kunst --- kunsttheorie --- musea --- museologie --- narratologie --- popcultuur --- receptie-esthetica --- twintigste eeuw --- 700.6 --- architectuur --- kunstfilosofie --- kunstkritiek --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Art criticism. --- Art, Modern --- hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 2000-2009 --- anno 1980-1989 --- anno 1990-1999 --- Art criticism --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Arts --- Criticism --- Analysis, interpretation, appreciation
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A new wave of artistic activism has emerged in recent years in response to the ever-increasing dominance of authoritarian neoliberalism. Activist practices in the art field, however, have been around much longer. As Oliver Marchart claims, there has always been an activist undercurrent in art. In this book he traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and ?biennials of resistance.? What emerges is a conflictual aesthetics that does not conform with traditional approaches to the field and that activates the political potential of artistic practice.00Oliver Marchart is a political theorist and philosopher. He is currently professor of political theory at the University of Vienna. His books include Post-foundational Political Thought: Political Difference in Nancy, Lefort, Badiou and Laclau (2007), Thinking Antagonism: Political Ontology after Laclau (2018), and the forthcoming Post-foundational Theories of Democracy: Reclaiming Freedom, Equality, Solidarity.
Aesthetics. --- Art --- Public art. --- Political aspects. --- Aesthetics --- performing arts --- public art --- political art --- public spaces --- Politics --- Public art --- Political aspects --- 7.098 --- 7.01 --- 7.011 --- 711.12 --- Kunst en maatschappijkritiek ; activisme --- Kunst en politiek --- Kunsttheorie ; kunst in de publieke ruimte --- Kunst en globalisering --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Civic art --- Art and politics --- Politics and art --- Kunst in openbare ruimte ; omgevingskunst, graffiti --- Iconografie ; verschillende onderwerpen --- Kunst ; ontwerp, compositie --- Stedenbouw. Ruimtelijke ordening ; planningtheorie ; methoden en technieken ; participatie --- Psychology --- dance [discipline] --- theater [discipline] --- performance art --- activists --- Kunst ; theorie, filosofie, esthetica --- kunst --- 069 --- 7.039 --- kunst en openbare ruimte --- activisme --- dans --- museologie --- tentoonstellingen --- 72.01 --- architectuurtheorie --- stedenbouw --- architectuur --- kunst en poltiek --- kunsttheorie --- Radio broadcasting Aesthetics --- Art - Political aspects --- performing arts [discipline] --- dance [performing arts genre] --- urbanisme
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Jananne al Ani; Francis Alys; Uri Ancarani; Oreet Ashery; Ed Atkins; Judith Barry; Gretchen Bender; Dara Birnbaum; Black Audio Film Collective; Brad Butler; Olga Chernysheva; James coleman; Minerva; Cuevas; Stan Douglas; Olafur Eliasson; VALIE EXPORT; Harun Farocki; Omer Fast; Morgan Fisher; Hollis Frampton; Melanie Gilligan; Joana Hadjithomas; Gary Hill; Susan Hiller; William Kentridge; Anja Kirchner; Steve McQueen; Jumana Manna; Karen Mirza; Rabih Mroué; Otolith Group; Nam June Paik; Luther Price; Yvonne Rainer; R.V.Ramani; Pipilotti Rist; Ben Rivers; Tyan Trecartin; Trinh T. Minh-Ha; Bill Viola
Motion in art --- Technology and the arts --- Arts and globalization --- Space (Art) --- Motion in art. --- Technology and the arts. --- Arts and globalization. --- 778.5.01 --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Beeldende kunst en bewegend beeld --- Videokunst ; video-installaties --- Beeldende kunst en nieuwe media --- Kunst en technologie --- Kunst en beweging --- Kunst en globalisering --- Experimentele film --- Body Art --- Site specific art --- Space (Art). --- Mouvement --- Technologie et arts --- Art et mondialisation --- Art vidéo --- Dans l'art --- performance art --- installations [visual works] --- art theory --- new media art --- site-specific works --- body arts [discipline] --- moving images --- video art --- Art --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Black Audio Film Collective --- Viola Bill --- Trinh T. Minh-ha --- Trecartin Ryan --- Rivers Ben --- Rist Pipilotti --- Ramani R.V --- Rainer Yvonne --- Price Luther --- Paik Nam June --- Otolith group --- Mroué Rabih --- Mirza Karen --- Manna Jumana --- McQueen Steve --- Kirschner Anja --- Kentridge William --- Hiller Susan --- Hill Gary --- Hadjithomas Joana --- Gilligan Melanie --- Frampton Hollis --- Fisher Morgan --- Fast Omer --- Farocki Harun --- VALIE EXPORT --- Eliasson Olafur --- Douglas Stan --- Cuevas Minerva --- Coleman James --- Chernysheva Olga --- Butler Brad --- 791.43 --- 7.038/039 --- 791.41 --- 7.01 --- kunsttheorie --- filmtheorie --- Birnbaum Dara --- Bender Gretchen --- Barry judith --- Atkins Ed --- Ashery Oreet --- Ancarani Yuri --- Alÿs Francis --- al-Ani Jananne --- performances --- lichamelijkheid --- body art --- video-installaties --- installaties --- kunst en film --- kunst --- film --- Kunst --- installaties [kunstwerken] --- videokunst [kunstwerken] --- performances [live] --- plaatsspecifieke werken --- bewegende beelden --- lichaamskunst --- nieuwe mediakunst --- Technologie et arts. --- Art et mondialisation. --- Art vidéo. --- Dans l'art.
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